検索キーワード： 著者 "Taylor Caldwell" すべてのカテゴリー

Dynasty of Death is a moving saga of two families, the epic struggle between two brothers, and the legacy their guns will leave the world as mighty enemy nations gear up for battle.

Living with her aunt in poor, rural Preston, Pennsylvania, 13-year-old Ellen Watson loves books and music and is completely oblivious to her own beauty. But her extraordinary looks arouse envy and malice in the female townspeople - and lust in the males. Hired as a housemaid in the palatial home of the village mayor, Ellen soon catches the attention of his son, Jeremy Porter, who captures her heart in turn. He offers to send her to school, and four years later he proposes marriage. As the years pass, Ellen's life parallels the hopes, dreams, and fears of a no-longer innocent nation.

Upon the end of days, Lucifer, the Fallen One, that Infernal of Infernals and Murderer of Hope, wonders if his Father will bother to raise another race after Armageddon. After all, he'll only have to tempt them - again - to certain death. Their choice, not his. On God's behalf, Archangel Michael responds. So begins a series of letters between two brothers, at once cordial and combative, about their purpose, their fears, their familial estrangement, and their Father's great folly: the human race.

Rev. Johnny Fletcher serves wounded soldiers from the battlefield as a military chaplain during World War II. His forte is spiritual solace in the darkest of times, but his life changes when he performs a public heroic act: facing down an angry mob intent on attacking five young Holocaust survivors. Upon learning they have no homes or families to return to, Fletcher decides to bring them to America.

Joseph Armagh was 13 when he first saw America through a dirty porthole on the steerage deck of The Irish Queen. It was the early 1850s, and he was a penniless orphan cast on a hostile shore to make a home for himself and his younger brother and infant sister. Some 70 years later, from his deathbed, Joseph Armagh last glimpsed his adopted land from the gleaming windows of a palatial estate. A multimillionaire, one of the most powerful and feared men, Joseph Armagh had indeed found a home.

A Prologue to Love introduces three generations of the Ames family during the Gilded Age and the early twentieth century—painting a compassionate portrait of a difficult woman, those who have hurt her, and those she has hurt. It is a vivid, profoundly moving novel that explores the damage that everyday evil can do—and what it takes to overcome it.

Jerome Lindsey and his foster brother, Alfred, couldn't be more different. The son of a wealthy banker in upstate New York, Jerome leaves home for a life of extravagance and adventure, seducing countless women along the way. Meanwhile, Alfred becomes an executive at the family bank and his adoptive father's heir apparent. After his wife dies, Alfred shows little interest in remarrying—until he meets Amalie Maxwell, the ravishing and headstrong daughter of a tenant farmer.

They come day and night to confess their troubles to an anonymous listener positioned behind a curtain. Could it be a priest, a psychiatrist, a friend, or a judge? Each person draws a different conclusion. From a businessman who feels betrayed by someone he trusted, to a society woman with contempt for her husband, to a scientist troubled by what his work has wrought, the visitors' situations vary widely as they struggle with grief, denial, prejudice, and fear. But in this small sanctuary, there are no office hours, the listener is always listening, and the visitors' lives are forever changed.

Laura and Henry Frazier, David Gates, and Alice Bullowe are in Connecticut for Christmas. The family is staying in a country home Laura inherited from her aunt, Clara, and Alice, also a niece of the late Clara Beame, is more than a little disappointed by the terms of the will. As an edge of hostility threatens to spoil the party, the drama only grows as manipulative games are played, a blizzard roars outside, a surprise guest arrives-and the holiday turns more scary than merry . . .