検索キーワード： 著者 "William Makepeace Thackeray" すべてのカテゴリー

Thackeray, à travers son personnage domestique, fustige avec ironie la société britannique de son temps, et en particulier l'aristocratie de naissance, classe supérieure souvent trop désargentée pour tenir son rang par des moyens honnêtes, mais toujours adulée par l'homme du peuple. Vanité, cupidité et snobisme sont les causes principales des maux qui s'abattent sur les personnages, lesquels, dans leur dégénérescente confusion, perdent toute conscience des valeurs morales.

Glavnye geroini, miss Emilija Sedli i miss Rebekka (Bekki) Sharp, uchatsja vmeste v chastnom pansione miss Pinkerton. Bekki - sirota, doch' spivshegosja hudozhnika i francuzskoj tancovshhicy. Ona energichna, polna ambicij i uverena v svoem uspehe. Emili - doch' uspeshnogo kommersanta, krotka, mila i dobrodetel'na. Sud'by dvuh sovershenno raznyh devushek otrazhajut nravy togo vremeni. Pokazana zhizn' razlichnyh sloev obshhestva.

Barry Lyndon, first serialized in 1844, is a swashbuckling romp through the aristocratic Europe of the 18th century. The central character, a roguish Irishman, narrates most of the story in the first person, relating his adventures as a soldier in both the British and Prussian armies; as a gambler and confidence man under the guidance of his uncle, a practiced fraud; and as a fortune hunting gigolo in search of wealthy widows and heiresses.

Thackeray veröffentlichte diesen Gesellschaftsroman 1847/1848 in der Satirezeitschrift Punch. Der Autor durchleuchtet sarkastisch...

Die Figuren, die diesen Jahrmarkt bevölkern, sind die Mitglieder jener Gesellschaft, die im viktorianischen Zeitalter noch ein festumrissener Begriff war. Der Autor leuchtete hinter die Fassade des sich so edel gebärdenden Jahrmarkts und zeigt, dass auch hier "wahre Gentlemen" vielleicht seltener zu finden sind, als mancher denkt. Das Hörspiel, das auf dem Roman "Vanity Fair" (deutscher Titel: "Jahrmarkt der Eitelkeiten") beruht, enthält die fünf Hörspielfolgen.

Set in Regency England, Vanity Fair follows the lives of two young women from drastically different backgrounds. Becky Sharp is the daughter of a lowly art teacher while Amelia Sedley is the daughter of a wealthy investor. Although the two women are worlds apart in personality and background, Becky and Amelia become friends while in finishing school. When Amelia invites Becky to her family home, events are set in motion that result in both tragedy and fortune.

Series of five comic tales by William Makepeace Thackeray, adapted by Stephen Wyatt, recounting the rise and fall of early-19th century footman Charles Yellowplush.

Generally considered to be his masterpiece, Vanity Fair is Thackeray's resplendent social satire that exposes the greed and corruption raging in England during the turmoil of the Napoleonic wars. Subtitled "A Novel Without a Hero", it traces the changing fortunes of two unforgettable women: the scheming opportunist Becky Sharp, one of literature's most resourceful, engaging, and amoral heroines, and her foil, the faithful, naive Amelia Sedley.

This is an essay from the Favorite Essays collection.

Vanity Fair, with its rich cast of characters, takes place on the snakes-and-ladders board of life. Amelia Sedley, daughter of a wealthy merchant, has a loving mother to supervise her courtship. Becky Sharp, an orphan, has to use her wit, charm, and resourcefulness to escape from her destiny as a governess. This she does ruthlessly, musing: "I think I could become a good woman, if I had 5000 pounds a year."

Der Diener Yellowplush lebt zusammen mit seinem Herrn Frederick Altamont zur Untermiete bei der Familie Shum in London. Frederick Altamont hat sich unsterblich in Mary, die jüngste Tochter der Familie, verliebt und Yellowplush hilft den beiden, so dass diese sich ungestört treffen können. Endlich kommt es zu der lang ersehnten Hochzeit, doch Altamont verbirgt ein Geheimnis vor seiner Frau, welches das Glück des jungen Paares zu trüben droht. William Makepeace Thackeray (1811-1863) war ein britischer Schriftsteller. Thackeray wurde als Sohn eines Kolonialbeamten in Indien geboren.

Un libro satirico dell'umorista Thackeray scritto nel 1838. È una satira della colonizzazione britannica dell'India, narrata come il resoconto delle avventure del maggiore Gahagan, un fanfarone, "alfiere irlandese", che combatte "gloriosamente" con l'armata inglese in India.

Qual è davvero il significato della parola snob, che viene introdotta e illustrata da Thackeray nel 1846? Lui stesso sostiene che il significato non è preciso, ma che di fatto gli snobs sono dappertutto, e sono il veleno della “terra della libertà”, l’Inghilterra.Il “Punch”, giornale satirico dell’epoca, pubblicò 17 articoli di Thackeray sul tema, e la loro raccolta formò poi questo libro divertente, acuto, e appassionato.

The History of Henry Esmond tells the story of the early life of Henry Esmond, a colonel in the service of Queen Anne of England. A typical example of Victorian historical novels, Thackeray's work of historical fiction tells its tale against the backdrop of late 17th- and early 18th-century England — specifically, major events surrounding the English Restoration — and utilizes characters both real (but dramatized) and imagined.

Napoleon has England on edge. For the cunning and conniving Becky Sharp, it’s an opportunity to take advantage of the chaos and improve her lowly station. Her friend Amelia Sedley, a blue-blood pawn, affords Becky entrée into the moneyed class. As the guileless Amelia pines for a rakish soldier, the ruthless Becky climbs upward, setting the stage for a domestic battlefield of greed, ambition, deception, and dizzying reversals of love and fortune.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson and Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of the poets and their musings on this remarkable age. Many are world-renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some are almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

In this volume we examine some of the short stories of William Makepeace Thackeray. The great author of Vanity Fair and The Luck of Barry Lyndon was born in India in 1811. At age five his father died, and his mother sent him back to England. His education was of the best, but he himself seemed unable to apply his talents to a rigorous work ethic. After a few years of marriage his wife began to suffer from depression and over the years became detached from reality.

Vanity Fair is a satirical novel of manners which takes place during, and in the decade after, the battle of Waterloo in 1815. The various scenes in the novel range across Europe and England. It was first published in serial form beginning in 1847. The work is by turns witty, scintillating, brutally realistic, tragic, humorous, and always fascinating. The title of the book stems from Bunyan’s “Pilgrim’s Progress”, where Vanity is a town along the pilgrim’s route, and which holds an eternal fair of the vanities. It is a place where people are ensnared by worldly things.

Vanity Fair features two heroines: the faithful, loyal Amelia Sedley, and the beautiful and scheming social climber Becky Sharp. It also engages a huge cast of wonderful supporting characters as the novel spins from Miss Pinkerton's academy for young ladies to affairs of love and war on the Continent to liaisons in the dazzling ballrooms of London.