検索キーワード： ナレーター "Chaturvedi" すべてのカテゴリー

रस्किन बाॅन्ड ने एक बार कहा था कि वे भूत-प्रेत में विश्वास नहीं करते लेकिन उनको हर समय, हर जगह भूत नज़र आते -जंगल में, सिनेमा के बाहर भीड़ में और बार में।

Mohandas Gandhi wrote this book while traveling from London to South Africa on board SS Kildonan Castle between November 13 and November 22, 1909. In the book Gandhi gives a diagnosis for the problems of humanity in modern times, the causes and his remedy. Gandhi's Hind Swaraj takes the form of a dialogue between two characters, The Reader and The Editor. The Reader essentially serves as the typical Indian countryman whom Gandhi would have been addressing with Hind Swaraj.

In this Hindi-language translation of The First and Last Freedom, Krishnamurti emphasises on the importance of self-understanding, arguing that truth cannot be found within formal institutions, organised religions and their dogmas or in any guru or outside authority. He claims that we are all operating with the sole focus of the self and its context in time and place - this results in competition, conflict and the constant promotion of one's own self over all others, even those closest to us.

R.K. Narayan’s reputation as one of the founding figures of Indian writing in English is re-examined in this comprehensive study of his fiction, which offers detailed readings of all his novels. Arguing against views that have seen Narayan as a chronicler of “authentic” Indianness, John Thieme locates his fiction in terms of its specific South Indian contexts and cultural geography and its non-Indian intertexts.

A lifetime of reading and writing, observation and contemplation is distilled in this comprehensive volume of the best essays, profiles and sketches by Ruskin Bond, the masterly and compassionate chronicler of the small details and lambent moments that capture the essence of a meaningful life. By turns thoughtful, humorous, keenly observed and wise, these essays span more than 60 years of his writing - from reflections on companionship and solitude to lyrical yet finely honed appreciations of nature to nostalgic evocations of bygone people and ways of life.

A brilliant biography of one of India’s greatest poets Mirza Mohammad Asadullah Khan Ghalib began writing poetry in Persian at the age of nine and the pre-eminent poet of the time, Mir, predicted a great future for the precocious genius when he was shown his verse. But success and material...

The first definitive natural history of the Indian subcontinent. Did you know that the exquisite caves of Ellora were hewn from rock formed in the greatest lava floods the world has known—eruptions so enormous that they may well have obliterated dinosaurs? Or that Bengaluru owes its unique...

How do we make sense of the Muslims of India? Do they form a political community? Does the imagined conflict between Islam and modernity affect the Muslims' political behaviour in this country? Are Muslim religious institutions-mosques and madrasas-directly involved in politics? Do they instruct...

The rise of the Bharatiya Janata Party (BJP) was much more than an ordinary electoral phenomenon: it brought to the fore two contrasting views of nationhood: between those who saw modern India in terms of secular republicanism and on the other hand were those who sought to blend technological...

"In the olden days, people ate early because there was hardly any light after sunset. Their next meal would only be after sunrise. This practice spread to all religions as a discipline due to its health and spiritual benefits. Today, it is called the dry fasting diet-the most superior form of...

राम, सीता और लक्ष्मण के दंडक वन में यात्रा की कहानी है, जहाँ वे कठिनाइयों का सामना करते हैं और मित्रों से मिलते हैं।

युद्ध के दौरान स्थितियों में लगातार बदलाव होते हैं, जो संघर्ष, योजना और साहस की भूमिका को उजागर करते हैं।

उत्तर कांड रामायण का अंतिम अध्याय है, जिसमें राम के जीवन के अंतिम क्षण और उनके द्वारा धर्म और न्याय की स्थापना की यात्रा का वर्णन है।

समुद्र के किनारे राम और उनकी सेना की योजना और तैयारियाँ लंका पर आक्रमण के लिए होती हैं। यह कथा एकता और दृढ़ता का प्रतीक है।

पांडवों और कौरवों के बीच का महाभारत युद्ध प्रारंभ होता है, जो साहस, योजना और बलिदान का प्रतीक है।

बालि और सुग्रीव के बीच का संघर्ष और राम से सुग्रीव की मित्रता का यह वृत्तांत साहस, मित्रता और विश्वास का प्रतीक है।

रावण, लंका का दुष्ट राजा, राम की कहानी में प्रवेश करता है। यह कथा अच्छाई और बुराई के संघर्ष का प्रतीक है।

हनुमान की यह महान छलांग, जिसमें वे समुद्र पार करते हैं, साहस, शक्ति और निष्ठा का प्रतीक है।

सीता के साहस और राम के राज्याभिषेक की यह कहानी प्रेम, निष्ठा और धर्म की स्थापना का प्रतीक है।

यह कहानी अयोध्या के भावी राजा के चुनाव के संघर्ष को दर्शाती है, जो परिवार और नेतृत्व की कठिनाइयों का प्रतीक है।