検索キーワード： 著者 "Avram Davidson" すべてのカテゴリー

In his science fiction novel Rork!, Ran Loman wants only to be left alone, to get away from it all. That's why he volunteers for duty on Pia 2, the most remote, isolated world in the Galaxy. The problem on Pia 2 is redwing, a plant used throughout the galaxy as a medical fixative. Redwing grows ony on Pia 2. And lately, less and less is being harvested. Lomar's assignment: find out why, and do something about it.

Ready for a story? Here's a selection of some of the finest science fiction shorts of recent years, including stories from Arthur C. Clarke, Isaac Asimov, William Gibson, Robert Sheckley, Terry Bisson, Avram Davidson, and Philip K. Dick.

Avram Davidson was one of the great original American writers of this century. He was erudite, cranky, Jewish, wildly creative, and sold most of his wonderful stories to pulp magazines. Now, his estate and his friends have brought together a definitive collection of his finest work, each story introduced by an SF luminary: writers like Ursula K. Le Guin, William Gibson, Poul Anderson, Gene Wolfe, Guy Davenport, Peter S. Beagle, Gregory Benford, Thomas M. Disch, and dozens of others. This is a volume every lover of fantasy will need to own.

Professor Vlad Smith is on a terrifying quest, one that will take him from the halls of our most hallowed institutions to the most run-down of old houses in blighted neighborhoods. A mysterious committee, shredded yellowed newspapers, a daguerreotype of a Confederate soldier, a headless corpse, and a corpseless head.... These are the clues that Smith must piece together to save his sanity and his daughter and uncover the terrible secret of the Boss in the Wall.

In 1962, Avram wrote Beer Like Water, which was part of a book of Davidson’s true short stories titled Crimes & Chaos. In this audiobook, in Avram’s typical fashion, he plays with the setting such that it’s a bit more special than reality. Beer! Beer! Beer! exists at the intersection of magical realism (just a hint) and historical fiction, with the streets of Yokums representing the Yonkers of his youth in the 1920s and 1930s much in the way that the British Hidalgo of Limekiller! parallels Belize.