検索キーワード： 著者 "G K Chesterton" すべてのカテゴリー

Aristide Valentin, Paris chief of police, has decided to stage a grand dinner party at his estate. The estate has only one entrance, with a garden protected by a high wall; there is no entering or leaving except by the main entrance, which is guarded by Valentin's steadfast servant, Ivan. However, a murder most foul occurs, a decapitation, and it will be up to Father Brown to use all his wits to solve this heinous murder.

First published in 1922 and filled with evocative portraits of pre-World War I society, these eight stories from the creator of the Father Brown mysteries recount the adventures of Horne Fisher, a socialite who uses his immense knowledge and powerful deductive gifts to investigate crimes committed on the sprawling country estates of the aristocracy - crimes that must, alas, go largely unpunished due to the greater harm that justice would unleash.

With his black hat, huge umbrella, unworldly simplicity and 'beaming but breathless geniality', Father Brown is one of fiction's best-loved amateur detectives. Short and tatty, but with the wisdom and insight to unravel the most wayward of criminal minds, he has entertained generations. In this collection of 13 full-cast dramatisations, the high priest of detection becomes involved in seven intriguing cases that will tax even his mental powers to the limit.

First published in 1911, The Innocence of Father Brown contains stories involving one of the greatest characters in the history of detective fiction: Father Brown. He is a Roman Catholic priest who has an uncanny insight into human evil. Rather than the large serial villains in, for example, Sherlock Holmes stories, the mysteries Father Brown solved were more local murders by small-town crooks, narrowing the suspect list down to those in the area of the crime.

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors, and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it.

Evan MacIan is a tall, dark-haired, blue-eyed Scottish Highlander and a devout Roman Catholic. James Turnbull is a short, red-haired, gray-eyed Lowlander and a devout but naïve atheist. The two meet when MacIan smashes the window of the street office where Turnbull publishes an atheist journal. This act of rage occurs when MacIan sees posted on the shop's window a sheet that blasphemes the Virgin Mary, presumably implying she was an adulteress who gave birth to an illegitimate Jesus.

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it.

Father Brown accompanies his friend Granby to Sir John Musgrave's castle - but when they arrive, they discover something is very wrong . . .

L’irresistibile Padre Brown torna a stupirci con le sue incredibili doti intuitive, sempre accompagnate da un’incrollabile fede nella forza del Bene sul Male! In una serie di indagini appassionanti e cariche di humour, il brillante prete dell’Essex deve affrontare il mistero di strani specchi e di enigmatiche armature, smascherando ciarlatani che simulano doti soprannaturali e riconducendo assassini spietati sulla retta via... Il londinese Gilbert Keith Chesterton (1874-1936) è stato fra i più importanti intellettuali cattolici della sua generazione.

A short biography (1902) of a famous writer (Carlyle) by another famous writer (Chesterton). The first half exhibits Chesterton’s sly wit as he ruminates upon Carlyle’s work; the second half is straightforward biography. There are a great many pictures and portraits in the physical text. - Summary by David Wales

Saint Francis of Assisi grew up in a wealthy family and his early life was characterized by splendor, riches and a lavish lifestyle. During an illness, he supposedly had a vision, after which he became disillusioned with his lifestyle and began giving everything away to beggars. His conversion was gradual, but after a pilgrimage to Rome, he supposedly hid in a cave to avoid his father's anger and then began to live a life of poverty and contrition. He is forever associated with simplicity and nature. - Summary by Lynne Thompson

For Chesterton, Francis of Assisi is a great paradoxical figure, a man who loved women but vowed himself to chastity; an artist who loved the pleasures of the natural world as few have loved them, but vowed himself to the most austere poverty, stripping himself naked in the public square so all could see that he had renounced his worldly goods; a clown who stood on his head in order to see the world aright. Chesterton gives us Francis in his world-the riotously colorful world of the High Middle Ages, a world with more pageantry and romance than we have seen before or since. Here is the Francis...

This short early twentieth century biography of Robert Louis Stevenson by polymath Chesterton and journalist Nicoll is also sometimes entitled ‘The Characteristics of Robert Louis Stevenson.’ Each author wrote a section of the whole. This recording is of the third edition which differs structurally from the first edition and has some additional material. - Summary by David Wales

This mystery of the unconscious man, far deeper than any mystery of the conscious one, existing as it does in all men, existed peculiarly in Browning, because he was a very ordinary and spontaneous man. The same thing exists to some extent in all history and all affairs. Anything that is deliberate, twisted, created as a trap and a mystery, must be discovered at last; everything that is done naturally remains mysterious. ... [T]here is between making a map of a labyrinth and making a map of a mist. The life of Robert Browning, who combines the greatest brain with the most simple temperament ...

The humble yet shrewd Father Brown returns in a series of epic mysteries that see him use his gift of human understanding to solve the crimes at play. After all, it is not just logic and rational thinking that can get to the root of these crimes – but moral reasoning too. In these twelve tales, we see a man seemingly disappear from a locked room, a staged robbery, a fatal love triangle and much more. Rather than mere criminal tricks, these stories offer profound psychological and spiritual truths.

'Madmen do not rebel against logic – they merely use it where it is not applicable.' A brilliantly unique collection of short stories, The Poet and the Lunatics was originally published in Nash's Magazine in 1921. Today, it remains a masterpiece of detective fiction. Gabriel Gale, an eccentric poet, often finds himself acting as detective when he becomes entangled in a series of bizarre and psychologically challenging events.

Examining several social and political trends of the time, Chesterton discusses contemporary discourse around family, gender roles, education, politics and more. In good humour, he defends the traditional family unit, praises women's unique role in society and promotes an education that can be both creative and moral in its teachings. He scrutinises the forces of modernity, bureaucracy and ideological reform, spiritedly arguing that the problem is not the structural powers at play in society, but the individual's failure to act rightly.

Part spy novel and part allegory, The Man Who Was Thursday centres on Gabriel Symes, a poet who was recruited by Scotland Yard to secretly infiltrate an anarchist group. During his first meeting with the anarchists, Symes is unexpectedly elected as a new delegate to the central council. Each member is named after a day of the week, and so Syme becomes ‘Thursday’. As he begins to unmask the other council members, he discovers that all is not what it seems: one by one these supposed anarchists are unveiled to be working undercover too. That is until Syme gets to man called ‘Sunday’…

The Return of Don Quixote centres on the character of Michael Herne, a gentle, quiet librarian. When Michael finds himself cast as a king in a medieval play, he reluctantly fulfils the role. But after the play's end, peculiar things start to occur: Michael begins donning armour, adopts chivalric ideals and boldly questions the hypocrisies of modern society. As Michael rallies for a movement that tackles misplaced power and dishonour, it's clear that a new Don Quixote is in town…

The year is 1984. The British government has become impersonal and apathetic, not run by a particular party or corresponding ideology, but by the random selection of a new figurehead each year. When the eccentric Auberon Quin is chosen to lead the country, the nation begins to take a whimsical turn. In an attempt to liven up London, Auberon transforms the city into a mock-medieval town, complete with crests, flags and costumes. Everything is a joke–that is until Adam Wayne, a young man claiming to be the Napoleon of Notting Hill, begins to take it seriously.