検索キーワード： ナレーター "Sidney James" すべてのカテゴリー

In the stack of envelopes on top of Gideon's desk, one was curiously unlabeled, the same as any random piece of junk. He slid it open nonetheless. All the envelope contained was a simple leaf...dark green with serrated edges, finely divided and lacy. It was almost triangular, broad at the base with the tip tapering to an almost point. No sooner did he lay the envelope down on his desk, his phone rang. It was the Chief of Police requesting his service on another case.

Freja Jensen, contemplating retiring from BeeBop Publishing Group in Austin, Texas, received a brown paper parcel in the mail. She opened the package, and saw that it was from Lucas Hansen, or his pen name, Lucas Pedersen. With the letter was a manuscript. Another note received was from a doctor who asked to remain anonymous. Included in a small teakwood box was an ancient sistrum, an Egyptian musical instrument with magical powers, and had the etching of an ankh on top.

Many people believe that being immortal is a bliss, something that’s priceless...something that one would do next to anything for. Would it be bliss to live long enough to see all your loved ones perish? To wander around the world in loneliness, for every friend you ever made have run out of time to spend with you? Personally, I think not! It’s not a bliss. If anything, it’s a downright curse. Lucas Petersen, a professor at the University of Texas, is resting quietly in his apartment on Guadalupe Street near the main campus. There’s a knock at his door that surprised him.

Rediscovered and restored by radio enthusiasts, The Radio Circle, it was first broadcast on the BBC Light Programme on the 10th May 1955, just two days before Tony Hancock’s 31st birthday. Tony Hancock had taken an unscheduled trip to Italy, leaving Hancock Half Hour’s producer to ask Harry Secombe to step in to star for the first three episodes of the second series. The fourth episode saw Tony return, and begrudgingly make ‘A Visit To Swansea’, to thank Harry Secombe for stepping in.