検索キーワード： 著者 "Virginia Woolf" すべてのカテゴリー

Virginia Woolf's second novel is both a love story and a subversive comedy which questions the role of women in society. Contemplating their futures, five single people in their late 20s and early 30s are immobilized by indecision. Questions like who, when, and whether to marry, the changing roles of men and women in a rapidly changing world, and matters of independence versus family obligations come to the fore.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

“A woman must have money and a room of her own if she is to write fiction.” In A Room of One's Own, Virginia Woolf imagines that Shakespeare had a sister: a sister equal to Shakespeare in talent, equal in genius, but whose legacy is radically different. This imaginary woman never writes a...

La señora Dalloway cuenta lo que ocurre durante un solo día en la vida de Clarissa Dalloway, una mujer de la alta sociedad en Londres, mientras organiza una fiesta en su casa. A través de los pensamientos de Clarissa y otros personajes, la novela presenta recuerdos del pasado con momentos del presente y vislumbres del futuro. Con esta estructura, Woolf describe la complejidad de la mente humana y reflexiona sobre temas como la identidad, las diferencias de clase y la salud mental en el contexto de la sociedad de su época.

This audiobook is narrated by an AI Voice. Based on two landmark lectures delivered by Virginia Woolf, A Room of One’s Own remains one of the most foundational and widely‑read works of feminist literary criticism. With sharp wit, elegant prose, and penetrating insight, Woolf explores the...

Violet recopila tres narraciones de Virginia Woolf en 1907 acerca de su íntima amiga de la juventud, Violet Dickinson. Virginia contaba entonces con 26 años y aún faltaban siete años para que publicara su primera novela.

Pourquoi une femme a-t-elle besoin d'argent et d'une chambre à soi pour écrire ? Dans cet essai majeur, Virginia Woolf mêle récit, ironie et réflexion pour interroger la place des femmes dans la littérature, les obstacles matériels qui ont limité leur liberté créatrice et les...

Published seven years after the first instalment, The Common Reader: Second Series explores the works of Thomas Hardy, Laurence Stern and George Eliot, elegantly dissecting the art of the biography and the very nature of reading itself. Again Woolf speaks from the perspective of the everyday reader, urging for an intuitive and curious approach to literature – one which allows for freedom and experimentation as opposed to academic rigour.

Mrs. Dalloway: It's a normal June morning in London, shortly after World War I. Clarissa Dalloway, an upper-class housewife, is getting ready to throw a party that night. As she runs her errands, the story shows us what's going through her head and how she crosses paths with people from her past, like an old flame named Peter, and with strangers like Septimus, a soldier who came back from the war with trauma. This version of Virginia Woolf's book makes you think about memories, loneliness, and how time slips away from us.

Have you ever wondered why the memories that haunt us most are often the quietest ones? To the Lighthouse is Virginia Woolf's most poignant and experimental novel. Abandoning traditional plot structures, Woolf plunges you directly into the stream of consciousness of her characters, creating an intimate experience that feels less like hearing a story and more like living inside another's mind.

"Eine Frau muss Geld haben und ein eigenes Zimmer, wenn sie schreiben will." Mit diesem berühmten Satz fasst Virginia Woolf in ihrem 1929 erschienenen Essay "Ein eigenes Zimmer" eine Erkenntnis zusammen, die bis heute nichts von ihrer Sprengkraft verloren hat. Entstanden aus zwei Vorträgen...

Told almost exclusively through other characters' perceptions, conversations and memories, Woolf's groundbreaking novel centres around Jacob Flanders, a young man whose identity is difficult to grasp. Rather than presenting a conventional biography, Woolf assembles Jacob's presence from absence, evoking an air of emptiness and mystery, set against the haunting shadow of the First World War.

Often considered her most experimental work, Virginia Woolf's The Waves is a masterclass in modernist fiction, and a profound exploration of time, consciousness and the conflicting rhythms of individual lives. Published in 1931, The Waves unfolds through the soliloquies of six characters whose voices come and go – much like the sea tides they are surrounded by – in a blend of consciousness, tracing their journeys from childhood to old age. Around them drifts the unseen presence of a seventh figure, Percival, whose absence becomes a powerful refrain throughout the book.

Virginia Woolf’s third novel lacks a conventional narrative style and some say even a plot. It follows Jacob from his childhood, through his education at Cambridge and finally to his death in World War I. The prose repeatedly shifts its point of view and the reader is challenged to find connections between the narrative fragments. Largely from the comments of others we come to know the sequence and some moments of Jacob’s life but we never fully learn who Jacob is. The literary experimentation in Jacob’s Room is used even more successfully in Woolf’s later novels. (Summary by DaveC)

Em 1922, Virginia Woolf publicava seu terceiro romance, considerado pela crítica um ponto de inflexão na sua carreira. Em O quarto de Jacob, o personagem-título é a presença de uma ausência. Da infância na praia à juventude em Cambridge, sua personalidade é entrevista por mulheres que...

The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders, and is presented entirely by the impressions other characters have of Jacob [except for those times when we do indeed get Jacob's perspective]. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed as a void in place of the central character, if indeed the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac ...

Virginia Woolf's most successful novel recounts the extraordinary biography of Orlando from his youth in the reign of Elizabeth I to her life as a successful author and mother in 1928, the year of the book's publication. Over the 350 years of his/her life, Orlando loves and is betrayed by a Russian princess, serves as British ambassador to Constantinople, changes sex, lives among gypsies, narrowly escapes marriage to the Archduchess Harriet/Archduke Harry, enjoys the society of Addison, Dryden and Pope, and finally marries Marmaduke Bonthrop Shelmardine with whom she has a child. Over the same...

Virginia Woolf's groundbreaking satire of British culture, customs, literature, philosophy, and politics from the Elizabethan era to the author's present-day 1928, as experienced by her famously long-lived and genderfluid protagonist. - Summary by Nicole J. LeBoeuf

Hätte Shakespeare eine Schwester gehabt, ebenso begabt wie er, wie wäre es ihr ergangen? Welche Widerstände mussten Jane Austen oder die Brontë-Schwestern überwinden? Im Oktober 1928 hielt Virginia Woolf zwei Vorträge am ersten Frauencollege Großbritanniens an der Universität Cambridge. Ob ihnen bewusst sei, fragte Woolf ihre Zuhörerinnen, dass sie vielleicht "das am häufigsten abgehandelte Tier des Universums" seien? Schließlich wurde Literatur über Frauen fast ausschließlich von Männern verfasst. Aus Woolfs Vorträgen entstand der Essay Ein Zimmer für sich allein, den sie ein Jahr später veröffentlichte.

Presented here is Volume IV of our Feminist Literary Classics series, featuring three of the most important feminist works ever written: A Room of One's Own by Virginia Woolf, Jane Eyre by Charlotte Brontë and The Song of the Lark by Willa Cather.