検索キーワード： ナレーター "Cathleen McCarron" すべてのカテゴリー

Blind since birth, widowed in her 20s, now lonely in her 40s, Marianne Fraser lives in Edinburgh in elegant, angry anonymity with her sister, Louisa, a successful novelist. Marianne's passionate nature finds solace and expression in music, a love she finds she shares with Keir, a man she encounters on her doorstep one winter's night. Whilst Marianne has had her share of men attracted to her because they want to rescue her, Keir makes no concession to her condition.

Ailsa Rae is learning how to live. She’s only a few months past the heart transplant that - just in time - saved her life. Now, finally, she can be a normal 28-year-old. She can climb a mountain. Dance. Wait in line all day for tickets to Wimbledon. But first, she has to put one foot in front of the other. So far, things are as bloody complicated as ever. Her relationship with her mother is at a breaking point, and she wants to find her father. Then, there's Lennox, whom Ailsa loved and lost. Will she ever find love again?

Seven years after her mother's death, Leonie Charlton is still gripped by memories of their fraught relationship. In May 2017, Leonie trekked through the Outer Hebrides in the company of a friend and their Highland Ponies in search of closure. When Leonie's pony has a serious accident, she begins to realise that finding peace with her mother is less important than letting go. Leonie Charlton blends travel and nature writing with intimate memoir in this beautifully written account of grief and acceptance.

Luna Lark used to love her name, but that was before people started saying it differently. Luna doesn't want pity, what she wants is a fresh start. Somewhere she can make headway on her next novel, mend her broken heart and - most importantly - keep herself to herself. For that Luna needs the most remote place she can find: Ondingside, a magical little island off the wild coast of Scotland. And when the town is cut off on her first night by a freak July snowstorm it feels like fate.

"The End of Men is a fiercely intelligent page-turner, an eerily prescient novel, at once thoughtful and highly emotive." --Paula Hawkins, #1 internationally bestselling author of The Girl on the Train Set in a world where a virus stalks our male population, The End of Men is an electrifying and...

“[Kathleen Jamie’s] essays guide you softly along coastlines of varying continents, exploring caves, and pondering ice ages until the narrator stumbles over — not a rock on the trail, but mortality, maybe the earth’s, maybe our own, pointing to new paths forward through the forest.”...

Standing one evening at the window of her house by the sea, Anne Quirk sees a rabbit disappearing in the snow. Nobody remembers her now, but this elderly woman was in her youth a pioneer of British documentary photography. Her beloved grandson, Luke, now a captain with the Royal Western Fusiliers, is on a tour of duty in Afghanistan, part of a convoy taking equipment to the electricity plant at Kajaki. Only when Luke returns home to Scotland does Anne's secret story begin to emerge, along with his, and they set out for an old guest house in Blackpool where she once kept a room.

Suzy Medley is having a bad day...when a shabby terrier turns up at her door. Just like Suzy, Scout has been abandoned, although only Suzy has been left with a financial mess and a business in tatters thanks to her ex. Suzy takes Scout in, and her chaotic world changes in unexpected ways: strangers have never been more welcoming, and her teenage kids can’t wait to come home to visit. Then a chance encounter on a windy Hebridean beach makes things more complicated, because Suzy isn’t the only one who needs a friend.

Elspeth, Meggy and Xavier are locked in a flat. They don’t know where they are, and they don’t know why they’re there. They only know that the shadow man has taken them, and he won’t let them go. Desperate to escape, the three of them must find a way out of their living hell, even if it means uncovering a very dark truth. Because the shadow man isn’t a nightmare. He’s all too real.

Between tending to the whims of her seven-year-old and the demands of her boss, Viv barely gets a moment to herself. It’s not quite the life she wanted, but she hasn’t run screaming for the hills yet. But then Viv’s husband, Andy, makes his midlife crisis her problem. He’s having an affair with his (infuriatingly age-appropriate) colleague, a woman who - unlike Viv - doesn’t put on weight when she so much as glances at a cream cake. Viv suddenly finds herself single, with zero desire to mingle.

When Jemima loses her beloved grandfather, keeping his allotment alive seems like ideal way to feel close to him. She's never fitted in before - is this her chance to find where she really belongs? Finally Melissa has the allotment she's been longing for to distract her while her husband works away - even if it is chest-high in weeds. But when she looks for help in the wrong place, she finds she's the hottest topic of gossip.

Even perfect mothers have secrets... Meet Leah, the perfect wife and mum with a closet full of skeletons - and if the secret gets out, her carefully crafted world could crumble. Then there's Annie, the gangster's moll with a sharp mind. She's not afraid to get her hands dirty, but no one knows the devastating secret haunting her. And lastly, Terry, the king of Glasgow gangland. He's ruthless when it comes to growing his empire, but his weakness is women.

For centuries faeries have lived safely in their ancient forests, but now their peace is under threat. Devils are escaping the prisons that have held them since the Dawn Days, and only one faerie stands in their way. Magpie Windwitch is the greatest—the only—devil-hunter of the Age. Together with her trusted band of crows, she tracks down and recaptures these ravenous beasts that devour everything in their path. When the hunt leads them to the legendary forest of Dreamdark, Magpie finds herself outmatched.

Fiona McAfee is a proud warrior, able to outshoot any man she has ever met. When the opportunity arises for her to demonstrate her skill at the Highland Games, she happily agrees. Alisdair McClain is the eldest son of a laird, yet he knows he won’t be laird himself. When he spots Fiona at the Highland Games, he knows he wants to be her husband—and not simply because it would allow him to be laird of Clan McAfee.

Ailis McAfee, second daughter of Laird Duncan McAfee, has always known her worth lies in more than marriage contracts. A gifted healer and expert knife thrower, she prefers skill to stitching, and certainly has no patience for the arrogant Ian Sinclair, son of a neighboring laird. Her heart belongs to another. Lachlan McClain has admired Ailis from afar, but with her father seeking powerful alliances, Lachlan fears he has little to offer. Especially when a wealthier, more “suitable” suitor begins to turn Ailis’s head.

When a much-loved Kilmarnock police constable is found beaten to death in his home, all signs point to a burglary gone wrong. But, when a second officer is slain while walking the beat, it becomes clear that something much more sinister is afoot. Somebody is murdering cops. Harassed by an infuriating new partner and a teenage true crime podcaster, DI Heather Filson must track down a brutal killer while tensions between the police and the public explode into violence.

My nine-year-old daughter Hollie should be leaving school smiling and laughing with all the other children but she’s not here. I run frantically, checking everywhere, my voice growing louder, but I can’t see her bright blue eyes and heart-shaped face anywhere. Pure panic washes over me. This is my worst nightmare. Her teacher asks me if she should call the police. My heart stops. I shake my head and pretend I’ve made a mistake. I see a look of suspicion creep into the teacher’s eyes. But the police can’t know. No one can. My hands shake as I realise I’m completely on my own.

Apprentice Sarah Fisher is helping to fund Dr Will Raven's emerging medical practice in exchange for being secretly trained as a medic, should the rules barring women ever change. Sarah needs no instruction in the inequalities that beset her gender, but even she has her eyes opened to a darker reality when a relative seeks her help in searching for her missing daughter. Annabel Banks was promised a situation in a prestigious household, but there has been no word from her since she left home, and the agency that arranged her position says she never appeared.

Based on true crimes, The Specimen is a mesmerizing story about one woman’s search for truth and vengeance in the darkest of places—where the deadliest secrets lie hidden in plain sight on a freshly dusted shelf.

It’s April 2020 and Edinburgh is in lockdown, but that doesn’t mean crime takes a holiday. It would seem like a strange time for a cold case to go hot—the streets all but empty, an hour’s outdoor exercise the maximum allowed—but when a source at the National Library contacts DCI Karen Pirie’s team about documents in the archive of a recently deceased crime novelist, it seems it’s game on again. What unspools is a twisted game of betrayal and revenge, but no one quite expects how many twists it will turn out to have.