検索キーワード： 著者 "Ann Charles" すべてのカテゴリー

It's not really about the boots … or is it? Boot Points is a set of short tales about Violet Parker's purple boots. It is set in the story time between the third and fourth books in the Deadwood Mystery series. Each tale not only explains more of Violet's history, but also shows the role each character plays in Violet's life. In addition to this short story, there is a deleted scene from Nearly Departed in Deadwood, the first book in the Deadwood Mystery Series.

What do you get when you combine a chicken named Elvis, a locked diary, and a secret Violet Parker does not want share with her daughter? Seeing Trouble is the first of many short stories involving the characters of the Deadwood Mystery series.

When Claire's grandfather and his army buddies converge in the Arizona desert to find new wives, it's her thankless job to keep them out of trouble with the opposite sex. But when she finds a human leg bone and partners with a reluctant geotechnician to dig up secrets from the past, trouble finds her. If she doesn't stop digging, she could wind up dead.

Recipe for drunken laughter: take two best friends since childhood; add four shots of tequila each; sprinkle in a handful of secrets; shake.

Not since the Great Jackalope Stampede of '58 has tumbleweed-choked Jackrabbit Junction, Arizona seen so much action. Claire Morgan is determined to unravel the mystery behind a stolen treasure before goons come gunning for it - and her family. But all the strangers roaming around town have her anxiety red-lining. Then her mother shows up....

Claire is back, raining trouble throughout Jackrabbit Junction in another fast-paced, fun, sexy suspense. A burglar is on the loose! Claire wastes no time forming suspicions, but she's sidetracked by a treasure hunt. Even with help from her boyfriend, Claire is swirling in a whirlpool of chaos. Throw her crazy sister into the torrent, along with an angst-ridden teen, a jittery bride, and some randy old men, and Claire struggles just to keep a toehold in the current.

Meanwhile, back in Deadwood...the mystery and mayhem continue. Between the butchered body parts, creepy killers, dogged detectives, ghoulish ghosts, and ever-present television cameras, Violet Parker's purple boots are itching to skedaddle. But there is no escaping another murder investigation or her new deadly reputation - even if both risk the lives of those she loves most.

Real estate agent Violet "Spooky" Parker stumbles upon a body-part theft ring at the local funeral parlor and suspects her caustic coworker has a hand in it - or maybe a foot. Can Violet discover what's in the crates that the crooks are sneaking out of the mortuary in the dark of night? Or will she end up in one of them herself - in pieces?

Someone is spreading rumors around Deadwood that Violet Parker likes to chat with dead folks. With her reputation endangered, her bank account on the verge of extinction, and her career at risk of going up in flames, Violet is desperate. When the opportunity to sell another vintage home materializes, she grabs it, even though this "haunted" house was recently the stage for a two-act murder-suicide tragedy.

A scrappy, hot-blooded woman can only take so much! Violet Parker is on fire...or rather under fire yet again. New evidence has fanned the embers of a cold murder case, and her alibi is smoldering at the corners. While battling a dogged detective determined to pin the murder on her, Violet scrambles to find the real killer. Will she escape "the heat" with singed tail feathers? Or will Violet go down in flames?

Violet Parker knows better than to play with devils. They always cheat, especially when lives are at stake. Deadwood’s charming, troublemaking, and soul-sucking devils are no different, and they’re biting at her heels. But the clock is ticking and Violet has no choice - she must risk her life to save her treasured Aunt Zoe. With any luck, she might be able to trick the devils and beat the old terrors at their own game. If not, Deadwood could end up short one Executioner.

Jack “Rabbit” Fields knew a good thing when he saw it, whether it was a sound horse, a sure bet, or a pretty sage hen. When it came to locking horns with any curly wolves he ran into along the trail, he tended to shoot first - a notion that had saved his hide more times than he could count. But that was before he came to Deadwood. Now, someone is stealing freshly dead bodies right out of their graves, and Rabbit and his amigos are on the hunt to figure out who. And more important, why?

Danger the likes Boone McCreery has never seen is brewing in the Black Hills. Fresh in from Santa Fe, he’s returned to Deadwood to seek justice for his uncle - and maybe to see about a girl. Little did he know his search for justice would have him stumbling into a hornets’ nest beyond his worst nightmare. One thing is for certain: The trouble he and his compadres chance upon deep in the trees is a long way from ordinary.

Deadwood, late 1876. A rowdy and reckless undertaker’s delight. What better place for a killer to blend in? Enter undertaker Clementine Johanssen, tall and deadly with a hot temper and short fuse, hired to clean up Deadwood’s dead...and the “other” problem. She’s hell-bent on poking, sticking, or stabbing anyone who steps out of line. But when a couple Santa Fe sidewinders ride into town searching for their missing uncle, they land neck deep in lethal gunplay, nasty cutthroats, and endless stinkin’ snow.

Facets of Ayn Rand is based on 48 hours of interviews with Mary Ann and Charles Sures, longtime personal friends of Ayn Rand. Their recollections make vividly real the Ayn Rand they knew so well.

One dead body, one century-old haunted opera house, one zombie musical - one pissed-off detective - will Violet "Spooky" Parker keep her tail out of trouble, or will she end up as one of Deadwood's walking dead?

Hell hath no fury like a woman scorned...especially a dead one holding a grudge. Back on Deadwood's list of usual suspects, Violet Parker is hip deep in wild frights and fired-up females. After juggling bitter threats, haunted buildings, and vengeful ghosts, the last thing she needs is a pair of bullheaded detectives trying to pin another murder on her tail. Can Violet find the real killer before she ends up behind bars? Or worse, on a slab at the morgue.

It’s Christmas Eve, and Violet Parker has one request on her list for Santa - to make it home to her kids. Unfortunately, “home” is also the lair of her life-long nemesis, her sister Susan, aka the devil’s concubine. Standing in Violet’s way is Old Man Winter, who slammed the Black Hills with a show-stopping blizzard. However, a little snow isn’t going to ground her sleigh, not with family counting on her to deliver Santa’s goods.

I’m a ghost. A specter, some would say. A spirit. A shade, the hallucination of a compromised mind. Whatever moniker you prefer, that’s me. Excepting that last one. Uncle MortonI ran freight and wagon trains for years from Missouri to Santa Fe. Courted death from arrows to snake bites, drowning to dysentery, each and every trip. Came through all that only to be dealt a bad hand in Deadwood. Got myself killed.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.