検索キーワード： ナレーター "David Ault" すべてのカテゴリー

The Sufis have been using carefully constructed stories for teaching purposes for thousands of years. Though on the surface these often appear to be little more than entertaining fairy tales or folktales, they enshrine - in their characters, plots, and imagery - patterns and relationships that nurture a part of the mind not reachable in more conventional ways, thus increasing our understanding, flexibility, and breadth of vision.

According to the Sufis, human faculties, although perceptive, are limited: Like a radio set, which can receive only certain electromagnetic waves and not other parts of this band. The inability to transcend the barrier of limited senses explains human subjectivity. The Sufis assert that through familiarization with concepts, patterns of thought, and ideas that form part of their contemporary literature, one can learn to penetrate beyond this apparent reality.

How can it be that the same story is found in Scotland and also in pre-Columbian America? What can account for the durability and persistence of tales? Was the tale of Aladdin and his wondrous lamp really taken from Wales (where it has been found) to the ancient East and, if so, when and by whom? These questions and more are answered in Idries Shah’s remarkable volume World Tales, which is subtitled “The extraordinary coincidence of stories told in all times, in all places.”

Our Tom is set during the First World War and is the story of Thomas Middleton, a lonely 36-year-old laborer from Derbyshire, though well-respected and a pillar of the community he is lonely and sees the outbreak of war a chance to escape his humdrum life. Upon hearing of the sinking of the Lusitania, decides to enlist not only to get away from his life but to protect his family and the country he loves.

Assembled by Idries Shah, The World of the Sufi is a comprehensive collection of learned essays and papers on the subject of Sufi thought. One of the book’s attractions is the way that it considers central questions and areas of study from different angles. Sufi literature, the use of humour, and Sufi communities in various cultural settings are some of the many subjects discussed. In addition, experts in their fields comment on areas such as Sufism and psychiatry, Indian thought and the Sufis, and therapy and the Sufi.

A remarkable conspectus of philosophical contacts between East and West through the ages. This important monograph constitutes the whole text of Idries Shah’s Seminar at Sussex University, fully annotated, indexed and with a bibliography and notes. It knits together the available knowledge about Sufi thought and literature in its passage through many deforming influences, such as the development of cults, the misinterpretation by literalist scholars, and the fallacious comparisons of committed “specialists”.

The Idries Shah Anthology is a special collection of previously published work by Idries Shah, and was edited by Saira Shah. This title includes an Introduction by Saira Shah, as well as comments and annotations throughout the audio.

In December of 1979, Soviet tanks rolled across the borders of Afghanistan, beginning a period of barbaric aggression that triggered a turning point in modern history. Idries Shah's brilliant novel chronicles the courageous 10-year resistance of the Afghan people, an epic story of triumph over tyranny that deserves to be immortalized.

Previously published only as separate essays, Sufi Thought and Action - assembled and introduced by Idries Shah - covers an extraordinary diversity of Sufi ideas and activities in many countries and cultures. Included in the volume are papers on Sufi principles and learning methods; ritual, initiation, and secrets in Sufi circles; and key concepts in Sufi understanding.

First published in 1957, The Secret Lore of Magic contains within it a series of major source books of magical arts. Many of them translated into English for the first time, these works are annotated. The book’s title in itself signaled the fact that the bulk of material in this bibliographical study had never been published openly before.

First published in 1957, Destination Mecca was both an ambitious travel book and a work of ethnographic and cultural research. Shah documents a wide range of fascinating journeys, from his quest for the gold mines of King Solomon on Sudan's Red Sea Coast, to encounters in desert caravanserais and sojourns with Mediterranean contraband smugglers, to his time as a personal guest of the elderly King Ibn Saud.

Many of Idries Shah's books are comprised of tales and teaching stories taken from both written and oral sources, which illustrate the instructional methods employed by Eastern wise men for thousands of years. The Magic Monastery differs from its predecessors in that it contains not only traditional tales - mostly unpublished - but also stories specially written by Shah to complete the book as a "course in non-linear thinking".

In a darkened room, a group of men once sought to examine an elephant. Taking hold of a different part - an ear, a leg, the tail - each one mistook his particular part for the whole. In the darkness each of the men became convinced that the elephant was the object he had felt - a fan, a rope, a pillar, and so on. With this ancient fable, first described by the Sufi Master Jalaluddin Rumi, Idries Shah presents the Sufi perspective that Christianity and Islam stem from one inner origin.

Here, in three definitive volumes, Shah takes us to the very heart of this mysterious mentor, the Mulla Nasrudin. They're comprised of skillful contemporary retellings of hundreds of collected stories and sayings bringing the unmistakable wisdom, wit, and charm of the timeless jokester to life.

Read by David Ault, this unabridged recording of Idries Shah's Reflections is a collection of Sufi fables, aphorisms, and statements that challenge the conditioned mind. The audiobook confronts the listener with unaccustomed perspectives and ideas in an attempt to set the mind free, to see how things really are.

Condensed from more than three million words, these conversations involve housewives and cabinet ministers, professors and assembly-line workers, on the subject of how traditional psychology can illuminate current human, social, and spiritual problems. More than 100 tales and extracts from Sufi lore, ranging from the eighth century (Hasan of Basra) to the modern Afghan poet Khalilullah Khalili, are woven into Shah’s narratives of how and why the Sufis learn what they learn and how spiritual understanding develops and deteriorates in all societies.

Caravan of Dreams distills the essence of Eastern thought in a feast of Sufi stories, sayings, poems, and allegories collected by one of the world's leading experts in Oriental philosophy and Sufism. Idries Shah builds up a complete picture of a single consciousness, relating Eastern mythology to reality, illuminating historical patterns, and presenting philosophical legends in this unique anthology.

A serious, yet entertaining, look at the impediments in current thought which prevent certain forms of understanding between people. The title story was made into an award-winning film with script by Idries Shah, and chosen as an Outstanding Film of the Year.

The appeal of Nasrudin is as universal and timeless as the truths he illustrates. His stories are read by children, by scientists and scholars, and by followers of philosophy. Sufi scholar Idries Shah assembled this collection of Nasrudin's trials and tribulations from ancient Eastern manuscripts and oral literature, from sources in North Africa and Turkey, the Middle East and Central Asia. Many were known to the great Sufi masters, Rumi, Jami, and Attar the chemist.

Although enormously attractive as sheer entertainment, Dervish tales were never presented merely on the level of a fable, legend, or folklore. They stand comparison in wit, construction, and piquancy with the finest stories of any culture, yet their true function as Sufi teaching stories is so little-known in the modern world, that no technical or popular terms exist to describe them. The material in Tales of the Dervishes is the result of a thousand years of development, during which Dervish masters used these and other teaching stories to instruct their disciples. The tales are held to convey powers of increasing perception unknown to the ordinary man.