検索キーワード： ナレーター "Hannah Curtis" すべてのカテゴリー

Fred Hallow-Hart isn't in love with the idea of returning home to Pine Bluff. But after a bad breakup and a subsequent eviction, she's fresh out of options. God knows she loves her mum and her eccentric aunts—and who could forget their Christmas Cracker family business?—but she's always felt a little out of place in her small town. Quickly roped in by her mother to help with the cracker shop, Fred decides throwing herself into work might actually be what's best for her. Until she reconnects with her old best friend Ryan, who is suddenly making her heart flutter in ways she's never known.

Detective Mary Hume stares at the crime scene in confusion. She's in an empty flat. Peeling wallpaper. A bloodstained chair in the middle of the room. But no body. Her sergeant hands her a burner phone. On it is a video clip. It shows a woman. Tied to the chair in the flat, a carving knife pressed to her throat. Placed in the woman's lap is a piece of cardboard. Written on it in blood-red is one word: DEADTOWN.

Michael continues to work to fulfill the promise to his love, but the world isn't the same place. Now, there is a mistake he made centuries in the past walking around he needs to rectify. To complicate matters, there is a group out of England believing Michael’s blood will be just what they need for their business. While they get nasty Vampires off the street at the same time. Further, the effort to pull together the Sacred Clan’s ship parts are starting to come together. Unfortunately, no one wishes to give Michael and his new family any help.

In an innovative and engaging narrative of everyday life in Shakespeare’s England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-sixteenth century into the private lives of four women writers working at a time when women were legally the property of men.

Michael just wants a little sleep. The last few days has been a bit of a learning overload after coming back a hundred and fifty years after he was blown apart by a backpack nuke. The world destroyed itself, there are anti-gravity cars and ships, and his love is in the stars... somewhere. Plus, there is a Vampire trying to make Europe his personal fiefdom. Akio and Yuko are trying to find him, and he has a young female Wechselbalg and male Vampire to keep on the straight and narrow.

I know I’m lucky. I have a stunning Cheltenham apartment and a charming weekend cottage in Devon. Chris, my partner, is kind and supportive. He loves me in spite of my scars—the result of a childhood incident I don’t talk about. Most of all, I love my job, helping young women with eating disorders. But I can’t help everyone, as I tell Kyle Stannard. Kyle was once a top male model—before he was left horrifically scarred in a random attack. Kyle thinks we’re the same, but I can’t help him with his problems. It’s not my field. Then creepy things start to happen.

Lauren Wade hates Jem Carter, and Jem hates her. So when Lauren gets a message from Jem asking for help, she suspects it’s some sort of attention-seeking stunt by the woman she caught in bed with her husband. Lauren decides to simply alert her ex, Daniel, who thinks Lauren is the one trying to cause trouble. However, when Jem’s car is found abandoned on a bridge, the police become involved...and Lauren finds herself panicking. She is sure they will find out about a secret she's been hiding.

We spend an average of 33 years of our lives asleep. But what really happens, and what are we capable of, when we sleep? Anna Ogilvy was a budding twenty-five-year-old writer with a bright future. Then, one night, she stabbed two people to death with no apparent motive—and hasn’t woken up since. Dubbed “Sleeping Beauty” by the tabloids, Anna’s condition is a rare psychosomatic disorder known to neurologists as “resignation syndrome.”

After escaping a bad relationship, Jess Cavendish is running and leaving it all behind, carrying just a few treasured belongings in her knapsack. She needs to start over, but that means sleeping where she can and making the most of her slim savings. Luckily, she comes across a recently sold, unoccupied house. It couldn’t hurt to stay there while she saves up enough to get her own place, right?

The period from 1933 to 1943 was one of the darkest and most chaotic in human history, as the Second World War unfolded with unthinkable cruelty. It was also a crucial decade in the dramatic, intersecting lives of some of history’s greatest philosophers. There were four women, in particular, whose parallel ideas would come to dominate the twentieth century—at once in necessary dialogue and in striking contrast with one another.

Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history.

Eleanor did not come to London to be proper and boring. After the death of her husband and a year of mourning, the seventeen-year-old wants nothing more than her independence and to have a little fun. She’s hardly looking to remarry, despite pressures from her late husband’s nephew, who is keen on obtaining her inheritance. Eleanor quickly devises a plan that includes a fake engagement. What’s not a part of the plan? Falling for a dashing, quiet man outside of her social circle—a man who is not her betrothed. Can she survive the Season with her heart and her fortune intact?

Tourists have sought out the landmarks, streets, and alleys of Charles Dickens's London ever since the death of the world-renowned author. Late Victorians and Edwardians were obsessed with tracking down the locations—dubbed "Dickensland"—that famously featured in his novels. But his fans were faced with a city that was undergoing rapid redevelopment, where literary shrines were far from sacred. Over the following century, sites connected with Dickens were demolished, relocated, and reimagined.

Eleven Minutes tells the story of Maria, a young girl from a Brazilian village whose first innocent brushes with love leave her heartbroken. At a tender age, she becomes convinced that she will never find true love, instead believing that “love is a terrible thing that will make you suffer.” A chance meeting in Rio takes her to Geneva, where she dreams of finding fame and fortune, yet ends up working as a prostitute.

They called him the Young Pretender, a Prince of England whose throne was stolen from him. Charles Stuart risked a blood bath for his crown. To fund his war between Scotland and England, Charles had millions in gold buried by his followers and lost to time. Annja, Roux, and Garin team up to hunt for the Jacobite treasure from the underground alleys in Edinburgh, to the misty hills, lochs, and castles of The Highlands.

A few years ago, Laura lost her daughter in tragic circumstances. Now, she is running from her past, but a chance encounter with a frightened teenager, Miriana, drags her back into a web of secrets and danger. As Miriana’s cryptic story unravels, Laura realises the threat is closer than she ever imagined. Someone is hunting Laura, determined to bury the truth about what really happened to her daughter. A predator is watching. Waiting. Ready to strike again. Trapped between fear and fury, Laura must confront her darkest suspicions and uncover the terrifying truth before the hunter closes in.

In a gripping novel full of plot twists, B. A. Shapiro embeds us in a circle of famous painters in late-nineteenth-century Paris, centering on the anguished Impressionist artist Berthe Morisot—the one woman in their midst who never got her due—and the story of Morisot’s great-great-great-great granddaughter, Tamara Rubin, who has inherited Édouard Manet’s Party on the Seine, a painting that completely upends her life.

When you think about Christmas, you likely picture mangers, glowing fireplaces, sweet carolers, and snow-blanketed hills. But behind all this bright magic, there’s something much darker lurking in the shadows. In The Dead of Winter, Cambridge-trained historian Sarah Clegg delves deep into the folklore of the Christmas season in Europe, detailing the way its terrifying and often debaucherous past continues to haunt and entertain us now in the twenty-first century.

When Kate Arden discovers a secret stash of drawings hidden in the pages of an old volume of poetry given to her as a baby, her breath catches. All her life, she has felt like an outsider in her aristocratic adoptive family, who refuse to answer any questions about her past. But the drawings spark a forgotten memory: a long journey by boat, warm arms that held her tight, and then let go.

A stunning debut novel from the Northern Irish poet Eoghan Walls, The Gospel of Orla is the coming-of-age story of a young girl, Orla, and the man she meets who has an astonishing and unique ability.