検索キーワード： 著者 "Virginia Woolf" すべてのカテゴリー

Un jour de printemps, Mrs Dalloway, maîtresse de maison londonienne, s'apprête à donner une réception à Westminster. Tandis qu'au fil de la journée, Big Ben sonne les heures, les personnages s'affairent, vivant chacun à leur manière leur rapport au temps et aux autres. À travers les souvenirs et les réflexions des personnages se dévoilent apparences et faux-semblants et le temps ne devient plus qu'une succession d'événements minuscules et de bouleversements camouflés.

Have you ever wondered why the memories that haunt us most are often the quietest ones? To the Lighthouse is Virginia Woolf's most poignant and experimental novel. Abandoning traditional plot structures, Woolf plunges you directly into the stream of consciousness of her characters, creating an intimate experience that feels less like hearing a story and more like living inside another's mind.

Testo illuminante e fondamentale per intere generazioni, esso ha origine nell’invito a tenere due conferenze sul tema "donne e romanzo" rivolto...

The Ramsey family, with house guests, visit the Isle of Skye at least twice. The plot is not at all the point though, as this is a book about how people think and feel and relate. There’s insight into the world of childhood thought and emotion, and a variety of views of adult care and perceptions. I hope this doesn’t make it sound ‘difficult’, it doesn’t need to be–just let the sentences flow and make your own sense of the words. It’s perhaps as close as a novel can come to the highly individual experience of looking at a painting.

The Ultimate Essays Collection is a wide-ranging collection of 30 classic essays analysing everything from war to love, journalism to race, travel to nature, and much more, read by an award-winning cast of narrators. Included here are essays by some of the greatest writers of all time, including George Orwell; Thomas Paine; Fyodor Dostoyevsky; Henry David Thoreau; Virigina Woolf; Sigmund Freud; Zorea Neale Huston; Langston Hughes; Jack London, and more.

The last book that Woolf saw to publication in 1940, this stunning biography charts Fry’s early years and education, through to his prominent role in pioneering Post-Impressionism in Britain and the legacy he left behind. Woolf elegantly explores Fry’s intellectual pursuits and artistic philosophy, offering great insight into his exhibitions and literary endeavours. She also paints a nuanced and candid portrait of the man behind the artist, delving into Fry’s relationships and personal demons, creating a poignant tribute to the deeply sensitive and complex soul that Woolf came to know.

Hätte Shakespeare eine Schwester gehabt, ebenso begabt wie er, wie wäre es ihr ergangen? Welche Widerstände mussten Jane Austen oder die Brontë-Schwestern überwinden? Im Oktober 1928 hielt Virginia Woolf zwei Vorträge am ersten Frauencollege Großbritanniens an der Universität Cambridge. Ob ihnen bewusst sei, fragte Woolf ihre Zuhörerinnen, dass sie vielleicht "das am häufigsten abgehandelte Tier des Universums" seien? Schließlich wurde Literatur über Frauen fast ausschließlich von Männern verfasst. Aus Woolfs Vorträgen entstand der Essay Ein Zimmer für sich allein, den sie ein Jahr später veröffentlichte.

Partant de l'analyse des interdits misogynes, solides remparts d'une supériorité masculine dont la réalité paraît sérieusement ébranlée, Virginia Woolf définit les conditions d'existence et la spécificité de la création pour les femmes. Il faut d'abord "une chambre à soi", dont la portée va bien au-delà du matériel. Il suffit d'entrer dans n'importe quelle chambre de n'importe quelle rue pour que se jette à votre face toute cette force extrêmement complexe de la féminité.

"Eine Frau muss Geld haben und ein eigenes Zimmer, wenn sie schreiben will." Mit diesem berühmten Satz fasst Virginia Woolf in ihrem 1929 erschienenen Essay "Ein eigenes Zimmer" eine Erkenntnis zusammen, die bis heute nichts von ihrer Sprengkraft verloren hat. Entstanden aus zwei Vorträgen...

A beautifully curated collection of profoundly intimate and boundary-pushing writing, The Selected Short Stories of Virginia Woolf showcase some of the literary icon's work at its very best. Both lyrical and impressionistic in style, Woolf's short stories offer a candid insight into her characters' inner lives – their memories, thoughts and desires – cultivating a rich emotional framework from which her different protagonists evolve.

Virginia Woolf’s third novel lacks a conventional narrative style and some say even a plot. It follows Jacob from his childhood, through his education at Cambridge and finally to his death in World War I. The prose repeatedly shifts its point of view and the reader is challenged to find connections between the narrative fragments. Largely from the comments of others we come to know the sequence and some moments of Jacob’s life but we never fully learn who Jacob is. The literary experimentation in Jacob’s Room is used even more successfully in Woolf’s later novels. (Summary by DaveC)

Told almost exclusively through other characters' perceptions, conversations and memories, Woolf's groundbreaking novel centres around Jacob Flanders, a young man whose identity is difficult to grasp. Rather than presenting a conventional biography, Woolf assembles Jacob's presence from absence, evoking an air of emptiness and mystery, set against the haunting shadow of the First World War.

Often considered her most experimental work, Virginia Woolf's The Waves is a masterclass in modernist fiction, and a profound exploration of time, consciousness and the conflicting rhythms of individual lives. Published in 1931, The Waves unfolds through the soliloquies of six characters whose voices come and go – much like the sea tides they are surrounded by – in a blend of consciousness, tracing their journeys from childhood to old age. Around them drifts the unseen presence of a seventh figure, Percival, whose absence becomes a powerful refrain throughout the book.

Written for Virginia Woolf's friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young 16th-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness.

Em 1922, Virginia Woolf publicava seu terceiro romance, considerado pela crítica um ponto de inflexão na sua carreira. Em O quarto de Jacob, o personagem-título é a presença de uma ausência. Da infância na praia à juventude em Cambridge, sua personalidade é entrevista por mulheres que atravessam sua vida, da mãe a uma namorada. Este romance sinaliza o momento em que Virginia Woolf abandonou dispositivos realistas e abraçava—não sem ressalvas—a influência do modernismo de James Joyce, que lançava Ulysses naquele ano.

The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders, and is presented entirely by the impressions other characters have of Jacob [except for those times when we do indeed get Jacob's perspective]. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed as a void in place of the central character, if indeed the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac ...

Virginia Woolf's most successful novel recounts the extraordinary biography of Orlando from his youth in the reign of Elizabeth I to her life as a successful author and mother in 1928, the year of the book's publication. Over the 350 years of his/her life, Orlando loves and is betrayed by a Russian princess, serves as British ambassador to Constantinople, changes sex, lives among gypsies, narrowly escapes marriage to the Archduchess Harriet/Archduke Harry, enjoys the society of Addison, Dryden and Pope, and finally marries Marmaduke Bonthrop Shelmardine with whom she has a child. Over the same...

This feminist essay argues for both a literal and figural space for women writers within a literary tradition dominated by patriarchy. First published on 24 October 1929, the extended essay was based on a series of lectures delivered by Virginia Woolf at Cambridge University in October 1928. While it employs a fictional narrator and narrative to explore women both as writers of and characters in fiction, the manuscript for the delivery of the series of lectures, titled “Women and Fiction”, and hence the essay, are non-fiction. - Summary by Cori Samuel This recording was originally ...

Virginia Woolf's groundbreaking satire of British culture, customs, literature, philosophy, and politics from the Elizabethan era to the author's present-day 1928, as experienced by her famously long-lived and genderfluid protagonist. - Summary by Nicole J. LeBoeuf

A collection of essays by Virginia Woolf, some of which originally appeared in the Times Literary Supplement or the Dial, and others were originally published for the first time in this volume. "Anything that Virginia Woolf may have to say about letters is of more than ordinary interest, for her peculiar intelligence and informed attitude set her somewhat apart. She possesses the happy faculty simultaneously of enjoying and accepting the work of Daniel De Foe and James Joyce, of Joseph Addison and T.S. Eliot, of Jane Austen and Marcel Proust. Many of these essays are excellent examples of that...