検索キーワード： ナレーター "Anne Hancock" すべてのカテゴリー

When her suspicions about her great-aunt's death prove to be true, she resolves to uncover the villain herself. Breck tries to convince her that the community needs her just as much as he does, but when she uncovers a decades-old crime, she puts her own life is in danger.

Imagine a visiting-nurse service with hot young guys as caregivers. What golden girl wouldn't dig that? Valerie Palka is a savvy businesswoman who is obsessed with keeping her elderly mom, Helen, safe from all the lethal disasters that can befall widows living alone. Helen thinks the workaholic Valerie should focus on having as much luck in the bedroom as she does in the boardroom.

A terrified woman erases her past to escape her abusive husband. Taking her children, she disappears from Texas only to reinvent herself as a teacher in a remote Alaskan village. She fights to survive the harsh environment, while ever mindful of the danger stalking her. A complication emerges in the form of her new boss who is unaware of her entanglement and pursues her with a passion. Hungry for a father figure, her young children immediately take to him, but she is haunted by the cruel man who battered her.

Immediately following the success of Little Women, Louisa May Alcott sat down to write An-Old Fashioned Girl, expanding on the subject of rich versus poor that she explored in her first novel. It’s a story of a country mouse and a city mouse: 14-year-old Polly Milton travels to Boston for a stay with her friend Fanny Shaw. The wealthy Shaws’ way of life is foreign to Polly who tries to adapt but is quickly labeled “old-fashioned”. Fanny and her friends dress and behave as their elders do, flirting with boys and gossiping.

Old Mother Duck's six little ducklings are her pride and joy. But it's very hard work teaching ducklings how to behave and keeping them safe. Sometimes their curiosity makes them forget her warnings not to talk to strangers, not to stray too far from her, and to come in from the rain. Children will identify with these gentle stories where nothing bad happens but the lessons and consequences are clear. A hundred years after Katharine Pyle's delightful tale was written, the same principle holds true: mother knows best.

Zach Garrett is home from war, haunted by PTSD, trying to fit in to what has become an alien world. With the holidays fast approaching, his uncle Big Jim Garrett offers him a place on the family ranch. Zach isn't sure he's up for a noisy, boisterous Garrett Christmas...until he meets beautiful Stephanie Gale, and all his protests go up in flames. Firefighter and EMT Stephanie Gale is ready for anything. She's got her life under control...until she locks eyes with Zack and realizes her heart's in a whole new kind of danger.

Beau Garrett may look rough around the edges, but under that exterior beats a heart of gold - a heart that was broken when his high school sweetheart disappeared days before graduation. Years have passed, but Beau's never forgotten the fiery-haired girl who left him high and dry.

Eldest son Colt Garrett is the biggest, strongest, and steadiest of the Garrett brothers. Colt accepts his responsibilities, knowing his future is tied to the land. Colt has stayed centered - but when he falls in love, he falls hard. He is mesmerized by Misty Dalton, the younger sister of one of his brother's friends.

Cowboy musician Tyler Garrett has a once-in-a-lifetime chance to put aside his rough-and-tumble rancher's lifestyle and realize his dream. He's on the road to Dallas to record a demo when that dream gets kicked sideways by a beautiful woman on the run. Leah Benson will do whatever it takes to keep her daughter safe. But when her dangerous past catches up with her, she needs a hero - and luckily for her, Tyler Garrett was born and bred for the role.

From the author of the best-selling If You Don't Feed the Teachers, They Eat the Students, comes an innovative resource for all who work with pre-K through 12th grade students. Neila Connors presents a wealth of strategies and techniques to help teachers develop, maintain, and sustain positive student relationships. If You Don't Feed the Students offers practical, commonsense methods for improving classroom performance, served up in an engaging and entertaining manner.

The Lycett-Landons are a well-to-do Victorian family living in a large, comfortable house across the river from bustling Liverpool. The father, Robert, is a partner in a thriving business; his wife Eleanor has the care of the house and six children to occupy her; and Horace, the eldest, is looking forward to moving to London to work in the family firm. But trouble is brewing. The London office is in distress, and Robert must go there often to straighten things out. When the length of his visits becomes more extended, his family worries that he has taken ill and doesn't want to concern them.

Mrs. Blencarrow is a lovely middle-aged widow with five adoring children and a comfortable income with which to raise them. She holds a position of admiration and respect in her strictly Victorian village society. But the good lady who seems beyond reproach has a secret, and not all her neighbors wish her well. When one of them stumbles upon incriminating information, Mrs. Blencarrow stands to lose everything she holds dear ... Originally published in 1890 by Margaret Oliphant, a keen and prolific chronicler of the strict laws and customs of her time.

"Collision!" is the only explanation Gail Desmond hears as the ocean liner lists toward the sea. In the chaos that follows, she finds herself alone on deck with a stranger who lashes her to a makeshift raft. Moments later, she finds him floating unconscious and hauls him aboard.

Hugo Ross is perfect for the job as irascible inventor Ambrose Minstrel’s new secretary: young, completely inexperienced, and with an occasional stutter that makes him seem somewhat dim—a mug, in fact. But from his first day, odd things begin to happen. A stranger offers him an absurd amount for an ordinary pair of field glasses; soon, the written offer is stolen from his room. A lovely girl he runs into in the dark one night outside his new employer’s house warns him not to take the job.

Jamie MacFarlane has returned a hero from the Great War but with a stubborn chest wound. The government has sent him to their new thermal springs hospital in California “where it was hoped that the brilliant sunshine, the fruits, and the clean air, the eternal summer of a beneficent land” would heal him. But nothing has worked and with his parents now deceased and no one to care for him, it seems the next step is a camp rife with tuberculosis. Realizing this, Jamie begins his Great Adventure on foot toward the ocean.

1915. After six years living in Paris, Sally Lunton faces a crisis of the heart (her love affair has gone smash); a crisis of the pocketbook (her meager living selling her small paintings has dried up); and a crisis of the soul, as she watches in anguish while the broken bodies of soldiers are carried from war-torn Belgium through the Parisian streets. Truly, Sally is on the rocks. Then comes a lifeline: a letter from Miss Maggie Hopkins of Little Crampton, the English village where she grew up. It appears that the town’s bank manager, Mr. Alfred Bingley, is a most eligible bachelor.

Sue Ives and Stephen Bellamy are charged with the murder of Stephen’s wife Mimi, found stabbed in an uninhabited cottage on a Long Island estate. The eight-day trial introduces a trove of witnesses (some reliable, some not); an avuncular defense attorney who may be incompetent; a wily and relentless prosecutor; and the voracious members of the press and public captivated by a crime that lays bare the intrigues and jealousies of the country club set. Two of the reporters, a veteran, and a rookie attending her first murder trial, act as a Greek chorus commenting on unfolding events.

When Agnes Blakiston and her maid Maggie take possession of a rental house for the summer, their idea of a tranquil stay is almost immediately upended. First, there is the telephone. It rings late at night, just one ring, but there is never anyone on the line. They begin to notice things have moved during the night. A candle has burned low, and a shawl has disappeared. And then Maggie, spooked and suspicious, discovers a note. It's a confession to a murder. But who has written it and, equally confounding, who has been killed?

Faithfully nursing her ill father for five years has derailed Marion Warren’s plans for further education. When no will is found after their father’s death, her brother Tom decides to sell their family home in the city and move his young family to a Vermont farm. Naturally, Marion will always have a home with them—where she can help with housework and the children’s schooling. Marion’s dream of taking classes and enjoying the city’s cultural offerings evaporates until, armed with only her faith, a meager purse and a quaking heart, she dares to make other plans.

Ramona Ortegna, the foster child of Señora Moreno, is much loved by all who live and work at the Moreno ranch, except Señora herself, who cannot bring herself to think of the girl as anything but a mixed-blood child. Half white, half Indian, Ramona had been adopted by the Senora’s sister who then entrusted the child to her upon her death. Already embittered by the loss to the Americans of much of her southern California land as the result of the 1846 Mexican-American War, the pious old woman is also distraught by the near destruction of California’s Catholic missions.