検索キーワード： 著者 "H. P. Lovecraft" すべてのカテゴリー

"Pickmans Modell" erzählt die Geschichte von dem skurrilen Künstler Richard Pickman, der den Hang zur Realität verliert, und der Bekanntschaft zwischen ihm und Thurber, mit dem er einst Mitglied eines Kunstclubs in Boston war. Nach dem Austritt Pickmans aus dem Club, lädt er eines Tages Thurber zu seinem abgelegenen Grundstück ein und gewährt ihm somit Zutritt in eine düstere, makabre Welt, wo die Grenzen zwischen Fantasie und Realität ineinander zu verschwimmen scheinen.

"The Statement of Randolph Carter" is the first person testimony of the titular character, who has been found wandering through swampland in an amnesiac shock. In his statement, Carter attempts to explain the disappearance of his companion, the occultist Harley Warren. Warren has come into the possession of a book, written in an unknown language, the exact contents of which he never revealed to Carter. Carter mentions that Warren has other "strange, rare books on forbidden subjects", several of which are in Arabic.

"The Temple" is a short story written by H. P. Lovecraft in 1920, and first published in the pulp magazine "Weird Tales #24" in September 1925. The story is narrated as a "found manuscript" penned by Karl Heinrich, Graf von Altberg-Ehrenstein, a lieutenant-commander in the Imperial German Navy during the days of World War I. Altberg begins by declaring that he has decided to document the events leading up to his untimely end in order to "set certain facts" before the public, aware that he will not survive to do so himself.

A strange old man, "so old that no one can remember when he was young, and so taciturn that few know his real name," lives alone in an ancient house on Water Street in the town of Kingsport. Even among the locals, few know the details of the old man's life, but it is believed that he once captained East Indian clipper ships in his youth and accumulated great riches throughout his life. Those who had visited the property had seen bizarre collections of stones in the front yard and observed the old man carrying on conversations with mysterious bottles on his table.

The story traces the history of the titular street in a New England city, presumably Boston, from its first beginnings as "but a path" in colonial times to a quasi-supernatural occurrence in the years immediately following World War I. As the city grows up around the street, it is planted with many trees and built along with "simple, beautiful houses of brick and wood", each with a rose garden. As the Industrial Revolution runs its course, the area degenerates into a run-down and polluted slum, with all of the street's old houses falling into disrepair.

Thomas Olney, a "philosopher" visiting the town of Kingsport, Massachusetts with his family, is intrigued by a strange house on a cliff overlooking the ocean. It is unaccountably high and old and the locals have a generations-long dread of the place which no one is known to have visited. With great difficulty, Olney climbs the crag, approaches the house, and meets the mysterious man who lives there. The only door opens directly onto a sheer cliff, giving access only to mist and "the abyss".

Like the tanning of a leathered corpse, the inaugural release of Grimoire seeks to stretch the fleshy bounds of dark fiction and horror. Included within these unhallowed book are tales of medieval horror and cacophony, Lovecraftian delights and wretched Kaiju, accursed djinn and pestilential priests, all brought together for the very first time in one horrific collection. Engaging and provocative, these tales of the damned stalk the graveyards at night, crawl up from the empty and wet places of this world, and haunt the dreams of all who hear them. 

The narrator travels through the nearby decrepit seaport of Innsmouth which is suggested as a cheaper and potentially interesting next leg of his journey. There he interacts with strange people and observes disturbing events that ultimately lead to horrifying and personal revelations. It forms part of the Cthulhu Mythos, using its motif of a malign undersea civilization. It references several shared elements of the Mythos, including place-names, mythical creatures and invocations.

Robert Blake—a young man with an interest in the occult—becomes fascinated by a large disused church set on a hill which he can see from his lodgings. His researches reveal that the church has a sinister history and is dreaded by the local inhabitants as being haunted by a primeval evil.

The dark and twisted story of Wilbur Whateley and the strange events surrounding his birth and precocious development. Wilbur matures at an abnormal rate, reaching manhood within a decade—all the while becoming indoctrinated into dark rituals and witchcraft by his grandfather.

The story is told by Albert N. Wilmarth, an instructor of literature at Miskatonic University in Arkham. When local newspapers report strange things seen floating in rivers during a historic Vermont flood, Wilmarth becomes embroiled in a controversy about the reality and significance of the sightings, though he sides with the skeptics. Wilmarth uncovers old legends about monsters living in the uninhabited hills who abduct people who venture or settle too close to their territory.

Long acknowledged as a master of nightmarish vision, H.P. Lovecraft established the genuineness and dignity of his own pioneering fiction in 1931 with his quintessential work of supernatural horror, At the Mountains of Madness. The deliberately told and increasingly chilling recollection of an Antarctic expedition's uncanny discoveries—and their encounter with an untold menace in the ruins of a lost civilization—is a milestone of macabre literature.

In the Vault was based on a suggestion made in August 1925 by Charles W. Smith, editor of the amateur journal Tryout, which Lovecraft recorded in a letter: 'an undertaker imprisoned in a village vault where he was removing winter coffins for spring burial, and his escape by enlarging a transom reached by the piling up of the coffins'.

The story is told from the first person perspective of an unnamed narrator and details his experiences with a scientist named Crawford Tillinghast. Tillinghast creates an electronic device that emits a resonance wave, which stimulates an affected person’s pineal gland, thereby allowing them to perceive planes of existence outside the scope of accepted reality.

The story begins with Detective Malone describing an on-duty incident in Red Hook, Brooklyn, that gave him a phobia of large buildings. Back-tracking to where it all began, the Brooklyn waterfront slum Red Hook is described in detail, with its gangs and crime, and hinting at an occult underbelly. The "case of Robert Suydam" is then told to be the driving force behind Malone's federally ordered involvement at Red Hook. Suydam's demeanor changes suddenly. Known as a shabby recluse, he is seen around town looking younger and more radiant.

The story opens with the unnamed narrator preparing to commit suicide. Lamenting his fate, he reflects upon the events which led him to this moment. The narrator and his friend, St. John, are a pair of loners who both have a deranged interest in robbing graves. They constantly defile crypts and often keep souvenirs of their nocturnal expeditions. Since they reside in the same house, they have the opportunity to set up a sort of morbid museum in their basement. Using the objects collected from the various graves they have robbed, the two men organize a private exhibition.

An unnamed narrator pieces together the story of an area known by the locals as the "blasted heath" in the wild hills west of the fictional town of Arkham, Massachusetts. The narrator discovers that many years ago a meteorite crashed there, poisoning every living being nearby; vegetation grows large but foul tasting, animals are driven mad and deformed into grotesque shapes, and the people go insane or die one by one.

Niemand, der ihm lauscht, kann ihn je vergessen: "Nyarlathotep" – das schleichende Chaos. Wer oder was ist "Nyarlathotep"? Ein Künstler, ein Wissenschaftler, ein Prophet... ? Nur eins ist gewiss: Wo der Ägypter auftritt, pflanzt er kosmische Furcht in die Hirne der Menschen. Was gestern noch Ahnung war, ist heute schreckliche Gewissheit. Wohin führt der Weg der Menschheit? Vom Licht ins Dunkel, aus der Stadt in die Wildnis, vorbei an den Ruinen unserer Zivilisation... mitten hinein ins Herz des Chaos.

Über manche Fälle wollte ich den Mantel des Schweigens fallen lassen, da man nicht mit genauer Gewissheit die Geschehnisse rational nachvollziehen konnte. Durch meinen verehrten Kollegen H. P. Lovecraft sah ich mich aber gezwungen doch zumindest im kleinen Kreise Rechenschaft abzugeben und einen Bericht zu verfassen, der eine nüchternere Einschätzung der Ereignisse wieder gibt und sich nicht zu weit ins abenteuerliche Phantastische begibt.

"Ex Oblivione" is a prose poem by American horror fiction writer H. P. Lovecraft, written in late 1920 or early 1921 and first published in The United Amateur in March 1921, under the pseudonym Ward Phillips. It is written in first person and tells of the dreams of a presumably dying man. In his dreams, the man is walking through a valley and encounters a vine-covered wall with a locked bronze gate therein. He longs to know what lies beyond the gate.