検索キーワード： ナレーター "Liza Ross" すべてのカテゴリー

Here are eight stories from master American writers of the 19th century. They vary from sinister tales by Ambrose Bierce - why is that window boarded up? - and a reflective moment in the life of a woman without children, but forced to look after children, to classic short stories by O. Henry and Stephen Crane. There is even an elegiac description of an eclipse by James Fenimore Cooper, author of The Last of the Mohicans.

This is a story from the Classic Women's Short Stories collection.

This is a story from the Classic Women's Short Stories collection.

This is a story from the More Classic American Short Stories collection.

This is a story from the More Classic American Short Stories collection.

This is a story from the More Classic American Short Stories collection.

This is a story from the More Classic American Short Stories collection.

This is a story from the More Classic American Short Stories collection....

A naïve, recently divorced Canadian woman travels to San Jose in Mexico, where she is embraced by a party-loving group of expatriates who, fortified by margaritas, whirl from sexual encounters to experiments in the occult. But Claire, fascinated by the Mexicans and their joyful high spirits, falls in love with the country, and with the vibrant and mercurial Lolo, the man who represents for her the soul of Mexico.

An essential for life. Without it life is impossible. Was it always that way? In this volume of stories, water becomes the landscape and narrative, a character more deadly and perhaps more aware of its power than us mere mortals. We are beguiled by its sight, whether softly breaking waves on a sandy beach or a thunderous storm engulfing the cliff face. But also in other forms; as lakes and lagoons. Water is everywhere, and where there is water is the shadow of menace.

We are captivated by colour. It seeps into our emotions, our vistas. It’s part of everyday life. Sometimes its part of something much darker. Our eminent authors in this volume bring you colours of every shade. From the terror of HP Lovecraft and the shadowed world of Edith Nesbit to the wordplay of Virginia Woolf - as well as many others. Color in all its light and shades, hues and tints is brought to the fore by these exceptional writers.

Producers Garrick Hagon and Liza Ross discuss Samuel Richardson's landmark novel Clarissa with Lucy Scott, who plays the part of Clarissa in the Naxos AudioBooks recording. Clarissa is one of the longest novels in the English canon; its epistolary form and narrative experimentation made it a huge challenge for the veteran team of audiobook producers and narrators.

The March sisters are among the most beloved characters in children's literature, and Good Wives - the second volume of Little Women - picks up where its predecessor left off. As Meg marries John, Jo is faced with a romantic dilemma of her own, Amy travels to Europe, and Beth becomes increasingly ill. In this sensitive and lively novel, Alcott - "the Thackeray, the Trollope, of the nursery and the schoolroom", as Henry James called her - is on sparkling form.

The March sisters are among the most beloved characters in children's literature, and Little Men picks up the story of fiery, headstrong Jo where Good Wives left off. Intelligent, funny, perceptive, and genuinely touching, the novel is set at a rather unusual boarding school run by Jo and her husband, where the pupils are encouraged to pillow fight and keep pets. When the penniless but talented orphan Nat Blake shows up on her doorstep, Jo takes him in, and his arrival sets in motion a chain of events that will affect all their lives.

I Can Run is not a running book for 'runners' - it's the must-have running book for every woman who has ever experienced a moment of defeatism and had the little voice in their head make the excuse 'I can't run'. In 12 chapters, you will discover that you can. You will dig deep to find your inner athlete. You'll learn how to train smart, recover well, sync your runs to your menstrual cycle and fuel right.

A dangerous, depressed place reeking of bad memories, South Chicago is a neighbourhood private investigator V.I. Warshawski left a long time ago. But now she's back, drawn to the streets of her childhood once again to do a favour for a friend. It was never going to be easy - and when the mother of a local girl asks her to look into claims of sabotage at the factory where she works, V.I. quickly finds herself caught up in something far more sinister.

During a routine stake-out of a major client's former home, V.I. stumbles upon something she didn't expect to find: a body. The police immediately dismiss the victim as a drunken intruder, but V.I. sees things differently. Hired by the dead man's family to investigate, V.I. is lead back to the blacklists of the McCarthy era as well as into the murky operations of modern American government. Stopping at nothing in her quest for justice, V.I. soon discovers the perilous cost of bringing dark secrets to light....

While driving home after celebrating friend Murray Ryerson's big break into TV hosting, V.I. almost collides with a fatally wounded woman lying in the street. The deceased is Nicola Aguinaldo, former employee of security giant B.B. Baladine and recent prison runaway. Taking on the case, V.I. finds herself plunged into a sinister network of corruption that pits her against the police, the prison and the entertainment industry - with potentially lethal results.

Chicago is the city of broad shoulders, but V.I. Warshawski knows its politics: 'Pay to Play.' Money changes hands in the middle of the night; by morning, buildings and parks have been replaced by billion-dollar projects. Private Investigator V.I. gets pulled into one of these clandestine deals when her impetuous goddaughter Bernie tries to rescue a famed Singer-Songwriter, now living on the streets. Thanks to Bernie, V.I. finds herself in the path of some developers whose negotiating strategy is simple: they bulldoze - or kill - any obstacle in their way.

A young typist drinks poison substituted for the medicine left for her by the nurse. The patient insists she was not trying to commit suicide, the nurse asserts her innocence: but no-one else could have got into the room and tampered with the glass . . .