検索キーワード： ナレーター "Lucy Rayner" すべてのカテゴリー

In England in the late 1920s, the Honourable Daisy Dalrymple Fletcher, on a convalescent trip to the countryside, goes to visit three old school friends in the area. Daisy and her husband Alec - Detective Chief Inspector Alec Fletcher, of Scotland Yard - go for a Sunday lunch with Daisy’s friends, where one of the women mentions a wine cellar below their house, which remains curiously locked, no key to be found. Alec offers to pick the lock, but when he opens the door, what greets them is not a cache of wine but the stench of a long-dead body.

In September 1926, the Honorable Daisy Dalrymple Fletcher visits Sybil Sutherby, a school friend now living in Derbyshire as the confidential secretary to a novelist. Suspecting that something is seriously amiss, Sybil has asked Daisy to discretely investigate. Upon arrival, Daisy finds a household of relatives and would-be suitors living off the hospitality of Humphrey Birtwhistle, who had been supporting them through his thrice-yearly, pseudonymous Westerns. When he took ill, though, Sybil took over writing them while he recovered, only to see the sales increase. Now, she fears that someone in the household is poisoning Birtwhistle to keep him ill and Sybil writing the better-paying versions.

In late 1923, the newly married Daisy Dalrymple and her husband, Detective Chief Inspector Alec Fletcher of Scotland Yard, come to America for a honeymoon visit. In the midst of a pleasure trip, however, both work in a bit of business - Alec travels to Washington, DC, to consult with the US government, Daisy to New York to meet with her American magazine editor.

In late 1926, the newly married Daisy Dalrymple and Detective Chief Inspector Alec Fletcher of Scotland Yard take an ocean voyage to America for their honeymoon. Daisy and Alec are accompanied by Daisy's childhood friend, Phillip Petrie; his wife, Gloria; and Gloria's father, American millionaire industrialist Caleb P. Arbuckle, and all are looking forward to a pleasant, uneventful trip. But at the last minute they are joined by Arbuckle's new friend, Yorkshire millionaire Jethro Gotobed, and his new wife, Wanda.

In the summer of 1923, the Honorable Daisy Dalrymple makes what should be an uneventful research trip to the Museum of Natural History quite an eventful day - with her nephew, Derek, and her soon-to-be stepdaughter, Belinda, in tow. But as she interviews the various curators for her article on the museums of London, she soon discovers that the Museum of Natural History is a hothouse of professional rivalry and jealousy.

In early 1925, the Honorable Daisy Dalrymple Fletcher - recent mother of twins - resumes her journalistic career by agreeing to write a piece about the Tower of London - the Bloody Tower - for an American magazine. Invited to observe the centuries-old ritual Ceremony of the Keys, she's spending the night (her first time away from her babies), since the complex is locked and guarded, and the high walls are surrounded by a disused moat.

In the winter of 1924, Daisy Dalrymple Fletcher travels to a school friend's house to witness the estate's famous Guy Fawkes celebration. But she gets more than the quiet weekend at the quaint family manse that she was originally hoping for. The home is the site of some severe family tension. The Viscount and head of the family is a strict and unyielding sort, insisting that everyone - especially his children - meet his own unreasonable expectations. On the evening of the Guy Fawkes celebration, the Viscount is found dead on the floor of his study, killed by his own hand.

In March of 1926, Daisy Dalrymple Fletcher and her friend and collaborator, Lady Lucy Gerald, head off for several days to a stately home reputed to have the best grotto in the country. Working on a book of architectural follies, they plan to research and photograph it. Leaving her husband and young twins behind, Daisy is expecting a productive weekend at Appsworth Hall, with the only potential difficulty being keeping Lucy from offending the current owner, a manufacturer of plumbing products. Alas, it's not to be quite so simple.

In September 1925, Scotland Yard DCI Alec Fletcher inherits a large house on the outskirts of London from a recently deceased great-uncle. Fortunately so, as he and his wife, the Honorable Daisy Dalrymple Fletcher, are the recent proud parents of twins, and their house is practically bursting at the seams. Though in need of a bit of work, this new, larger house seems a godsend - set in a small circle of houses, with Hampstead Heath nearby, the setting is idyllic. Idyllic, that is until a dead body shows up half-hidden under the bushes of the communal garden.

For fans of Libba Bray, this first book in a gothic suspense trilogy is inspired by H. G. Wells's The Island of Dr. Moreau and has been hailed by New York Times bestseller Carrie Ryan as having ""beautiful writing, breakneck pacing, a pulse-pounding mystery, and an irresistible romance.""...

Blaine McNeil is the master-at-arms at Lochlann, set deep in the wild and mysterious Scottish Highlands, and he must defend his clan at all costs. When the woman he loves is taken captive by the evil McDonnell clan, he rides to rescue her. Chrissie Connolly, now a young woman, visits the home of her beloved cousins Amabel and Alina often, especially now that there are Amabel's bonny babes to visit. Chrissie is facing what seems to be her toughest decision - which suitor should she accept has her future husband? Heath Fraser, or the unsuitable but persistent Blaine MacNeil?

Where is Wendy? Leading a labor strike against the Lost Boys, of course. In Jane Yolen's first full collection in more than 10 years, discover new and uncollected tales of beloved characters, literary legends, and much more. A Scottish academic unearths ancient evil in a fishing village. Edgar Allan Poe's young bride is beguiled by a most unusual bird. Dorothy, lifted from Kansas, returns as a gymnastic sophisticate. Emily Dickinson dwells in possibility and sails away in a starship made of light. Winner of the 2018 World Fantasy Award.

The London summer of 1854 is drawing to a close when a deadly outbreak of cholera grips the city. Florence Nightingale is back on the scene marshaling her nurses to help treat countless suffering patients at Middlesex Hospital as the disease tears through the Soho slums. But beyond the dangers of the disease, something even more evil is seeping through the ailing streets of London. It begins with an attack on the carriage of Florence's friend, Elizabeth Herbert, wife of Secretary at War Sidney Herbert. Elizabeth survives, but her coachman does not.

When a young nurse dies on her watch, Florence Nightingale must uncover the deep-hidden secrets someone will kill to keep buried. It is 1853. Lady of the Lamp Florence Nightingale has just accepted the position of superintendent of the Establishment for Gentlewomen during Temporary Illness in London. She has hardly had time to learn the names of the nurses in her charge when she suddenly finds one of them hanging in the establishment's library. Her name was Nurse Bellamy.

Leona MacConnoway is the daughter of the local gentry. When her mother's father passes away in faraway France, a messenger brings word that she must travel to his estate at the order of the new Lord du Mas. However, there is no word on when - or if - she will ever be allowed to return to the wilds of Scotland. Handsome Conn MacNeil has always known that his betrothal to Leona would lead to happily ever after, and he's never doubted that theirs will be a blissful union. Before they can wed, though, she's torn away and sent to France.

It's been a decade since Kate and Cecelia foiled Napoleon's plot to reclaim the French crown. The cousins now have estates, children, and a place at the height of wizarding society. It is 1828, and though magic remains at the heart of the British Empire, a new power has begun to make itself felt across England: the steam engine. As iron tracks crisscross the countryside, the shaking of the locomotives begins to disrupt the workings of English magic, threatening the very foundations of the Empire.

Since they were children, cousins Kate and Cecelia have been inseparable. But in 1817, as they approach adulthood, their families force them to spend a summer apart. As Cecelia fights boredom in her small country town, Kate visits London to mingle with the brightest lights of English society. At the initiation of a powerful magician into the Royal College of Wizards, Kate finds herself alone with a mysterious witch who offers her a sip from a chocolate pot.

Etta's happy with her simple life in the mill, but when her aunt passes and leaves her a very peculiar cat, everything goes awry. Now, determined to find her place in the world, Etta's learning to hunt, having audiences with a king, and falling for a man who's keeping something from her. Beau's happy at sea until his father passes and leaves him with an odd last request. Now he's setting up shop in a small town, searching for ogres, and, inconveniently, falling for the miller's sister - who just happens to be taken with someone else. 

No, no, no! It doesn't matter how many times the Duchess of Trent (The Harlow Hoyden) requests her help with a delicate matter regarding a patent for her sister's invention, Tuppence Templeton will not lend a hand. She has a habit, yes, of coming up with ingenious plans to solve other people's problems, and it is true that she's clever and daring enough to pull off the proposed scheme. But there's no way she's going to confront the arrogant and dismissive Earl of Gage again.

Earning the nickname Lady Agony was no minor achievement for Lady Agatha Bolingbroke. It required a great deal of effort to make herself so disagreeable, but she did it for a good cause: The fewer invitations she received, the more time she had to paint. Her mother, refusing to accept an unpopular daughter - or, worse, a talented one - insists on dragging her to every event of the season. To thwart her parents and to vent her frustration, Agatha creates a wicked alter ego: a caricaturist whose mocking illustrations take ruthless aim at the ridiculousness of the ton.