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This is a story about a family coming of age at the same time as smartphones and social media; a multiracial family coming into its own as windows into social injustice opened up before our very screens; and a multi-parent multi-professional family with children living differently depending on which house and which combination of family members happen to be home. While it is a story about a family, it is really the story of technological and global changes unfolding on our doorsteps.

Pears is a divorced 40-something living with her mother in Queens when the unsexiest pandemic ever hits the country and smatters her potential love life. If her mother wasn’t enough to cock block her, this virus does a double cock block of trapping her in masks while dosing her in hand sanitizer.

Too tired to think? No time to read books? Zibby Owens gets it. Award-winning podcaster of Moms Don’t Have Time to Read Books and mother of four (ages six to 14) compiled 53 essays by 49 authors to help the rest of us feel understood, inspired, and less alone.

Nicole M. Joseph investigates factors that contribute to the glaring underrepresentation of Black female students in mathematics. Joseph's account calls attention to educational structures and practices that contribute to race- and gender-based stratification in science, technology, engineering, and mathematics. In her assessment of the intersectional difficulties facing this marginalized group, Joseph offers a critical view of the existing mathematics education research, practice, and policies that have neglected Black girls and women; and then provides suggestions for reform.

Welcome to Seattle, the Emerald City, and home to the single dads of Seattle. Ten sexy single fathers who play poker every Saturday night, have each other's backs, love their children without quarter, and hope to one day find love again. These are their stories....

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

A women’s boxing class is the perfect place for betrayed wife Katherine to work out her aggressions. Ideal too for Geneva, a teacher disgraced and ruined by a vengeful ex, and Luz, a software engineer battling an unjust system. Maggie, their instructor and mentor, guarantees she can right the wrongs they’ve endured. And if Katherine, Geneva, and Luz really want to unleash their rage, they must do what Maggie says.

Women Who Invented the Sixties tells the story of how four women helped define the 1960s and made a lasting impression for decades to follow.

Holly Knight’s singular music career included crafting a good part of the soundtrack to the MTV '80s with mega-hits for Tina Turner (“The Best”), Pat Benatar (“Love Is a Battlefield”), and Patty Smyth (“The Warrior”)—songs that celebrated female empowerment and shaped pop and rock for years to come.

Mari N. Crabtree traces the long afterlife of lynching in the South through the traumatic memories it left in its wake. African American victims and survivors had to find a way to live through and beyond the horrors of lynching. Crabtree offers a theory of African American collective trauma and memory rooted in a strategy for “working through” trauma that has long existed within the African American cultural tradition: the ironic spirit of the blues sensibility—a spirit of misdirection and cunning that blends joy and pain.

In the wake of 2020, we need today's young learners to be prepared to develop solutions to a host of entrenched and complex issues, including systemic racism, massive environmental problems, deep political divisions, and future pandemics that will severely test the effectiveness and equity of our health policies. What better place to start that preparation than with a social studies curriculum that enables elementary students to envision and build a better world?

The story of modern management generally looks to the factories of England and New England for its genesis. But after scouring through old accounting books, Caitlin Rosenthal discovered that Southern planter-capitalists practiced an early form of scientific management. They took meticulous notes, carefully recording daily profits and productivity, and subjected their slaves to experiments and incentive strategies comprised of rewards and brutal punishment.

Before the Civil War, free African Americans and fugitive slaves crossed international borders to places like Canada, Mexico, and the Caribbean in search of freedom and equality. Beacons of Liberty tells the story of how these bold migrants catalyzed contentious debates over citizenship, racial justice, and national character in the United States.

Born in the mid-nineteenth century, Sophie Lyons was a master thief, con artist, blackmailer and smuggler. Much of her success as a criminal was due to the fact that she was fearless, reckless, sharp and cunning—everything a woman of her time was not supposed to be. As a young child, Sophie’s parents forced her to steal when she showed a talent for pickpocketing. Strong-willed and smart, she blossomed into a beautiful teenager who caught the eye of many men in the underworld of New York City.

Eliza Jacobson has always been the black sheep of her mega-successful family. She loves volunteering to work with the dogs at Pretty Paws, especially Athena, a Great Dane whose high-anxiety habits make her nearly unadoptable. She thinks she may have finally found her Prince Charming and the fairytale life she’s always dreamed of. But when he adopts Athena to use as a mascot, Eliza finds herself shielding the dog from Tony’s temper, and the Great Dane’s anxious behavior mirrors Eliza’s own growing unease. Will Athena’s friendship give Eliza the courage to stand up to Tony?

In Black Utopias, Jayna Brown takes up the concept of utopia as a way of exploring alternative states of being, doing, and imagining in Black culture. Musical, literary, and mystic practices become utopian enclaves in which Black people engage in modes of creative worldmaking.

The Excoms specialize in dealing with problems others can’t solve. Kidnappings, human exploitation, oppression. They’ve dealt with them all and earned the gratitude of the overlooked and the disadvantaged. But not everyone is happy with their work. After finishing their most recent assignment, they’re rudely awakened in the middle of the night by an explosive situation that changed the team forever. Some may think Ananke and her friends are no longer a threat. Some would be making a mistake. You may knock The Excoms down, but you can never count them out.

She turned her back on her people and shifted her allegiance to the very Empire she was sent to betray. Now head spymaster, Lyre's loyalty lies with Sabine, the Empress she has loved since childhood. But when Sabine visits the secretive Cloud Vault, the floating citadel home that Lyre betrayed, Lyre's elaborate web of lies starts to untangle. Her very presence threatens Sabine's future, and Lyre will do whatever it takes to protect her lover . . . even if that means sacrificing herself.

Though her progeny was a hopeless romantic, the concept of a forever mate was lost on Leila. She'd gone down that path once before decades ago and was in no hurry to do it again. She'd presumed she was over the hurt and pain - that is, until the male who'd destroyed her heart, her very spirit, walked back into her bar. She'd thought if she never saw him again, it would be too soon. That was until one touch set her soul ablaze with desire. But could she trust him with her heart when he'd already destroyed once before?

Yvonne Durant was one of the few Black women writing ads for major brands in the ‘70s and ‘80s. Ambitious and determined, she ultimately won a position at a global ad agency in Milan, Italy. While her career was exciting, it was a challenge to be self-defining in a Mad Men world that had little experience with or respect for Black experience.