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Curated by the inimitable Dr. Chris McAuley (co-founder of the StokerVerse, character creator for DC and Marvel, novelist, and Dr. Who author) is a baker's dozen of heart-thumping, mind-bending tales of science gone horribly awry, mysterious worlds, and the unspeakable horrors they spawn.

Im Buch Hiob in der Bibel muss dieser zahlreiche Schicksalsschläge erdulden – bis er schließlich Erlösung findet. Joseph Roth erzählt in seinem Roman vom modernen Hiob – dem Toralehrer Mendel Singer, dessen Glaube an Gott immer wieder auf härteste Proben gestellt wird. Das Werk ist eines der erfolgreichsten Roths, der unzweifelhaft zu den allergrößten Schriftstellern überhaupt gehört.

Welcome to the world of all things nerdy! This is the podcast where we dive deep into the realms of science fiction, fantasy, and all things nerd. From comic books to video games, from movies to TV shows, we'll be discussing the latest news, reviews and theories in the nerdy universe. So grab your favorite snack, sit back and get ready to embark on a journey into the land of imagination and endless possibilities. Let's get nerdy

The Living to 100 Club is an exciting take on getting older. The Living to 100 Club members turn aging on its head knowing and understanding that age is only a number. The Living to 100 Club is for everyone of all ages who wants to maintain a positive outlook about our futures, offering fresh and inspiring perspectives on aging successfully, no matter how much help we may need adapting to growing older. Whether we’re still running marathons or confined to a wheelchair, we can always keep a positive frame of mind, stay inspired, learn more about aging well and managing setbacks.

Welcome to Podcast True and Scary, hosted by Joseph. Join us as we delve into the world of true and terrifying stories from around the globe. Each episode will explore real-life events and unexplained phenomena that will send shivers down your spine. Sit back, grab your headphones, and prepare to be captivated by the gripping tales we have in store for you. Tune in now and experience the thrill of the unknown. #TrueAndScary #Podcast #ThrillsAndChillsBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-and-scary--5792212/support.

Years ago, seventeen-year-old Apache hunter Lozen and her family lived in a world of haves and have-nots. There were the Ones—people so augmented with technology and genetic enhancements that they were barely human—and there was everyone else who served them. Then the Cloud came, and everything changed. Tech stopped working. The world plunged back into a new steam age. The Ones’ pets—genetically engineered monsters—turned on them and are now loose on the world.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

In this caustic essay, the author asks: “Who goes to hell?” His answer: “According to the Bible, and the creeds, the immense majority of mankind.” He later comments that the idea of the inevitable damnation of the unbeliever “has probably done more harm to humanity than it has benefited from the rest of the gospel.”

In this short history, scholar of religion Joseph McCabe explores the nature and development of witchcraft as an alternative religion fundamentally opposed to Christianity. He examines the inevitable persecution of witches by the established church, and describes how the development of the Enlightenment movement eventually led to the end of the practice of witch hunting.

Recollections of the life of Axel Heyst, one-time manager of the liquidated Tropical Belt Coal Company in a fictitious island in the Pacific. After retreating from society in response to his professional failures, the misanthrope is drawn back by a romantic affair.

Each of the stories in this collection is spun from a simple, if typically wry and bleak, idea. In "Gaspar Ruiz", a South American general who has fought in a war of independence tells his guests a long tale about a notorious strong man that explains the origin of his current domestic arrangements. "The Informer" leads the reader into the depths of a political conspiracy, dealing very slyly indeed with questions of truth and pretence.

Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it.

Set during the Napoleonic Wars, this story features two French Hussar officers, D'Hubert and Feraud. Their quarrel over an initially minor incident turns into a bitter, long-drawn out struggle over the following fifteen years, interwoven with the larger conflict that provides its backdrop. At the beginning, Feraud is the one who jealously guards his honor and repeatedly demands satisfaction anew when a duelling encounter ends inconclusively; he aggressively pursues every opportunity to locate and duel his foe.

"Here speaks the man of masts and sails, to whom the sea is not a navigable element, but an intimate companion. The length of passages, the growing sense of solitude, the close dependence upon the very forces that, friendly to-day, without changing their nature, by the mere putting forth of their might, become dangerous to-morrow, make for that sense of fellowship which modern seamen, good men as they are, cannot hope to know."

In these four stories, written between 1900 and 1902, Joseph Conrad bid gradual farewell to his adventurous life at sea and began to confront the more daunting complexities of life on land in the twentieth century. In 'Typhoon' Conrad reveals, in the steadfast courage of an undemonstrative captain and the imaginative readiness of his young first mate, the differences between instinct and intelligence in a partnership vital to human survival.

Acclaimed as one of Joseph Conrad's finest literary achievements, this gripping novel deftly depicts the political turmoil of nineteenth-century Russia and follows the dramatic developments in the life of a student, Razumov, as he prepares for a career in the czarist bureaucracy. In a plot that twists and turns, Razumov unwittingly becomes embroiled in a revolutionary conspiracy when he gives refuge to a fellow student who assassinated a public official. Increasingly enmeshed in the radical's political intrigue, he betrays the anarchist who had placed blind faith in him.

I have been called a writer of the sea, of the tropics, a descriptive writer - and also a realist. But as a matter of fact all my concern has been with the 'ideal' value of things, events and people. That and nothing else - Joseph Conrad When Willems stepped off the straight and narrow path of his own peculiar honesty he thought it would be a short episode - a sentence in brackets, so to speak - in the flowing tale of his life. But Willems was wrong, for he was about to embark on a voyage of discovery and self-discovery that would change, if not destroy, the reset of his life.

Mr Verloc, the secret agent, keeps a shop in London's Soho where he lives with his wife Winnie, her infirm mother, and her idiot brother, Stevie. When Verloc is reluctantly involved in an anarchist plot to blow up the Greenwich Observatory things go disastrously wrong, and what appears to be "a simple tale" proves to involve politicians, policemen, foreign diplomats, and London's fashionable society in the darkest and most surprising interrelations.

In Nostromo, Joseph Conrad has transformed an apocryphal anecdote about a sailor who got away with stealing a boat loaded with silver into a grandly panoramic, yet deeply unsettling, narrative that sees every conceivable type of political person — from the laughably oafish and brutal to various shades of the well-meaning — caught up in an episode of revolutionary upheaval in the fictional South American country of Costaguana.

Today, we're likely to react to the title of this novella, on whose 'sincerity of expression' Conrad was willing to stake his artisitic reputation, with visceral disgust. There is a sad irony in this, for Conrad's title originally alluded to a rather complex set of meanings, implying that, by virtue of our human nature, we all carry within the fragile vessel that is our idealised image of ourselves a darker being we find troubling, even despicable, but with whom we must eventually come to terms.