検索キーワード： ナレーター "Andre Bellido" すべてのカテゴリー

Offering both a framework and a set of practices that are grounded in different nonviolence traditions, Heart at the Center asks listeners to consider what a pedagogy of nonviolence looks like, sounds like, and feels like in the classroom.

Between chronic health issues and an overprotective mother, twenty-two-year-old Oriah Pera feels like she’s stuck waiting for her life to begin. But when her mother’s job takes them to Majora, Ry’s ready to break free and make this summer hers. In her first small act of rebellion, she escapes to explore the island on her own – only to run into an infuriatingly charming Spaniard who sees her as nothing more than a sheltered tourist. With unexpected tension simmering between them, Ry isn't sure if she should start listening to her head or her heart.

Think you know everything about football? Which football match triggered a war? How did "the beautiful game" push back against the tyranny of dictatorship, and usher another into power? Kicking Off Around the World includes 55 incredible stories in which football clubs have been a mirror to—and a maker of—world history and politics.

Sebastián lived a childhood of privilege in Mexico City. Now in his twenties, he has a degree from Yale, an American girlfriend, and a slot in the University of Iowa's MFA program. But Sebastián's life is shaken by the Trump administration's restrictions on immigrants, his mother's terminal cancer, the cracks in his relationship, and his father's forced resignation at the hands of Mexico's new president. As he struggles through the Trump and Lopez Obrador years, Sebastián must confront his father's role in the Mexican drug war and navigate his whiteness in Mexican contexts.

A suspenseful, lyrical debut novel tracking three days leading up to the eviction of a pregnant single mother and her nine-year-old twins from a trailer park in the American Southwest.

On July 3, 1972, twenty-four hippies from Clearwater, Florida, set up tents and settled in for the night at Briar Bottom, a public US Forest Service campground in western North Carolina. The impromptu campout was a pit stop for the group on their way to a Rolling Stones concert in Charlotte. Early that evening, they drank beer, smoked marijuana, and listened to rock music as they anticipated the good times that lay ahead. Near midnight, the county sheriff showed up with six deputies, allegedly responding to a noise complaint. They were armed with pistols and five sawed-off 12-gauge shotguns.

When twenty-two-year-old Oriah (Ry) Pera learns that her mother’s job is relocating them to Majorca, she knows this summer could be the start of her very own coming-of-age story. Between chronic health issues and her mother’s overprotective tendencies, Ry feels like she’s stuck waiting for her life to begin. In her first small act of rebellion, she heads off to the beach alone and meets an infuriatingly charming Spaniard. Julián makes Ry feel even more naive and inexperienced than she normally does, but she can’t tamp down her growing attraction.

Ana and her mother have been living out of their car ever since her militant father became one of the FBI’s most wanted. Leandro has struggled with debilitating anxiety since his family fled Cuba on a perilous raft. One moonlit night, in a wilderness park in California, Ana and Leandro meet. Their connection is instant—a shared radiance that feels both scientific and magical. Then they discover they are not alone: a huge mountain lion stalks through the trees, one of many wild animals whose habitat has been threatened by humans.

Not Even the Dead is the story of a persecution that transcends territories and centuries; a path pointing northward, always northward, that is to say, always toward the future, on a hallucinated journey from the sixteenth century New Spain to today's Trump wall.

After an imminent yet unnamed danger forces people across Colorado to leave their homes, a group of kids including an aspiring filmmaker and a budding journalist find themselves in the same evacuation camp. As they cope with the aftermath of having their world upended, they grow curious about the mysterious threat.

If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs.