検索キーワード： 著者 "Dante Alighieri" すべてのカテゴリー

Purgatory is the second part of Dante's The Divine Comedy. The listener finds the Poet, with his guide Virgil, ascending the terraces of the Mount of Purgatory inhabited by those doing penance to expiate their sins on earth. There are the proud - forced to circle their terrace for eons bent double in humility; the slothful running around crying out examples of zeal and sloth; while the lustful are purged by fire.

Led by his guide Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, Dante encounters the just rulers and holy saints of the Church. The horrors of the Inferno and the trails of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God's Heavenly court - the angels, the Blessed Virgin, and God Himself.

In the final volume of The Divine Comedy, Dante completes his tour of the afterlife and rises to the highest sphere of heaven. His guide is Beatrice, who acts as both an object of devotion and also a source of instruction. In verse of the most sublime order, Dante not only describes the sights, sounds, and inhabitants of this celestial region, but also presents, with astonishing clarity, a comprehensive view of Catholic theology.

Composed around 1294 in Italian, the Vita Nuova tells the story of Dante's encounters with and love for Beatrice, culminating in her early death and its effect upon him. Utilizing and developing the conventions of courtly love, in a mixture of prose and verse, Dante deepens the emotional content of the genre, while pointing the way towards the intellectual and spiritual journey of the Divine Comedy.

Dante's Divine Comedy is a mythical epic poem adventure in which Dante is guided through heaven, purgatory, and hell. Each after-life division is further divided. The sections of heaven are on different planets and stars, the sections of purgatory are divided along the upward journey of a mountain, and the levels of hell are an upside-down funnel composed of seven rings of punishment.

In this new edition Musa views Dante's intention as one of cruel and comic commentary on the shallowness and self-pity of his protagonist, who only occasionally glimpses the true nature of love. "...the explication de texte which accompanies [Musa's] translation is instructively novel, always admirable..." his present work offers English listeners a lengthy appraisal which should figure in future scholarly discussions." (Choice)

Der große Dichter Dante Alighieri wurde vor 750 Jahren in Florenz geboren. Sprachkunst, Gelehrsamkeit und seine Liebe zur schönen Beatrice ließen ihn ein epochales Werk schaffen. Die „Göttliche Komödie“ fasziniert wie eh und je. Durch Hölle, Fegefeuer und Paradies wandert der Dichter. Er erzählt sein eigenes Schicksal, berichtet von den Qualen der Verdammten, von der Sehnsucht nach Läuterung und von der überwältigend strahlenden Schönheit des Lichtes in den höchsten Himmeln.

Robert Pinsky's new verse translation of the Inferno makes it clear to the contemporary listener, as no other in English has done, why Dante is universally considered a poet of great power, intensity, and strength. This critically acclaimed translation was awarded the Los Angeles Times Book...

Burkhard Wolk legt mit dieser Darbietung auch die erste Gesamteinsprechung der "Göttlichen Komödie" als Hörbuch vor. Wie in der Live-Rezitation wird auch beim Hörbuch der deutsche Wortlaut Karl Wittes verwendet, der der Erhabenheit der Danteschen Dichtung wohl am nahesten ist.

La selva oscura. Cerbero, Minosse e lo spaventoso Lucifero. Amore e morte di Paolo e Francesca. La folle impresa di Ulisse e i tormenti del conte Ugolino. Casella, Manfredi, i poeti Guinizzelli e Arnaut. Dalla soglia del Purgatorio al giardino dell’Eden. Purificazione e ascensione al cielo. Le schiere dei beati. Giustiniano celebra l’autorità imperiale e San Pietro tuona contro il degrado della Chiesa. L’Empireo e la visione di Dio. Tra angeli e diavoli, atroci supplizi e sublimi astrazioni, sotto la guida di Virgilio, Stazio e Beatrice, Dante compie il suo viaggio oltremondano.

È un luogo comune pensare che questa ultima tratta del più famoso pellegrinaggio oltremondano sia anche la più cerebrale e tediosa. Sebbene sia difficile vincere la diffidenza degli ex alunni nei confronti del Paradiso, memori delle dottrine, della rigorosa teologia e della glorificazione di una giustizia celeste, è qui che il canto si fa più luminoso, e "l'enigma stesso di quel canto che dice e non dice, che dice di non dire quel che sta dicendo" ha prodotto pagine supreme, "rifondando la parola nel silenzio che in perpetuo la genera e in perpetuo la minaccia."

"Delle tre cantiche, senza dubbio la più bella," ci dice Sermonti del Purgatorio, e aggiunge: "come ognuna delle altre." Qui Dante conferisce sostanza, ubicazione e regime al nebuloso regno transitorio dell'oltretomba; promette un canto verticale, che dalla voragine dell'inferno risalirà vertiginosamente i costoni del monte dell'espiazione, sulla cui cima risplende il paradiso terreste.

Led by his guide, Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, he encounters the just rulers and holy saints of the Church. The horrors of Inferno and the trials of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God’s Heavenly court: the angels, the Blessed Virgin, and God Himself.

Now of that second kingdom I shall sing where human souls are purified of sin and made worthy to ascend to Heaven’ Purgatory is the second part of Dante’s The Divine Comedy ascending the terraces of the Mount of Purgatory inhabited by those doing penance to expiate their sins on earth. There are the proud – forced to circle their terrace for aeons bent double in humility; the slothful – running around crying out examples of zeal and sloth; while the lustful are purged by fire.

Die göttliche Komödie - eines der faszinierendsten Werke der europäischen Literatur überhaupt. Die Harmonie des Aufbaus von der Höllenfahrt bis ins Paradies, die dramatische Vielfalt der evozierten Schicksale, die Kraft des dichterischen Ausdrucks und Gefühls, Adel und Tiefe der Gedanken machen es zu einem zeitlosen Beispiel abendländischer Dichtkunst.

"Abandon hope all ye who enter here." Dante, our young, naive hero, has woken from a deep sleep to find himself in a cold, dark wood. Before he can begin to work out where he is, his path is blocked by a leopard, a lion, and a she-wolf. Things get worse from there, and our pilgrim finds himself on a journey through the very depths of hell. Why is he there, and will he ever make it out alive?

Begleitet von Vergil, gelangt Dante durchs Höllentor zum eisigen Mittelpunkt der Erde und von dort zum paradiesischen Höhenflug...

Blake Ritson, David Warner, Hattie Morahan and John Hurt star in this BBC Radio 4 dramatisation of Dante's epic poem. Inferno: Thirty-five year old Dante finds himself in the middle of a dark wood, in extreme personal and spiritual crisis. Hope of rescue appears in the form of the venerable poet...

In the second book of Dante’s epic poem The Divine Comedy, Dante has left hell and begins the ascent of the mount of purgatory. Just as hell had its circles, purgatory, situated at the threshold of heaven, has its terraces, each representing one of the seven mortal sins. With Virgil again as his guide, Dante climbs the mountain; the poet shows us, on its slopes, those whose lives were variously governed by pride, envy, wrath, sloth, avarice, gluttony, and lust.

Paradiso is the third and final part of The Divine Comedy, Dante's epic poem describing man's progress from hell to salvation. In it, the author progresses through nine concentric spheres of heaven. Corresponding with medieval astronomy, the Moon, Mercury, Venus, the Sun, Mars, Jupiter, and Saturn deal with the four cardinal virtues Prudence, Fortitude, Justice, and Temperance. The remaining two spheres are the fixed stars and the Primum Mobile, containing the purely virtuous and the angels, followed by the Empyrean, or God itself.