検索キーワード： ナレーター "Jessica Regan" すべてのカテゴリー

When a skull is found in Lough Coyne, facial reconstruction expert Dr Carla Steele is drawn into a 14-year-old case – but not all cases are cold, as Carla discovers when she and local Garda DS Jack Maguire find the brutally murdered body of a local woman close to the water's edge. Together with Carla's partner, criminal psychologist Grace Franicosi, Carla and Jack uncover a tragic story with very dangerous and current implications. Since the disappearance of her best friend, Carla has dedicated her career to bringing the dead home, but this time it's the living who are counting on her.

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants"—ordinary people, his readers, easy tabloid fodder. His star seems set to rise when he stumbles across a sensational scoop: a dead child on a London estate, grieving parents beloved across the neighborhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and “bad apples”: the Greens. At their heart sits Carmel: beautiful, otherworldly, broken, and once destined for a future beyond her circumstances.

Anya is enjoying a relaxing bath when she hears a noise in the roof. Through the open bathroom door, she sees the attic hatch swing open, and a masked figure drops to the floor. Thirty seconds later, Anya is dead. Across town, Anya's old school friend, Julia, sees an online video of a masked figure climbing out of an attic. She suddenly realises why the footage is eerily familiar: it was filmed inside her house in a luxury gated community, designed to keep intruders out. Why would a stranger target Julia? Unless of course, it's not a stranger at all.

Stranded on a dark road in the middle of the night, a young woman accepts a lift from a passing stranger. It's the nightmare scenario that every girl is warned about, and she knows the dangers all too well - but what other choice does she have? As they drive, she alternates between fear and relief - one moment thinking he is just a good man doing a good thing, the next convinced he's a monster. But when he delivers her safely to her destination, she realizes her fears were unfounded. And her heart sinks. Because a monster is what she's looking for.

When the police found the first body, left on a bonfire in the forest, they worried it had the hallmarks of a serial killer. Now, as they find the second, they know for sure. Panic about the “Bonfire Killer” quickly spreads through the sedate suburban area of Southampton. Women are urged not to travel alone at night, and constant vigilance is encouraged among the local residents. But single mom Aisling Cooley has a lot to distract her: two beloved teenage sons and a quest to find her long-lost father, whom she hasn’t seen since she was a teenager.

You press send and your message disappears. Full of secrets about your neighbours, it’s meant for your sister. But it doesn’t reach her – it goes to the entire local community Whatsapp group instead. As rumour spreads like wildfire through the picture-perfect neighbourhood, you convince yourself that people will move on, that this will quickly be forgotten. But then you receive the first death threat. The next day, a woman has been murdered. And what’s even more chilling is that she had the same address as you – 26 Oakpark – but in a different part of town. Did the killer get the wrong house?

Dublin, 1969: Maura has just married Dr. Christy Davenport and they look forward to growing their family. But as her husband’s vicious temper emerges, Maura worries that her home might never be safe for a child. Meanwhile, her close friend Bernie, a mother of three, learns the devastating news that if she conceives again, her health complications could prove fatal.

Set in 1994, The Coast Road tells the story of two women—Izzy Keaveney, a housewife, and Colette Crowley, a poet. Colette has left her husband and sons for a married man in Dublin. When she returns to her home in County Donegal to try to pick up the pieces of her old life, her husband, Shaun, a successful businessman, denies her access to her children.

Grace really needs someone to help cover the rent for her London flat, but Christopher Dorrance? Everyone in the little Irish village of Emerald Bay knows about the feud between their families, though no one knows how it started. But, both being in a tight spot, they try and make it work, swearing to tell no one back home. Until a mutual friend and her son in the bay are left homeless after a storm. Grace and Christopher must head back to Ireland to help together.

It’s 1994 in County Donegal, Ireland, and everyone is talking about Colette Crowley – the writer, the bohemian, the woman who left her husband and sons to pursue a relationship with a married man in Dublin. But now Colette is back, and nobody knows why. Returning to the community to try and reclaim her old life, Colette quickly learns that they are unwilling to give it back to her.

Jessica and Linda have been best friends since the first day of school. Both girls are from very different broken homes—and beautiful, wilful Jessica has always ensured their survival. Now eighteen, the two have come to Wilde—an elite university in the heart of Dublin, far away from their troubled childhoods. Jessica thrives immediately, and, with the faithful Linda at her side, finds herself at the heart of a new circle of friends. But then Mark enters the picture.

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants" - ordinary people, his readers, easy tabloid fodder. His star looks set to rise when he stumbles across a scoop: a dead child on a London estate, grieving parents loved across the neighbourhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and "bad apples": the Greens.

Welcome to Ballyrowan. This sleepy corner of rural Ireland may seem tranquil, but scratch the surface and you'll find a hotbed of gossip and intrigue - endless material for mouthing - and a town full of people only too happy to oblige in spreading the bad news. Narrated by several generations of villagers, Mouthing traces the fortunes of one small community from the mid-20th century to the early 21st, in a series of highly confessional and darkly hilarious monologues.