検索キーワード： ナレーター "Louise Brealey" すべてのカテゴリー

Edinburgh, 1849. Hordes of patients are dying all across the city, with doctors finding their remedies powerless. And a whispering campaign seeks to paint Dr. James Simpson, pioneer of medical chloroform, as a murderer. Determined to clear Simpson’s name, his protégé Will Raven and former housemaid Sarah Fisher must plunge into Edinburgh’s deadliest streets and find out who or what is behind the deaths. Soon they discover that the cause of the deaths has evaded detection purely because it is so unthinkable.

Every year, Tess and Maggie meet up to try a different activity, something they've never done together before. This year, it's baking, and for a few hours each Friday afternoon, they put the rest of their lives on hold to make cakes. And not just ordinary cakes, but spectacular, unique and glorious gateaux, to celebrate special occasions and commemorate landmark events. When they help a neighbour in distress, they create their first showstopper - a dark, sultry bitter chocolate cake.

Mariana Andros is a psychologist struggling to make sense of life after the death of her husband. So when her niece, Zoe, calls - traumatised by the murder of her best friend - Mariana rushes to be with her and away from her own grief. St. Christopher's College, Cambridge, is a closed world to most - but it's where Mariana and her late husband met as students. Days which seem long buried rise to the surface, as memory and mystery entangle Mariana in the secretive society of campus.

In Ilmarsh, England, local police detective Alec Nichols discovers sixteen horses' heads on a farm, each buried with a single eye facing the low winter sun. After Veterinary Forensics expert Cooper Allen travels to the scene, a pathogen is discovered lurking within the soil, and many of those who have come into contact with the corpses grow critically ill. A series of crimes comes to light—disappearances, arson, and mutilations—and in the dark days that follow, the town slips into panic and paranoia.

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In Letters of Note: Dogs, Shaun Usher brings together a delightful collection of correspondence about our canine friends, featuring affectionate accounts of pups' playful misdemeanors, heartfelt tributes to loyal fidos, and shared tales of remarkable hounds.

New York City goes by many names - Gotham, Empire City, the City That Never Sleeps - and once served as the capital of America. It came together as we know it in 1898 and has become one of the world's most powerful, most important megacities, shaping art, culture, finance, and media across the globe. This iconic collection of 30 letters smartly explores the history of life in the five boroughs. You'll need more than a New York minute to enjoy it all.

In Letters of Note: Sex, Shaun Usher collects together some of the most noteworthy missives ever written on the subject, from euphemism-laden, flirtatious exchanges and desire-driven expressions of passion to sincere and thoughtful meditations on the meaning of sex.

Shaun Usher brings together fascinating correspondence about the universe beyond our planet, containing hopeful thoughts about the future of space travel, awestruck messages penned about the world beyond our own, and celebrations of the human ingenuity that has facilitated our understanding of the cosmos.

A fascinating new volume of messages about fatherhood, from the author of the best-selling Letters of Note collections. In Letters of Note: Fathers, Shaun Usher collects together remarkable correspondence by and about fathers, including proud parental words of love, advice from experienced dads to new ones, as well as letters from both frustrated and adoring offspring.

Louise wakes up. Her head aches, her mouth is dry, her memory is fuzzy - but she suspects she’s done something bad. She rolls over toward her husband, Niall. The man who, until recently, made her feel loved. But it’s not Niall lying beside her. In fact, she’s never seen this man before. And he’s not breathing. As Louise desperately struggles to piece her memories back together, it’s clear to Jonah Sheens and his team that she is their prime suspect - though they soon find she’s not the only one with something to hide.

In an unnamed British city, the virus is spreading, and like everyone else, the celebrated sculptor Edith Harkness retreats inside. She isolates herself in her immense studio, Burntcoat, with Halit, the lover she barely knows. As life outside changes irreparably, inside Burntcoat, Edith and Halit find themselves changed as well: by the histories and responsibilities each carries and bears, by the fears and dangers of the world outside, and by the progressions of their new relationship.

On the first day of her new job, Harris is called to the scene of a brutal murder at the heart of Surrey society. A shocking crime, with a meticulous killer: the victim’s eyes have been removed and the body drained of blood, with no forensic evidence left at the scene. Her boss insists it must be the return of a killer who escaped justice several years ago, leaving a trail of bloody ritualistic killings. Harris isn’t so sure: both sets of victims have had their eyes removed, but other details are significantly different.

When two police officers knock on Laura's door, her life changes forever. Her nine-year-old daughter, Betty, has been killed in a hit-and-run car accident. When the death is ruled an accident, Laura takes revenge into her own hands. But will her daughter's killer be brought to justice? Laura's loss and bereavement reopen old wounds, and she is thrown back to the story of her passionate love affair with Betty's father, David, their marriage, and his subsequent love affair with another woman.

Young women are being discovered dead across the Old Town, all having suffered similarly gruesome ends. In the New Town, medical student Will Raven is about to start his apprenticeship with the brilliant and renowned Dr Simpson. Simpson's patients range from the richest to the poorest of this divided city. His house is like no other, full of visiting luminaries and daring experiments in the new medical frontier of anaesthesia.

It's 1990. Johanna Morrigan, 14, has shamed herself so badly on local TV that she decides that there's no point in being Johanna anymore and reinvents herself as Dolly Wilde - fast-talking, hard-drinking gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer - like Jo in Little Women, or the Brontës - but without the dying-young bit.

**Now a major motion picture starring Jodie Comer** A startlingly beautiful story of a family's survival, The End We Start From is a haunting but hopeful dystopian vision of a familiar world made dangerous and unstable. 'Engrossing, compelling' - Naomi Alderman, author of The Power 'I was moved...

For almost a decade, Rachel Caine has turned her back on home, kept distant by family disputes and her work monitoring wolves on an Idaho reservation. But now, summoned by the eccentric earl of Annerdale and his controversial scheme to reintroduce the grey wolf to the English countryside, she is back in the peat and wet light of the Lake District. The earl's project harks back to an ancient idyll of untamed British wilderness.

I’m Johanna Morrigan, and I live in London in 1995, at the epicentre of Britpop. I might only be 19, but I’m wise enough to know that everyone around me is handling fame very, very badly. My unrequited love, John Kite, has scored an unexpected Number One album, then exploded into a Booze And Drugs HellTM - as rockstars do. And my new best friend - the maverick feminist Suzanne Banks, of The Branks - has amazing hair, but writer’s block and a rampant pill problem. So I’ve decided I should become a 'Fame Doctor'.

A hilarious, heartfelt sequel to How to Build a Girl, the breakout novel from feminist sensation Caitlin Moran who the New York Times called, "rowdy and fearless... sloppy, big-hearted and alive in all the right ways." You can’t have your best friend be famous if you’re not famous. It doesn’t work. You’re emotional pen-friends. You can send each other letters - but you’re not doing anything together. You live in different countries.