検索キーワード： ナレーター "Katie Leung" すべてのカテゴリー

My name is Sara Eden. My name is Sara Eden. My name is Sara Eden. My name is Sara Eden. This is all Sara Eden knows about herself. She was found at the age of 10, abandoned in a vat of water - a homemade sensory-deprivation chamber. Someone had placed her there - trapped for days in the dark, with only a cassette player taped to her head repeating again and again, 'My name is Sara Eden'. There were a handful clues: a battered cassette player, a cheap necklace, a few scraps of paper. And a Polaroid of a stranger with a handwritten note: 'Don't trust this man'.

Perfect bedtime listening, this wonderful anthology features brand new stories and poems from well-loved and exciting new Puffin authors. Plus, rediscover carefully curated extracts from Puffin's classic family favourites! And with quotes and motivational pieces from brilliantly inspiring leaders, scientists and actors on their own big dreams, there is something magical for everyone to enjoy.

A collection of original audio stories for little adventurers and bold travellers. These new stories are especially written for families to listen to in the car, at the airport, on the train or while they are on their way to their next adventure! This edition is filled with creative and engaging sound effects and is the perfect travel companion for little listeners everywhere.

Daisy and Hazel are finally back at Deepdean, and the school is preparing for a most exciting event: the 50th anniversary. Plans for a weekend of celebrations are in full swing. But all is not well, for in the detectives' long absence, Deepdean has changed. Daisy has lost her crown to a fascinating new girl - and many of the Detective Society's old allies are now their sworn enemies.

It was during a trip to the Ashmolean Museum in 2012 that Daisy first recalls being incorrectly labelled as a tourist – a trend that has continued since she settled in the UK, regardless of the documents she has gathered. From answering her daughters’ questions over whether they were ‘yellow’ or ‘Black’, to hearing the continued use of racist and culturally insensitive terms, such as ‘oriental’ and ‘Chinese whispers’, she has consistently felt othered, despite being a commonwealth citizen and having only once visited Hong Kong.

For centuries past, and all across the world, there are words for a certain kind of woman. Words that raise our hackles, fire up our blood. Words that tell a story. In this blazing cauldron of a book, the boldest writers of our day take up these words and take up their pen, celebrating fifty years of Virago.

Santo Domingo de la Calzada, 1532. London, 1837. Boston, 2019. Three young women, their bodies planted in the same soil, their stories tangling like roots. One grows high, and one grows deep, and one grows wild. And all of them grow teeth.

1532. Santo Domingo de la Calzada. A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets.

There is only one way to travel across the Wastelands: on the Trans-Siberian Express, a train as famous for its luxury as for its danger. The train is never short of passengers, eager to catch sight of Wastelands creatures more miraculous and terrifying than anything they could imagine. But on the train's last journey, something went horribly wrong, though no one seems to remember what exactly happened. Not even Zhang Weiwei, who has spent her life onboard and thought she knew all of the train’s secrets.

It is the end of the 19th Century and the world is awash with marvels. But there is nothing so marvellous as the Wastelands: a terrain of terrible miracles that lies between Beijing and Moscow. Nothing touches this abandoned wilderness except the Great Trans-Siberian Express: an impenetrable train built to carry cargo across continents, but which now transports anyone who dares to cross the shadowy Wastelands. On to the platform steps a curious cast of characters. But the old rules are changing, and there are whispers that the train isn't safe.

As a child, Little Flower is sold to Linjing's wealthy family to become a muizai. In a fit of childish jealousy over her new handmaiden's ladylike bound feet and talent for embroidery, Linjing ensures Little Flower can never leave her to ascend in society. Despite their starkly different places in the Fong household, over the years the two girls must work together to secure both their futures through Linjing's marriage. As the two grow up, they are by turns bitter rivals and tentative friends.