検索キーワード： 著者 "Mary Beard" すべてのカテゴリー

From prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity. Conceived as an accompaniment to How Do We Look and The Eye of Faith, the famed Civilizations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art.

The idea of 'civilisation' has always been debated, even fought over. At the heart of those debates lies the big question of how people - from prehistory to the present day - have depicted themselves and others, both human and divine. Distinguished historian Mary Beard explores how art has shaped, and been shaped by, the people who created it. How have we looked at these images? Why have they sometimes been so contentious?

The Colosseum was Imperial Rome's monument to warfare. Like a cathedral of death it towered over the city and invited its citizens, 50,000 at a time, to watch murderous gladiatorial games. It is now visited by two million visitors a year (Hitler was among them). Award-winning classicist Mary Beard, with Keith Hopkins, tells the story of Rome's greatest arena: how it was built; the gladiatorial and other games that were held there; the training of the gladiators; the audiences who revelled in the games, the emperors who staged them and the critics.

The ruined silhouette of the Parthenon on its hill above Athens is one of the world's most famous images. Its 'looted' Elgin Marbles are a global cause celebre. But what actually are they? In a revised and updated edition, Mary Beard, award winning writer, reviewer and leading Cambridge classicist, tells the history and explains the significance of the Parthenon, the temple of the virgin goddess Athena, the divine patroness of ancient Athens. 

New York Times Bestseller One of the Guardian's "100 Best Books of the 21st Century" — "A modern feminist classic." From the internationally acclaimed classicist and New York Times best-selling author comes this timely manifesto on women and power. At long last, Mary Beard addresses in one...

The ruins of Pompeii, buried by an explosion of Vesuvius in 79 CE, offer the best evidence we have of everyday life in the Roman empire. This remarkable book rises to the challenge of making sense of those remains, as well as exploding many myths: the very date of the eruption, probably a few months later than usually thought, or the hygiene of the baths that must have been hotbeds of germs, or the legendary number of brothels, most likely only one, or the massive death count, maybe less than 10 per cent of the population.

We are all classicists - we come into touch with the classics on a daily basis: in our culture, politics, medicine, architecture, language, and literature. What are the true roots of these influences, however, and how do our interpretations of these aspects of the classics differ from their original reality? 

Join us as we delve into the remarkable journey of John Wesley Powell, a trailblazing American explorer, ethnologist, and geologist of the 19th century. In 1869, Powell embarked on an adventurous expedition to uncover the mysteries of the Colorado and Grand Canyon. With a crew of nine men, four boats, and provisions for ten months, they set sail from Green River, Wyoming, on May 24. Navigating through treacherous rapids, the team journeyed down the Green River until they reached its confluence with the Colorado River, near what is now Moab, Utah. Powells vivid diary entries paint a ...

Robert Sterling Yard was a prominent American writer, journalist, and wilderness advocate. Hailing from Haverstraw, New York, he graduated from Princeton University and dedicated the first two decades of his career to editing and publishing. In 1915, he joined forces with his friend Stephen Mather to champion the establishment of an independent national park agency. Their collaborative efforts fueled a movement that ultimately led to the creation of the National Park Service (NPS) in 1916. Yard was tireless in his mission to promote the national parks and educate the American public about ...

FROM THE BESTSELLING AUTHOR OF EMPEROR OF ROME AND SPQR 'The rock star scholar of Ancient Rome' FINANCIAL TIMES 'The reigning Queen of Classics' SPECTATOR What's exciting about a piece of bread 4,000 years old? Or some pots of paint abandoned in the eruption at Pompeii? Why should we be bothered...

Pompei è un unicum nella storia dell'archeologia, una miniera di informazioni non ancora del tutto esplorata. Soprattutto, è una continua riserva di sorprese per gli studiosi, una realtà più complicata e intrigante di ciò che riteniamo di conoscere. Indagando nel «paradosso di Pompei» in compagnia di Mary Beard scopriamo così che della vita antica che si svolgeva nel centro campano sappiamo contemporaneamente molto più e molto meno di ciò che crediamo.

Un viaje fascinante por la vida, las ruinas y las controversias del Partenón, de la mano de la gran divulgadora del mundo clásico, Mary Beard. Desde hace más de dos mil años, el Partenón domina la Acrópolis de Atenas como uno de los símbolos universales de la civilización clásica. Pero...

Mary Beard ci offre una nuova visione della storia di Roma, caratterizzata da incredibili miti fondativi e grandi istituzioni politiche e sociali, da straordinarie conquiste militari e stupefacenti opere architettoniche, nonché, naturalmente, dalle gesta di personalità celebri: Cicerone, Catilina, Giulio Cesare, Ottaviano e Marco Antonio. Le innumerevoli testimonianze ci rendono partecipi dell'estrema vitalità e grandezza di un mondo globalizzato e in perpetuo movimento, dove uomini e merci, libri e idee, mode e religioni circolavano liberamente.

Dos destacados historiadores clásicos cuentan la historia del mayor anfiteatro de Roma, un monumento visitado por dos millones de personas al año. La Roma imperial fue un estado guerrero. El Coliseo (inaugurado en el año 80 d.C.) fue el monumento de Roma a la guerra. Como una catedral de la...

What made the Romans laugh? Was ancient Rome a carnival, filled with practical jokes and hearty chuckles? Or was it a carefully regulated culture in which the uncontrollable excess of laughter was a force to fear-a world of wit, irony, and knowing smiles? How did Romans make sense of laughter? What role did it play in the world of the law courts, the imperial palace, or the spectacles of the arena?

Charles A. Beard, a proponent of the "New History", which emphasized the importance of cultural economic developments as opposed to just warfare and diplomacy.