検索キーワード： 著者 "Henry Fielding" すべてのカテゴリー

As truth distinguishes our writings from those idle romances which are filled with monsters, the productions, not of nature, but of distempered brains; and which have been therefore recommended by an eminent critic to the sole use of the pastry-cook; so, on the other hand, we would avoid any resemblance to that kind of history which a celebrated poet seems to think is no less calculated for the emolument of the brewer, as the reading it should be always attended with a tankard of good ale.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire. BOOK 7: The world hath been often compared to the theatre; and many grave writers, as well as the poets, have considered human life as a great drama, resembling, in almost every particular, those scenical representations which Thespis is first reported to have invented, and which have been since received with so much approbation and delight in all polite countries.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 12: The learned reader must have observed that in the course of this mighty work, I have often translated passages out of the best antient authors, without quoting the original, or without taking the least notice of the book from whence they were borrowed.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire. BOOK 8: As we are now entering upon a book in which the course of our history will oblige us to relate some matters of a more strange and surprizing kind than any which have hitherto occurred, it may not be amiss, in the prolegomenous or introductory chapter, to say something of that species of writing which is called the marvellous.

In our last initial chapter we may be supposed to have treated that formidable set of men who are called critics with more freedom than becomes us; since they exact, and indeed generally receive, great condescension from authors. We shall in this, therefore, give the reasons of our conduct to this august body; and here we shall, perhaps, place them in a light in which they have not hitherto been seen.

In our last book we have been obliged to deal pretty much with the passion of love; and in our succeeding book shall be forced to handle this subject still more largely. It may not therefore in this place be improper to apply ourselves to the examination of that modern doctrine, by which certain philosophers, among many other wonderful discoveries, pretend to have found out, that there is no such passion in the human breast.

An author ought to consider himself, not as a gentleman who gives a private or eleemosynary treat, but rather as one who keeps a public ordinary, at which all persons are welcome for their money. In the former case, it is well known that the entertainer provides what fare he pleases; and though this should be very indifferent, and utterly disagreeable to the taste of his company, they must not find any fault; nay, on the contrary, good breeding forces them outwardly to approve and to commend whatever is set before them.

Dubbed 'the father of the English novel' by Sir Walter Scott, Henry Fielding is well known for his ribald humour and ironic, satirical fiction. Collected here are four of his most famous works, including his comic masterpiece Tom Jones, as well as a fascinating documentary exploring the foundling motif in fiction.

Riotous, sexy and groundbreaking, Henry Fielding's Joseph Andrews: The History of the Adventures of Joseph Andrews and His Friend Mr. Abraham Adams, published in 1742, was one of the first English novels. Fielding was melding and parodying the two major forces battling for control of the fiction market at the time - the mock heroic, neoclassical tradition as practiced by Pope and Swift and the popular and populist fiction of the new novelists such as Defoe and Richardson.

The real Jonathan Wild, born about 1682 and executed at Tyburn in 1725, was one of the most notorious criminals of his age. His resemblance to the hero in Fielding's satire of the same name is general rather than particular. The real Jonathan (whose legitimate business was that of a buckle-maker) like Fielding, won his fame, not as a robber himself, but as an informer, and a receiver of stolen goods.

Genri Filding (1707 - 1754) - znamenityj anglijskij pisatel' i dramaturg XVIII veka, izvesten svoim zhitejskim jumorom i satiricheskim masterstvom. Odin iz osnovopolozhnikov realisticheskogo romana. Spektakl' "Sud'ja v lovushke" - komedija, oblichajushhaja nespravedlivost' anglijskogo zakonodatel'stva, prodazhnost' politicheskih dejatelej, sistemu podkupov, vsjacheskie moshennichestva.

Tom Jones is greatly admired not only for the meticulous craft with which it was written, but also for its humor, objectivity and penetrating psychological depth. It is without a doubt one of the great contributions to the English novel, and as such will always maintain a place of honor in world literature. Through the minute examination of the motives of his characters, Henry Fielding revealed many universal truths about human nature.

Tom Jones is a splendid Hogarthian panorama of 18th-century English life and morals, encompassing both city and country, and comprising some of the greatest comic characters in British literature. First published in 1749, it was an instant success and has gone on to become a classic of its genre. Quite simply, there has never been anything like it.

Volume 2 continues our story by picking up with the flight of Sophia from her father, Squire Western, and continues the journey of Tom as he ponders his future on the road to London. In a series of tightly constructed plot twists and turns, Tom and Sophia end up at the same inn, unbeknownst to one another. Meanwhile, a plethora of new characters are introduced.

Tom Jones is widely regarded as one of the first and most influential English novels. It is certainly the funniest. Tom Jones, the hero of the book, is introduced to the reader as the ward of a liberal Somerset squire. Tom is a generous but slightly wild and feckless country boy with a weakness for young women. Misfortune, followed by many spirited adventures as he travels to London to seek his fortune, teach him a sort of wisdom to go with his essential good-heartedness.

Henry Fieldings Roman "Tom Jones: Geschichte eines Findlings" ist einer der ersten Romane der Weltliteratur, und zwar in des Wortes doppelter Bedeutung: zeitlich und hinsichtlich seines literarischen Ranges. Die Geschichte des Findlings ist - bei aller Dramatik der Ereignisse - gemächlich erzählt und durchwärmt von einem feinen ironischen Humor. Besonders vergnüglich sind die augenzwinkernden Kommentare des Autors zu seinem Werk.

Tom is thrown out of his foster father's house for "crimes" that he didn't commit, and proceeds to have numerous bawdy adventures and fights, eventually finding that only his true love can save him from a life that could possibly end at the gallows.

Tom Jones is a splendid Hogarthian panorama of 18th century English life and morals, encompassing both city and country, and comprising some of the greatest comic characters in British literature. First published in 1749, it was an instant success and has gone on to become a classic of its genre. Quite simply, there has never been anything like it.

Penguin Classics presents Henry Fielding’s Tom Jones, adapted for audio and available as a digital download as part of the Penguin English Library series. Read by the actor Robert Lindsay. ‘Sir, I am concerned at the Trouble I give you; nay indeed my Nakedness may well make me ashamed to look you in the Face… Jones offered her his Coat; but, I know not for what Reason, she absolutely refused the most earnest Solicitations to accept it’.

The ‘Voice of the Year’ competition introduced and sponsored by Naxos AudioBooks and The Times books pages, edited by Erica Wagner, took place in Spring 2004. Readers without any formal drama training or professional acting experience were invited to send in recordings of a short extract of either Dickens, Austen or from The Wind in the Willows by Kenneth Grahame and an own choice. The judging panel - Martin Jarvis, Juliet Stevenson, and Anton Lesser, with John Tydeman, David Timson, and Christina Hardyment....