検索キーワード： ナレーター "Cris Dukehart" すべてのカテゴリー

Dylan Morrissey forgoes the Shifters’ traditional Yule celebration, to his family’s dismay. Instead, he joins Ben at the haunted house in New Orleans, planning to meet with potential, if dangerous, allies in the Shifters’ constant struggle for freedom.

On dragons' wings, war begins. Magic has returned to Earth. A year ago, the dark elves breached the interstellar veil between our world and theirs. They slaughtered scores of innocents in the first battle of a war between magic and technology. Then they vanished. In the year since, Elizabeth Chambers has trained alongside Cassie "Starlight" Rogan in the special forces unit known as Task Force Devil. Their mission: to monitor the interstellar portal where the dark elves forced their way into our world.  

A Tortantula and a Flatar. The most enigmatic teaming in the mercenary guild, it’s also a perfect pairing, where one’s strengths cover the other’s weakness. Raised together from birth, their lives are a brutal series of tests. Azah isn’t like most other female Tortantula; she’s much smaller and made fun of. No one expects her to survive, much less succeed, but she’s still given a chance and assigned a Flatar: Sadek. The two quickly bond and find they complement each other. Against all odds, they survive the breeding dome and join the ranks of their races’ mercenaries.

Audrun, Davyn, and their four children have fled their war-scourged homeland, joining a karavan headed toward a haven of peace where diviners have said their fifth child - the one Audrun now carries - must be born. But now, desperate to reach safety before the child comes, they have chosen to break off from the karavan and take a dangerous route too near the sentient hell called Alisanos.

Diviners have told Audrun that the child she carries must be born in a haven of peace, far from her war-scourged homeland, but as she flees she finds only far greater danger. For her karavan is overtaken by Alisanos, the deepwood - a dangerous magical forest that harbors not only demons, gods, and other otherworldly creatures, but also its own sinister intentions - and which may have already claimed Audrun and her child for its own.

In the lonely years following the death of her fiancé, Helen is unable to move on with her life. But life itself is moving on around her literally: The building of a dam is forcing her small town and her family home to relocate. But the construction project means more than the loss of a home. Helens brother, Robbie, who disappeared without a trace 15 years earlier, suddenly resurfaces. As he re-enters his sisters life, he reveals the secret of why he left in the first place: a secret that tore their family apart, and affected Helens life in more ways than she ever realized.

Seduced by Slim's stories of the privations of a cross-country trek that ended in the violence of an historic riot and tales of Depression-era work camps, Edie MacDonald has followed him from mine to mine, where he finds work and she cares for their son, Belly, in the thin shelter of canvas tents. Until now. Edie has left Slim behind, passed out in an unheated apartment on the coldest day of the year. Boarding a train with Belly, she travels westward. When the train struggles through a snowstorm and possible calamity, the lens shifts between Belly's perspective and Edie's.

Alisanos, the deepwood, is more than just a forest...it is sentient, and predatory. Home to demons and worse, its mercurial boundaries can suddenly shift miles in any direction to encompass previously safe human lands - and those taken by the deepwood are forever changed. Audrun, a human woman trapped within the forest, is reunited with her four children, only to learn that each has been marked by the deepwood’s wild magic. And her newly born fifth child, captured by a winged demon, is still missing.

One day after school, Maggie Keene and her friends sneak into the abandoned courthouse in the middle of town to explore the old jail cells. Maggie doesn't know that there's a terrible secret buried in the basement - and a cold-blooded killer nearby who's determined to keep it that way.

Whether breathlessly enthusiastic serenely calm, or really concentrating on their personal zombie issues, Crane's happy cast explore the complexities behind personal satisfaction. You Must Be This Happy to Enter exists in a world very much like our own but infused with more joy and magic. It's a place where the happy are jailed, the sincere cause confusion, and pop culture so seamlessly melds with real life that characters can walk right out of the television and come live with you.

As a child, dog-loving Brenna Fallon naively invokes an ancient Celtic deity to save her beloved hound - and inadvertently anchors the new-found power at a spring on her family's farm. She doesn't know she's also left an opening for a far more malevolent force. Years later, thanks to the actions of several angry young men, Brenna discovers the terrible potential of that gateway.

Jackie has a map of the city on the wall of her bedroom, with a green pin for each of her trees. She has a first-kiss tree and a broken-arm tree. She has a car-accident tree. There is a tree at the hospital where Jackie’s mother passed away into the long good night. When one of them gets cut down, Jackie doesn't know what to do but she doesn't let that stop her. She picks up the biggest rock she can carry and puts it through the window of a car. Smash. She intends to leave before the police arrive, but they're early.

Raised by her older sister in the small town of Blueberry Springs, all Beth Wilkinson wants is to create a family so big she’ll never be alone. Things are going great until her fiancé, Oz, rethinks everything from his own career to their nuptial plans—forcing Beth to do the same. As Beth works to rediscover herself in hopes of reattracting Oz, she catches the eye of the charming new city doctor, Nash. Not only does he see her as she’d like to be seen, but he knows exactly what he wants from life—and that includes Beth.

Cheryl Burke has been dancing since the age of four and competing since she was 13 years old. Over several exciting seasons, she has captivated Dancing with the Stars audiences with her incredible dance performances, Emmy-nominated choreography, high energy, and bright smile. In Dancing Lessons, she takes you from her childhood years into the world of competitive ballroom dancing and on to the hit TV show.

Sociologist Ashley Mears takes us behind the brightly lit runways and glossy advertisements of the fashion industry in this insider's study of the world of modeling. Mears, who worked as a model in New York and London, draws on observations as well as extensive interviews with male and female models, agents, clients, photographers, stylists, and others, to explore the economics and politics - and the arbitrariness - behind the business of glamour.

Sera must return to Khardine, where new challenges await, and preprations for the march on Airtha begin. Meanwhile Tanis turns toward the Praesepe Cluster. There, a handfull of interstellar nations hold out against the encroaching Nietzschean Empire. Sera's Hand agents are certain that the Nietzscheans are backed by Orion, and Nadine is sent in ahead to connect with agents in Septhia before the I2 arrives.

Since moving to Fairbanks, Alaska, Melena Sanders has watched too many of her friends die because she couldn't react fast enough. When a mysterious illness comes along targeting only supernatural races, she's determined to stop it. But as the death toll climbs, she realizes finding a cure is more complicated than she thought.

In an ancient time of fear and superstition, she stood apart because of her unusual blue eyes. In a land of great stone cities and trackless wilderness, she sought her own unique path. But it was with the clan that accepted her—and in the heart of the magic man who saved her—that she found...

When Melissa Francis was eight years old, she won the role of lifetime: playing Cassandra Cooper Ingalls, the little girl who was adopted with her brother (played by young Jason Bateman) by the Ingalls family on the world’s most famous prime-time soap opera, Little House on the Prairie. But behind the scenes, her success was fueled by the pride, pressure, and sometimes grinding cruelty of her stage mother.

My name is Charlotte, and I have a special gift: I talk to the dead. Make no mistake, I can't summon them. I'm able only to see and speak to the spirits that linger when they're unable to cross over. They're somehow weighted to the world with unfinished affairs. And for the last six years, I've relentlessly used my gift to help their lost souls. But it's come at a price. My life is dark. Feeling despondent, I've begun to give up. And in helping the dead, I've realized I haven't allowed myself to live.