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1546, and the great heretic hunt is underway across England. The radical Protestant preacher Anne Askew has been arrested and condemned to death and Shardlake is ordered to attend the burning. It's a grisly, cruel spectacle that leaves him feeling disturbed. Rumours are circulating that Anne had connections to his protector, Queen Catherine Parr - and if she falls, he could be next.... His unease deepens when a messenger arrives from Whitehall Palace: the queen is in trouble and asking for his help.

How does it feel to have your world blown apart? Molly moves to London full of naive dreams, high hopes and on a quest to make her life just like the movies. Then on 7/7/2005 she finds herself on a tube train blown up by terrorists and her life is forced to take a different direction. Funny, frank and poetic; this is the true story of what happened next and how things are put back together after they've been blown apart. This afternoon play was first broadcast on BBC Radio 4 to mark the 6th anniversary of the 7/7 bombings.

El Ultimo Proyecto - The Last Project by Michael Butt, a play in two languages- Spanish and English. A romantic thriller set in the hills of Andalucia. A British former soldier, Travis, has a love affair with the wife of a famous Spanish film director. Story telling and reality collide when the director insists Travis helps with his latest film, his 'last project' in which a murder is committed. Starring Bryan Dick, Yolanda Vazquez, William Marquez, and Hugo Cubilla. With original song composition by Akintayo Akinbode and words by Federico Garcia Lorca Produced and Directed by Pauline Harris.

A BBC Radio 4 play by Nigel Planer about some of the people involved in the decoration of the ceiling of the Sistine Chapel. ‘On the Ceiling’ was originally broadcast as the ‘Afternoon Play’ on 7 February 2009 and repeated on 11 December 2010.High up on the wooden scaffolding tower of the Sistine Chapel, two fresco plasterers get on with the day’s work preparing the ceiling for their boss Michelangelo who has not bothered to turn up for work again.

Apprentice Sarah Fisher is helping to fund Dr Will Raven's emerging medical practice in exchange for being secretly trained as a medic, should the rules barring women ever change. Sarah needs no instruction in the inequalities that beset her gender, but even she has her eyes opened to a darker reality when a relative seeks her help in searching for her missing daughter. Annabel Banks was promised a situation in a prestigious household, but there has been no word from her since she left home, and the agency that arranged her position says she never appeared.

Ambitious. Ruthless. Unprincipled. With their blurred morals and relatable imperfections, it’s no wonder we find anti-heroes so appealing and fascinating. Featuring a mixture of male and female anti-heroes across England, Scotland, France and New York, these fantastic adaptations of five of the best-known and best-loved classics of literature follow some of these flawed, nuanced characters as they steal the spotlight and make their presence known.

One afternoon many years ago, James Rebanks met an old woman on a remote Norwegian island. She lived and worked alone on a tiny rocky outcrop, caring for wild Eider ducks and gathering their down. Hers was a centuries-old trade that had once made men and women rich, but had long been in decline. Still, somehow, she seemed to be hanging on. Back at home, Rebanks couldn’t stop thinking about the woman on the rocks. She was fierce and otherworldly – and yet strangely familiar. Years passed. Then, one day, he wrote her a letter, asking if he could return.

One afternoon many years ago, James Rebanks met an old woman on a remote Norwegian island. She lived and worked alone on a tiny rocky outcrop, caring for wild Eider ducks and gathering their down. Hers was a centuries-old trade that had once made men and women rich but had long been in decline. Still, somehow, she seemed to be hanging on. Back at home, Rebanks couldn’t stop thinking about the woman on the rocks. She was fierce and otherworldly—and yet strangely familiar.