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French Intelligence Officer Sophie Racine is tasked with travelling into the heart of a warzone in Ukraine. Her mission is to assassinate Sasha Vasilev, a Russian mole who took the French secret service apart piece by piece and gave their secrets to the Kremlin. Ex-SAS trooper and MI6 officer Aidan Snow is also in Ukraine. Sent by British Intelligence, he must extract Mohammed Iqbal, an innocent citizen caught up in the conflict in rebel-controlled Donetsk.

Tessa Keswick first travelled to China in 1982 and immediately fell in love with its history, culture and landscape. Over the next 30 years, she travelled extensively in China, visiting its temples and landmarks, the sites of its most famous battles and the birthplaces of its best-known poets and philosophers. She also witnessed China's transformation, as hundreds of millions were lifted out of poverty and the country emerged as an economic superpower in waiting.

Sir Gawain and the Green Knight is perhaps the best-known Arthurian romance in the English language. Its story is well-known: New Year celebrations at Camelot are disrupted by the fearsome and strange appearance of the Green Knight who challenges Arthur's court to a game consisting of an exchange of blows; the Green Knight's survival of the beheading that ensues locks Sir Gawain into a commitment to receive a return blow a year later, bound by his honor to fulfill the terms of the game.

Patience is the third of the four poems of the Pearl manuscript, a 14th century work contemporaneous with Chaucer, Langland and Gower, and acknowledged as a minor masterpiece in its own right. The poet's usage of the word patience reflects two broad senses: that of accepting misfortune and submitting to physical or mental suffering, and that of waiting, holding back, and exercising moderation and self-control.

Cleanness is the second of the four poems of the Pearl manuscript, a 14th century work contemporaneous with Chaucer, Langland and Gower. Cleanness tells several stories, all related by theme “ the disastrous consequences of uncleanness, and the good fortune to be had by being clean. The poet carefully constructs a complex accumulation of stories and examples, whose main source is the Old Testament. The three major stories are the Flood, then Sodom and Gomorrah, followed by Belshazzar's Feast.

Pearl is the first of the four poems of the Pearl manuscript, a 14th century work contemporaneous with Chaucer, Langland and Gower. It is widely acknowledged as a masterpiece of medieval English literature. In the poem the grief-stricken protagonist describes the loss of a precious pearl in a garden. He falls asleep and in his dream sees a vision of a beautiful Maiden, who through complex imagery is gradually revealed as the pearl, a lost loved one, often interpreted as the Dreamer's young daughter, though never explicitly identified.

For students of Middle English, Andrew and Waldron's The Poems of the Pearl Manuscript has been the key edition of the four Pearl poems for over 30 years. With the changing needs of today's students in mind, the editors produced a complete prose translation of the four poems - the best known of which is "Sir Gawain and the Green Knight". The near-literal translations are intended to facilitate understanding of the four poems - to lead readers to, rather than away from, the original texts.

Thirty-year-old Hetty Cartwright is tasked with the evacuation and safekeeping of the natural history museum’s collection of mammals. Once she and her exhibits arrive at Lockwood Manor, however, where they are to stay for the duration of the war, Hetty soon realises that she’s taken on more than she’d bargained for.Protecting her charges from the irascible Lord Lockwood and resentful servants is work enough, but when some of the animals go missing, and worse, Hetty begins to suspect someone - or something - is stalking her through the darkened corridors of the house.

Susan and Sarah. Sisters. Best friends. Together...forever? Nothing could break them apart. Until they meet him. And he can only choose one.... Now Susan is back. Determined to reclaim everything Sarah has taken from her. Her home, her husband...her life?

When Leila Jones loses her precious charm bracelet and a stranger finds it, she has to tell the story of how she got the charms to prove she’s the owner. Each and every one is a precious memory of her life with Jake. So Leila starts at the beginning, recounting the charms and experiences that have led her to the present. A present she never could have expected when she met Jake nearly 20 years ago.

One little girl. Mirabelle’s mother loves her. She’s her ‘little doll’. Mother dresses her, paints her face and plaits her hair. But as Mirabelle grows, the dresses no longer fit quite as well, the face paint no longer looks quite so pretty. And Mother isn’t happy. Two little girls. On Mirabelle’s 13th birthday, Mother arrives home with a present - a new sister, five-year-old Clarabelle, who Mother has rescued from the outside world. But Mother only needs one.

When Becky accidently sees her boss with a woman who isn’t his wife, she’s horrified but keeps her counsel - she owes Matthew so much for all he’s done for her career. But when the same woman accuses him of rape and asks for the witness to come forward, Becky doesn’t know what to do. Was what she saw rape? Or is this a young actress looking to get ahead? And can Becky separate her own traumatic past from the present? As Becky attempts to untangle these blurred lines, she must risk everything to find the truth....

Scotland, 1750, just four years after Bonnie Prince Charlie’s Rising of the Clans, it’s hard to know who’s loyal to the English and who is faithful to the Stuarts. And it’s beautiful seventeen-year-old Iona’s perilous mission to ascertain whether the Duke of Arkrae, head of Scotland’s most powerful clan, is a traitor or is he in cahoots with the English. Iona’s mission is to gain the trust of the Duke and his clan by claiming to be the sister he thought to have died as a child. As all around her doubt her claim and call her a "pretender", Iona struggles to hold her nerve.

Rachel's boyfriend Frank is different from other people. His strangeness is part of what she loves about him: his innocence, his intelligence, his passionate immersion in the music of JS Bach. As a coder, Frank sees patterns in everything, but as his theories slide further towards the irrational, Rachel becomes increasingly concerned for his wellbeing. There are people Frank knows online, people who share his view of the world and who insist he has a unique role to play. In spite of Rachel's fears for his safety, Frank is determined to meet them face to face.

Emma wakes up one morning to an apocalyptic world. The cosy existence she shares with her grandmother, a famous retired actress has been shattered: there's no telephone, no radio and an American warship sits in the harbour. England has withdrawn from the European Common Market and, on the brink of bankruptcy has decided that salvation lies in a union—political, military and economic—with the United States. Theoretically it is to be an equal partnership, but it soon begins to look like a takeover bid.

When a DVD is delivered in the dead of night, DCI Cara Elliott hits play on a horrifying showreel of violence… This is death, on demand. Avid viewers are paying for the killings, with twisted specifications. A request, an abduction, a murder. And always in a forty-eight-hour pattern. But when the killer finds out they’re being investigated, they reveal their next target. In forty-eight hours, a police officer will be the one in front of the camera. The hunters have become the hunted, and the clock is ticking…

Love, laughter, and lots of matchmaking mishaps. Sophie Johnson's life seems picture-perfect with her dream job at The Jane Austen Dating Agency and a relationship with the irresistible Darcy Drummond. But all is not as it seems. Darcy's awful mother is wrecking havoc, the agency is struggling, and then there's the amusing and disturbingly cute Henry Baxter who is making it hard for Sophie to focus. As the pressure mounts and her love life falters, Sophie must ask herself: Can she juggle it all and find her own happy ever after? Or is business and romance an impossible combination?

The beautiful bastide at Beaulieu-sur-Mer has always been an idyllic retreat for the Challant family, but the summer of 1928 changes everything. One humid, stormy night, a young local boy suffers a fatal accident in the bastide’s grounds – and the suspicious circumstances around his death sets off a chain of whispers in the town on the Riviera. For the Challant children, they have no choice but to move on and leave those terrible events in the past. But through the years of loves and losses, marriages and betrayals, the Challants’ lives will always be tainted by that night.

Guinevere Evans has a dream summer job: cataloguing books at a castle on a tidal island off the coast of Cornwall. With her perky dachshund Dolly by her side, she explores the island’s colourful history, tries fabulous local food and sees the gorgeous sunsets. But when an old friend of her employer drops in, claiming a rare bejewelled wedding goblet is hidden in the castle gardens, strange events start to take place: several people turn up claiming they have a right to the elusive goblet, and a dead body is found on the beach.

When her beloved London theatre closes for renovations, costume maker Guinevere is excited to start a job at Cornisea castle, a centuries-old keep on a small tidal island off the coast of Cornwall. Imagine a whole summer full of stories of hidden treasures, fab food and long walks with her perky dachshund Dolly. But when a reenactment of a medieval trial in the castle dungeons ends in real-life murder, and accusations threaten the castle's future, Guinevere and Dolly dig deep into the island community's best-kept secrets to unmask the killer and save their Cornish summer.