検索キーワード： ナレーター "Ian Putnam" すべてのカテゴリー

When life hands you lemons, you can either make lemonade or lob them like hand grenades at your problems. Nothing is going as Idina Moorfield planned. It’s what happens when magical powers you don’t know you have manifest when you least expect it. Idina needs to make new plans, even if those plans are loosely based on her CO telling her to figure things out. Time to make lemonade. There’s all sorts of tasks Idina and her unit could be doing. Getting them to help out is another issue. Can she figure out how to get them to help her without asking them to help?

In the frozen ground of the Hürtgen Forest, Lieutenant Eric Granville digs a grave. A grave for yet another of his men lost to the brutality of World War II. He prays he will have to dig no more, for everyone knows the war is drawing to a close. But as German lines bend, then break, the Allies gain access to vast tracts of territory, including areas believed to contain advanced military research projects where the Nazis desperately work on war-ending super weapons.

Business owners, consumers, and employees have long relied on the news to make financial decisions—what to buy, who to hire, and what products to sell. In the 21st century, that news has shifted. Only the big businesses and executives can afford expensive subscriptions, while most consumers and small-business owners are left scrambling to find the news they need to succeed and thrive. The Future of Business Journalism explores how the field evolved into this divide and offers solutions on how business journalism can once again provide the stories and content that a broad society needs.

Idina Moorfield isn’t the only one on her team with unusual powers. Her buddy, Stop remembers everything he sees, and Cake is a new kind of man of steel. That’s the last two, which means everyone in Idina’s unit has a unique talent. Why would the Army want to bring them all together? Her commander, Hines is still refusing to answer her questions. She’s on a need-to-know basis, and right now, she doesn’t need to know. But Idina’s untapped powers are getting stronger and more aggressive.

Humans and fungi share nearly 50 percent of the same DNA. Because we're related, designing drugs to combat the varieties that attack us is a challenge. Meanwhile, in an ever hotter, wetter world, fungi may be finding new ways to thrive, queueing up global outbreak potentials for which no vaccine and woefully few medications exist; some fungi are already beginning to resist treatment. Among other lifeforms, bats, amphibians, and essential crops are also increasingly threatened by these pathogens.

Lieutenant Colonel Richard MacBlair has appeared out of thin air. Idina Moorfield has far more questions than the few answers her Uncle is willing to give her. He wants her to wait and she’s tired of waiting. Does she have a choice? Not really when Uncle is also your boss. Why is he trying to ignore their family connection? Has he been helping her from the sidelines all along? Someone is gunning for Idina and has her in its sights. She just doesn’t know who or what it is.

What grounds the fictional world of a novel? Or is such a world peculiarly groundless? In a powerful engagement with the latest debates in novel theory, Daniel Wright investigates how novelists reckon with the ontological status of their works. Philosophers who debate whether fictional worlds exist take the novel as an ontological problem to be solved; instead, Wright reveals the novel as a genre of immanent ontological critique.