検索キーワード： ナレーター "Sean Runnette" すべてのカテゴリー

Faced with war and the end of the world, Eric - or Halar the First, King of Karvalen - must find a way to stop a godlike entity bent on his destruction. His quest will be no easy thing, not a straight line to his goal, but even he can't anticipate just how far it will lead him on this epic journey. He will have to go farther than he can imagine from everything he has ever cared about before he can even begin a new journey - a journey home. Can he save the world and the people he loves? And, in so doing, will he be able to save himself?

Get the North Star to the Galactic Sentinel, sign off with the Galactic Council, and return to Fleet Academy Four. It should have been easy, but compared to the Galactic Council, Earth’s politicians are girl scouts selling Peanut Butter Patties to their grandmothers. Widespread riots and whispers of Chimera terrorists only make matters worse, especially when the terrorists are better armed than most of Sentinel Security.

Jason Grimshaw has one job. Get the cadets to Colony 115. Just another day. Just another milk run. Or so he thought. When scanners pick up an unidentified alien vessel, it's already too late. With his ship blown out from under him, and his crew scattered across a war-torn planet, his day just keeps getting better. The good news is, one of the pilots survived. The bad news is, it's the biggest pain in his ass, and she's stranded miles away.

The first US/UN invasion of the renegade lunar colony of Aristillus has failed—but the powers-that-be in Washington and elsewhere can't give up. Their political careers—and an escape from the economic decline of Earth under a command-and-control economy—depend on conquering the lunar expats. A second—and final—invasion is planned. The lunar settlers prepare to repel the onslaught, but what can a small population of 1 million do against the combined might of billions on Earth—especially now that the PKs have the secret of the antigravity drive?

Eric - or King Halar, or Vlad, or any number of aliases - doesn't want to be bothered. It's hard to pin down what he does want, if anything. He lives a quiet life, almost a solitary one, mourning in his own way for the loss of someone dear. His quiet solitude can't go on forever. Despite the empty places inside him, events and creatures move through the worlds and across the void between, forcing him into action, into fighting, into confronting things perhaps better left alone...even forcing him into being a King.

It's not easy, being king. You can't always rule a kingdom and still do what needs to be done. Eric - or King Halar, also known as the Demon King - has more than enough problems without the crown. But quitting the job of king isn't easy, either - unless you want to be beheaded. Most people regard that as an unsatisfactory way to quit. Even vampire lords tend to be cautious about guillotines. A king who loses his head has a real problem...or none at all.

We all have inner demons. We fight them all the time. Some of us achieve inner peace by coming to terms with them. But how do you come to terms with inner demons that tear free and become outer demons? Eric has been a vampire for nearly a century, and his demons are more than metaphors. While they controlled him, he was the Demon King. Now he has to avoid the monsters in his own mind, as well as angry nobles, fanatical religions, assassins, magi, other vampires, criminal organizations, and more.

It's not easy being king. Especially when you've got an allergy to sunrise and sunset, a fire goddess for a mother-in-law, demonic adversaries, random assassins, and a basement full of insecurities to cope with. Add to that his daughter, the fire priestess/princess; a couple of lightly deranged professional magicians; a whole city full of wizards; and enough squabbling princes to resemble a kindergarten argument. It's enough to make a man want to just go home.

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

In The Age of Intoxication, Benjamin Breen offers a window into a time when drugs were not yet separated into categories - illicit and licit, recreational and medicinal, modern and traditional - and there was no barrier between the drug dealer and the pharmacist. 

At last, science and the soul shake hands. Writing in a style that is both lucid and charming, mischievous and profound, Dr. Amit Goswami uses the language and concepts of quantum physics to explore and scientifically prove metaphysical theories of reincarnation and immortality. In Physics of the Soul, Goswami helps listeners understand the perplexities of the quantum physics model of reality and the perennial beliefs of spiritual and religious traditions. 

In God Is Not Dead, Goswami moves beyond theory and shows how a God-based science puts ethics and values where it belongs: at the center of our lives and societies. He provides a scientific model that steers between scientific materialism and religious fundamentalism; a model that has implications for how we live both individually and collectively.   

Two opposing narratives vie to explain the strategic future of Europe, one geopolitical and one economic, and both center on the same resource: natural gas. In The Bridge, Thane Gustafson, an expert on Russian oil and gas, argues that the political rivalries that capture the lion's share of media attention must be viewed alongside multiple business interests and differences in economic ideologies. With a dense network of pipelines linking Europe and Russia, natural gas serves as a bridge that unites the region through common interests.

Crafting smash hits with Van Halen, the Doobie Brothers, Nicolette Larson, and Van Morrison, legendary music producer Ted Templeman changed the course of rock history. 

In this Very Short Introduction, John Heilbron draws on sources never before presented in English to cover the life and work of one of the most creative physicists of the 20th century. In addition to his role as a scientist, Heilbron considers Bohr as a statesman and Danish cultural icon, who built scientific institutions and pushed for the extension of international cooperation in science to all nation states. As a humanist he was concerned with the cultivation of all sides of the individual, and with the complementary contributions of all peoples to the sum of human culture.

Solitude is the inspirational core for many writers, artists, and thinkers. Alone with our thoughts, we can make discoveries that matter not only to us but to others. To be solitary is not only to draw sustenance from being alone, but to know that our ultimate responsibility is not only to our partner or our own offspring, but to a larger community. Fenton Johnson's lyrical prose and searching sensibility explores what it means to choose to be solitary and celebrates the notion that solitude is a legitimate and dignified calling.

Combining evidence-based approaches including positive psychology, cognitive behavioral therapy (CBT), mindfulness, and skills for regulating stress, The Resilience Workbook will show you how to bounce back and thrive in any difficult situation. You'll learn how to harness the power of your brain's natural neuroplasticity; manage strong, distressing emotions; and improve mood and overall well-being.

A lifetime of adventures with bats around the world reveals why these special and imperiled creatures should be protected rather than feared. 

Preparing for the next war at an unknown date against an undetermined opponent is a difficult undertaking with extremely high stakes. Thus, outside of their own combat, militaries have studied foreign wars as a valuable source of battlefield information. Through a series of in-depth case studies of the US Army, Navy, and Air Force, Brent L. Sterling creates a better understanding of the dynamics of learning from "other people's wars", determining what types of knowledge can be gained from foreign wars, identifying common pitfalls, and proposing solutions.

The war in Afghanistan has consumed vast amounts of blood and treasure, causing the Western powers to seek an exit without achieving victory. Seemingly never-ending, the conflict has become synonymous with a number of issues-global jihad, rampant tribalism, and the narcotics trade - but even though they are cited as the causes of the conflict, they are in fact symptoms.