検索キーワード： 著者 "A.G. K.G." すべてのカテゴリー

In 1910, when the industrialists and intelligentsia both promised only “progress,” G. K. Chesterton was among the few in the West who could see the brewing ideological storms that would soon make landfall, not just in the form of world wars and totalitarianism but in the pervasive modern dehumanization that consumes us to this day. More than a century ago, Chesterton perceived the beginnings of “woke capital” and how it aligns with and promotes social progressivism. There is an unspoken alliance between big business and progressives, he explains.

Father Brown: The Essential Stories brings together the finest tales of the beloved amateur detective, Father Brown - a small, unassuming priest with a remarkable knack for solving the most baffling crimes. With his quiet wisdom, sharp intuition, and deep understanding of human nature, Father Brown solves cases that baffle even the most seasoned detectives.

One serial killer plus a rogue cop equals a recipe for disaster… Following recent events, Detective Liv DeMarco finds herself working undercover. But this time, her partner, Brad Fennel, isn’t backing her plays. He’s been reassigned. Whether that’s temporary or permanent is anyone’s guess, but Liv doesn’t like it. There’s no one she trusts more than Brad, and she needs him to watch her back as she hunts a serial killer who’s murdering escorts. In the midst of the operation, she spots Brad.

Tarkan gilt als sterbendes Universum - es ist dem Untergang geweiht. Einige seiner Bewohner haben offenbar einen unglaublichen Plan geschmiedet: Sie wollen ganze Planetensysteme in die Nähe der Milchstraße transferieren, vielleicht sogar eine komplette Sterneninsel. Dabei nehmen sie keine Rücksicht. Es kommt zu bewaffneten Konflikten mit den Menschen und anderen Raumfahrern, die teilweise sofort angegriffen werden. Zur gleichen Zeit hält sich Perry Rhodan in dem anderen Universum auf. Der Terraner steckt in Nöten, man will ihm helfen.

Three masked men. One night. One room. One goal. Falling in love is out of the question. Watching my mother die for love only made me want it that much less. When things become too serious with my boyfriend in college, I know it’s time to step back. The only problem is, he doesn’t feel the same. His brand of love is possessive. Fierce. Terrifying. And he’s not afraid to enlist my best friend and my former stepbrother to help him get me back. The plan?

This podcast delves into the intriguing friendship and intellectual sparring between George Bernard Shaw and G.K. Chesterton. Despite their contrasting beliefs, the two maintained a mutual respect and fascination for each others ideas. The podcast explores how Shaw, a prominent figure in the emerging school of thought known as humanism, championed progress for its own sake, even if it meant redefining the nature of humanity. Chesterton, in contrast, was more inclined towards religious thought, with his views leaning more and more towards the Church. This podcast offers a fascinating insight ...

Esteemed writer G. K. Chesterton offers a compelling critique of the works of Charles Dickens, sharing his profound admiration and unique insights into Dickens literary genius in his distinct and engaging style. (Summary by Karen Merline)

In which a trio of balding beardos talk table top games - from RPGs, CCGs, Wargames and Board games - served from Britain's Ocean City, Plymouth!Content and Opinions are all our own and do not reflect those of our employers.This Podcast is published under Creative Commons, and owned by us under Creative Commons.Any Games mentioned or discussed are owned by their creators and publishers and no claims are made to any content therein.With Ross Kingston (He / Him), Jon Garrad (They / Them), Chris Nicholls (He / Him) and Produced by Cody BakewellMusic and Stings by Ross "Hawklord2112" Kingston ...

Written in his signature style – full of paradox, wit and poetic insight – Chesterton outlines an intellectually rigorous defence of the Christian faith. Part autobiography, part theology, Orthodoxy traces Chesterton's personal journey from a crisis of doubt to belief, arguing that Christianity uniquely satisfies the long-established human need for truth, imagination and joy. Rather than religious doctrine being dry or dogmatic in any way, Chesterton relays it as adventurous and romantic – and the only worldview that allows enough room to make sense of the world's wonders and contradictions.

Lord Mounteagle verwahrt in seinem Privatmuseum zahlreiche asiatische Talismane und Glücksbringer. Als der Exzentriker das rote Juwel seinen Besuchern zeigt, ist die Gelegenheit zum Diebstahl günstig. Und prompt ist der Stein verschwunden. Genommen von einem zwielichtigen Wahrsager, dem "Meister vom Berge".

Delve into the mystery of the Peacock trees, feared by peasants as the source of a deadly fever. Squire Vane, a non-believer of this folklore, dares to challenge the superstition by spending a night amongst the trees. When dawn breaks, he is nowhere to be found. Has he fallen victim to the curse or is there a more sinister play at work? Could the poet, the lawyer, the woodsman or even the trees themselves be responsible for his disappearance? Join us as we unravel this enigma.

Eine spannende Reise in die Ursprünge des Kriminalromans: Diese Sammlung von zehn klassischen Geschichten vereint die größten Meister der klassischen Spannungsliteratur. Von Edgar Allan Poes düsteren Visionen über Sherlock Holmes' messerscharfe Logik bis zu Chestertons moralphilosophischen Detektivrätseln – hier begegnen sich Wahnsinn, Mord, Mysterien und meisterhafte Erzählkunst.

"The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October, 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arch, begun in The Blue Cross.

The Queer Feet" deals with Flambeau wanting to steal the silverware of the members of the Twelve True Fishermen having their annual club dinner at Vernon Hotel. The Vernon Hotel is an exclusive hotel and a "topsy-turvy product" (Chesterton 1994, p. 51).

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

The tenth story in The Innocence of Father Brown is entitled The Eye of Apollo. At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be "the New Priest of Apollo," and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

The Sign of the Broken Sword is a short story by G. K. Chesterton featuring his famous characters Father Brown and former criminal Flambeau. At the centre of the story is the mysterious death of General Sir Arthur St. Clare, who was hanged on a tree with his broken sword hung round his neck. It is a detective story and throughout it Father Brown reveals the mystery of General St. Clare.

The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.