検索キーワード： ナレーター "L. J. Ganser" すべてのカテゴリー

The currencies for an emotional bank account include kindness, promises, and expectations. As Stephen R. Covey teaches, deposits and withdraws in your emotional bank account are based on how you manage these currencies. Module 18 of 20.

Habits possess the power to shape our character. Stephen R. Covey offers perspective on how to approach the hard work necessary to change your habits. Module 3 of 20.

Leading others begins with leading yourself to personal victories. Keep listening to hear how you can create effectiveness by gaining independence. Module 7 of 20.

Neglecting relationships, whether personal or professional, can have devastating consequences. Hear the story of a once-heralded clam chowder recipe that violated customers’ trust and never truly recovered. Module 16 of 20.

Following the 7 Foundational Habits requires effort and time. In the conclusion of this program, hear Stephen R. Covey deliver actionable advice on how to share your growth with others and continue your learning through a lifetime of exploration. Module 20 of 20.

Being loyal to the absent requires speaking to someone instead of about them. Keep listening to learn the dangers of forging relationships based on shared criticism, and the duplicity that often follows. Module 19 of 20.

Interdependence is the key to reaching goals on a large and small scale. Stephen R. Covey explains how we can accomplish everything we want, together. Module 6 of 20.

Principles are universal and constant, while social or popular values may shift. Stephen R. Covey offers specific examples of natural systems, such as the human body, that are governed by principles out of our control. Module 10 of 20.

By ignoring the potential for change and improvement, we sell ourselves and others short. Listen to the story of a mother whose paradigm of her daughter lacks the imagination to see a brighter future. Module 13 of 20.

Principles are natural laws, independent of our current belief systems. In this talk, learn the important distinction between living a principle-centered life and a value-centered life. Module 9 of 20.

An introduction to the lessons and principles that you’ll hear in this series. Module 1 of 20.

Paradigms are more powerful than behavior or attitude. Stephen R. Covey expands on examples of paradigms to illustrate the dangers of making assumptions your reality. Module 12 of 20.

Experience Jeremy Lin’s rise to basketball superstar, free for a limited time! Who would have thought that an Asian-American, who stood just 5' 3" tall as a freshman in high school, and eventually went to Harvard to major in economics, would become the NBA's most talked about star in decades? But that's exactly what happened to Jeremy Lin. Undrafted out of college and subsequently waived in short order by both the Golden State Warriors and Houston Rockets, Lin was signed by the underachieving New York Knicks. The rest is history.

No one in America has done more observing of more people than Dr. Frank I. Luntz. From Bill O'Reilly to Bill Maher, America's leading pundits, prognosticators, and CEOs turn to Luntz to explain the present and to predict the future. With all the upheavals of recent events, the plans and priorities of the American people have undergone a seismic shift.

"Probably in the life of everyone there comes a time when he is inclined to go over again the events, great and small, which have made up the incidents of his work and pleasure, and I am tempted to become a garrulous old man, and tell some stories of men and things which have happened in an active life. In some measure I have been associated with the most interesting people our country has produced, especially in business - men who have helped largely to build up the commerce of the United States...."

The world named Mount Lookitthat was never meant for humans - it was shrouded in lethal mists. Life existed only on one plateau, unreachable except from space. But the disastrous decision to colonize the planet could not be reversed. So the settlers survived somehow - under a ruthless dictatorship. Mount Lookitthat was rebellion-proof. Then fate dealt the colonists a wild card named Matthew Keller, who had a talent that neither he nor anybody else knew about. At last the colonists had a glimmer of hope!

When a renowned theater director senses something amiss during his latest production, he calls Nero Wolfe. Though the corpulent genius wouldn’t normally accept a job this vague, a mutual friend dangles the prospect of a very rare orchid in exchange for his services, and Wolfe can’t resist. With a mind to suss out useful backstage gossip, Wolfe turns to his faithful assistant, Archie Goodwin, to impersonate a journalist in order to speak to the cast. Though Goodwin’s conversations prove unfruitful, on his last day at the theater, the director is murdered in his sound-proof booth.

When wealthy and popular crusader and reformer Lester Pierce is gunned down in front of his Park Avenue residence, the public outcry forces the NYPD to restructure its homicide department. As the deceased was highly critical of Inspector Lionel Cramer, the longtime head of homicide is temporarily relieved of his badge. But it seems Cramer was not just a scapegoat. He was seen dining in Little Italy with mob kingpin Ralph Mars. If Cramer's provisional replacement, Captain George Rowcliff, becomes permanent, PI Nero Wolfe's future dealings with the force will be much compromised.

Knit me into a cocoon. Help me eat a burrito. Pretend to be a chair at my dinner party. Wrestle a Komodo dragon. Race me in a lobster suit. Author Kelly Mahon posts absurd gig ads online and shares the conversations she had with the brave souls who wanted the job.

Douglas Rigby, attorney-at-law, is bankrupt. He's just sunk his last $200,000 - a clandestine "loan" from his last remaining client, former bigshot TV exec Glenn Haskill - into a cocaine deal gone wrong. The lesson? Never trust anyone else with the dirty work. Desperate to get back on top, Rigby formulates an art forgery scheme involving one of Glenn's priceless paintings, a victimless crime.