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Are the illustrious clans of the Mahabharata from Surya Vansh or Chandra Vansh? Which yuga does the Ramayana occur in, and does it occur only once? What do haldi, kumkum, bhasm or chandan signify in a puja thali? After the sensational response to Season 1 of EPIC Channel’s Devlok with Devdutt Pattanaik, Devdutt invited his viewers and fans to ask him questions about Hindu mythology, which he has answered over thirty thrilling episodes. Prepare to be educated, entertained and moved as Devdutt delves into the exhilarating variety of Hindu mythology.

Many modern scholars say Shiva’s linga is a phallic symbol. Most devotees disagree. Who is right? This book looks at the sexual metaphors associated with Shiva and uncovers the meaning beneath.

More than 500 years after the Sufi poet Malik Muhammad Jayasi wrote his epic poem Padmavat, the story of Padmavati, princess of Simhal, and her lover and husband, Ratansen, the king of Chittor, continues to capture the imagination of listeners everywhere. In Padmavat, we meet Padmavati’s friend, philosopher and guide - Hiraman - a parrot, as well as Nagmati - Ratansen’s first wife, and the brave Rajput warriors Gora and Badal.

Shiva, 'the destroyer' among the Hindu trinity (of gods), is depicted in many contradictory manners. The author, Devdutt Pattanaik, introduces listeners to these varied aspects and representations, and then sets about interpreting them. He explains the different anomalies and conflicts in beliefs, as well as the symbolism, rituals and reasons behind Hindu worship.

In Meri Gita, acclaimed mythologist Devdutt Pattanaik demystifies The Bhagavad Gita for the contemporary listener. His unique approach - thematic rather than verse-by-verse - makes the ancient treatise eminently accessible.In a world that seems spellbound by argument over dialogue, vi-vaad over sam-vaad, Devdutt highlights how Krishna nudges Arjuna to understand rather than judge his relationships. This becomes relevant today when we are increasingly indulging and isolating the self.

Is there a connection between Greek and Hindu mythology? Does it have something to do with a common Indo-European root? Or maybe an exchange of ideas in the centuries that followed the arrival of Alexander the Great, when Greek emissaries travelled to the kingdoms of Mathura and Magadha? In this book, mythologist Devdutt Pattanaik turns his attention to ancient Greek tales and explores a new world of stories. Long have Europeans and Americans retold Indic mythologies. It is time for Indians to reverse the gaze.

Sita: An Illustrated Retelling of Ramayana is an epic story based on the life of India’s most admired prince - ‘Rama’ and his wife ‘Sita’. Ramayana is a mythological story, which has been passed down for many generations. Since ages, the character that is most emphasized has been that of Rama, who has always been known to keep his word whatever be the circumstances. The role of Sita has been generally overlooked in the past. Sita, too, is a pivotal character. Still, she has often been portrayed as a frail and meek character.

Building on Hinduism’s rich and complex mythology - but driven by a very contemporary sensibility - Devdutt Pattanaik creates a lush and fecund work of fiction in which the lines are continually blurred between men and women, sons and daughters, husbands and wives, fathers and mothers. Confronted with such fluidity the listener is drawn into Yuvanashva’s struggle to be fair to all - those here, those there, and all those in between.

Why are identity cards important, even for gods? How can you tell a Deva from a Manava? How would you find a particular god in a crowd of gods? One day, when Krishna wanted to board an aeroplane, he was not allowed to! All because he did not have an identity card. Then his friends Garuda and Sesha took him to meet Lata-kumari in Guwahati, who told him the story of Anasuya and the Ashwini twins, and why Rishi Chavan made a rule that all gods should carry a dhvaja a flag with each god's very own symbol. Did Krishna get his identity card so he could ride the aeroplane finally?

Why is the cow useful to everyone? How are the earth and the cow similar? Why is Gauri another name for a cow? Little girl Gauri thinks milk comes from packets, till she meets Sweety the talking cow. Sweety tells Gauri about the first cow on earth, Surabhi, and how she provided so many useful things to man fuel, manure, medicine and shelter. Sweety narrates stories about a king who found good luck because he gifted cows to many people, and how another king was turned into a lizard because he was not careful about who he gave his cows to!

Why was Indra an unhappy god? What are the many magical things Indra has in paradise? Will Indra ever find happiness? Little Harsha was sad, so a cloud flew him up to Indra's palace, just to show Harsha that the king of gods was sadder than him! There, with his new friends Indra and Airavata, the six-tusked white elephant, Harsha sees so many amazing things a wish-fulfilling tree, a pot of never- ending gold, and a potion that keeps him healthy. Then Indra thinks of a naughty plan to steal Vasishta's cow! When he catches Indra, a very angry Vasishta tells him the secret to being happy.

Where did the name Radha come from? When did Christianity first come to India? What is the connection between sanskar and dharma? After the enormous success of the first two seasons of EPIC Channel’s Devlok with Devdutt Pattanaik, India’s favourite mythologist is back with a third instalment to answer these questions and more, this time delving deeper into Hinduism and other religions as well!

Devdutt Pattanaik is the author of over 25 books and 500 articles on the relevance of mythology in modern times. Trained in medicine (MBBSfrom Grant Medical College, Mumbai University), he worked in the healthcare and pharmaceutical industries for 15 years before devoting all his time to his passion for decoding beliefs of all cultures, modern and ancient, located beneath the veneer of rationality. To know more, visit www.devdutt.com.

It is significant that the only character in Hindu mythology, a king at that, to be given the title of ekam-patni-vrata, devoted to a single wife, is associated with the most unjust act of abandoning her in the forest to protect family reputation. This seems a deliberate souring of the narrative, made even more complex by Ram's refusal to remarry despite the pressure on royalty to produce an heir.

Manu said that a woman’s dharma is to be mother, daughter, sister and wife in service of men, regardless of the caste. In modern times we call this patriarchy. In the Veda, the need to control and favour hierarchy, is an expression of an anxious mind. Hindu, Buddhist and Jain lore is full of tales where women do not let men define their dharma. In modern times we call this feminism. In the Veda, the acceptance of a woman's choice is an expression of a wise and secure mind.

Why are Hindus so ritualistic? Why do they worship idols? Are Hindus supposed to be vegetarian? Why is a Hindu prayer different from a Muslim or Christian prayer? Did the arrival of Muslim invaders a thousand years ago destroy Hindu culture? Answering key questions on Hindu philosophy and associated Indian history in simple, lucid, engaging ways, and exploring the often curious customs and beliefs that are an intrinsic part of the Hindu faith, this Hindi translation of Devdutt Pattanaik's bestseller is a treasure house of information on the complex tenets of Hinduism.

Hindu mythology abounds with fascinating gods, goddesses and characters whose visual representations—through calendar art—are equally colourful. Hindu calendar art may seem fantastic and kitsch, but it is in fact the most democratic expression of a mythic imagery that was once restricted to temple walls and palm leaf manuscripts. These portraits of the Hindu pantheon of gods and the stories that surround them can be found on the walls and puja rooms of almost every Hindu household in India. Rich in symbols, each image is a piece of an ancient metaphysical jigsaw puzzle.

‘Ram’s story as a metaphor for human strengths and weaknesses and as a window to inner divinity’—Tehelka / Ram is maryada purushottam, the supreme upholder of social values, scion of the Raghu clan, jewel of the solar dynasty, seventh avatar of Vishnu. Reviled by feminists, appropriated by politicians, he remains serene in his majesty, the only Hindu deity to be worshipped as a king. Join Devdutt Pattanaik as he explores the relevance of Ram in modern times, peeling back the layers of metaphors and meanings in the many retellings of his tale.

Lakshmi is worshipped as the goddess of wealth. Her arrival is considered auspicious, while her departure is bad and inauspicious. In temples, gods are bedecked with jewels; during festivals, our houses are decorated with flowers, lamps and Lakshmi’s footprints. Clearly, she is a much-desired goddess. Yet, some friends and relatives—even gurus—tell us not to be money-minded. How to Become Rich is a simple retelling of the stories of Lakshmi found in the Vedas and Puranas. Devdutt Pattanaik deftly explains what Hinduism says about economics at a personal level as well as at the social level.

In The Stories We Tell: Mythology to Make Sense of Modern Lives, renowned mythologist Devdutt Pattanaik presents 72 tales from India’s rich treasure of myths and legends. These stories, ranging from folk tales in Andhra Pradesh on Lakshmana to Vedic stories on Indra, urge you to reconsider ideas of good, bad, love, faith and culture.