検索キーワード： ナレーター "Carmen Jewel Jones" すべてのカテゴリー

This revised edition of Ar'n't I a Woman? reviews and updates the scholarship on slave women and the slave family, exploring new ways of understanding the intersection of race and gender and comparing the myths that stereotyped female slaves with the realities of their lives. Above all, this groundbreaking study shows us how black women experienced freedom in the Reconstruction South—their heroic struggle to gain their rights, hold their families together, resist economic and sexual oppression, and maintain their sense of womanhood against all odds.

I see ghosts. They’re everywhere. They are the victims of violent crimes whose cases haven’t been solved. Once they realize I can see them, they beg me to find justice for them so they can rest. Except one. My sister, Debra. She was ten and I was six when we were kidnapped. The monster held us for a week and did horrible things to her before we tried to make our escape. He caught us and killed my sister brutally. I barely survived. That was when the ghosts came. Our case was never solved so Deb became my constant companion. My secret solace and best friend.

"And should you die, take pride that you were fortunate enough to die for the Division." With that cheery bit of encouragement, newly promoted Agent Katrina Foster is tossed onto a plane and sent halfway around the world on her first assignment. Her directive: uncover who killed the country's top agent. When Katrina links the murder to a decade-old political assassination, a murderous mastermind, and a shadowy organization set on global disruption, she becomes a target.

From a vivid portrait of her childhood in 1960s Detroit to her leadership of one of the world’s largest philanthropic institutions, La June shares her full-circle, American story—a coming-of-age journey where she gains a firsthand understanding of how systemic racism prevents our children and communities from thriving and learns about the transformative role healing can play in helping all of us transcend the legacy of racial inequity.

Celebrities are photographed nursing in public, yet breastfeeding mothers are asked to cover up in malls and on airplanes. Breastfeeding is a private act, yet everyone has an opinion about it. How did feeding our babies get so complicated? Journalist and infant health advocate Kimberly Seals Allers breaks breastfeeding out of the realm of "personal choice" and shows our broader connection to an industrialized food system that begins at birth, the fallout of feminist ideals, and the federal policies that are far from family friendly.

In How We See Us, Michaela Leslie-Rule amplifies the voices of young people approaching adulthood as they consider their experiences, needs, and goals for their education, early careers, and lives. Leslie-Rule encourages adults who support young people to listen more closely to youth voices so that their perspectives are centered in interventions made on their behalf.

Langston Keith has been my brother's best friend for years, and he's always seen me as the competition. We're both race horse owners, and there's no way I'm letting Langston get that trophy. When my parents threaten to set me up in an arranged marriage with a guy in India, I beg Langston to fake date me to get them off my back. He agrees, and all goes well until the romance starts to feel real.

The neighborhood of Oleander Court is the poster child for suburban bliss. The residents compare lawns beautified by hired help. They monitor home values. They toss perfect furniture because they wanted tapioca, not beige. But when a string of murders rips through the neighborhood, suspicions abound as new secrets come to light. And as more and more bodies are taken away, it becomes clear that the killer is strategically selecting each and every victim, picking off the shallowest, most wasteful of the lot in spectacular fashion and leaving everyone in the neighborhood to wonder Who’s next?

“As far as I know, you can only die once…” But when Aetna Simmons disappears from her lonely Bermuda cottage, she leaves behind not one but ten suicide notes. Ten different suicide notes. And no other trace to speak of, not even a corpse, as if she’d never existed. Drafts of a Suicide Note is the darkly enigmatic love letter of Kenji Okada-Caines, a petty criminal who once exposited on English literary classics and now, marooned on his native isle, nurtures an obsession with Aetna’s writing.

The reality is that although many Black clients will not zero in on the impact of racism in their lives, ignoring the issue of race in therapy leaves a very large elephant in the room. And you can't build rapport with elephants in the room. So what do you do? In No Racial Elephants in the Therapy Room, Dr. Rheeda Walker provides the answer to this question.

Dismissed not only explains what so many people feel so profoundly—that the system is working against them. It also reveals what health-care practitioners, patients, and society in general can do to make it right.

Become Ungovernable is a provocative new work of political thought setting out to reclaim "freedom", "justice", and "democracy", revolutionary ideas that are all too often warped in the interests of capital and the state. Revealing the mirage of mainstream democratic thought and the false promises of liberal political ideologies, H. L. T. Quan offers an alternative approach: an abolition feminism drawing on a kaleidoscope of refusal praxes, and on a deep engagement with the Black Radical Tradition and queer analytics.

After fifteen years in captivity, Nova Lefleur is free, back home, and reunited with her Louisiana family. Through her ordeal, she never forgot them. They never forgot her either. But things have changed since Nova’s been gone. Nova and her encouraging seventeen-year-old daughter, Skye, are getting to know each other for the first time. Her husband, Quinton, is rebuilding a relationship with a wife he thought was gone forever. And Nova’s sister, Leah, is overjoyed—and overwhelmed.

What are the politics of nature? Who owns it, where is it, what role does it play in our lives? Does it need to be tamed? Are we ourselves natural? In A Darker Wilderness, a constellation of luminary writers reflect on the significance of nature in their lived experience and on the role of nature in the lives of Black folks in the United States. Each of these essays engages with a single archival object, whether directly or obliquely, exploring stories spanning hundreds of years and thousands of miles, traveling from roots to space and finding rich Blackness everywhere.

The linked stories in Mama Said are set in Louisville, Kentucky, a city with a rich history steeped in tobacco, bourbon, and gambling, indulgences that can quickly become gripping and destructive vices. Set amid the tail end of the crack epidemic and the rise of the opioid crisis, Mama Said evokes Black family life in all its complexity, following JayLynn, along with her cousins Zaria and Angel, as they come of age struggling against their mothers' drug addictions.

Go from being a good practitioner to being an extraordinary leader of healthcare professionals.

A plumber cuts into a wall at an old house searching for the source of a leak. Instead, he uncovers a gruesome sight—a woman’s mummified body tied onto a chair. How long has she been there? Months? Years? Decades? Who is she? Will Texas Ranger Sarah Armstrong be able to interpret the strange symbols surrounding the body to find the woman’s killer? Is this baffling case tied to one out of Sarah’s past, unfinished business that still haunts her nightmares?