検索キーワード： 著者 "Anton Chekhov" すべてのカテゴリー

Obviously he was born a mouse catcher, a worthy son of his bloodthirsty ancestors. Fate had destined him to be the terror of cellars, storerooms and corn bins, and had it not been for education....

Polinka, a thin fair little person whose mother is the head of a dressmaking establishment, is standing in the middle of the shop looking about for some one. Nikolay Timofeitch, a graceful dark young man, fashionably dressed, with frizzled hair and a big pin in his cravat, has already cleared a place on the counter and is craning forward, looking at Polinka with a smile.

Between five and six in the evening. A fairly well-known man of learning is sitting in his study nervously biting his nails. ''It's positively revolting,'' he says, continually looking at his watch. ''It shows the utmost disrespect for another man's time and work. In England such a person would not earn a farthing, he would die of hunger. You wait a minute, when you do come....'' The short story is read in English, and unabridged.

It was past midnight. Nikolay Yevgrafitch knew his wife would not be home very soon, not till five o'clock at least. He did not trust her, and when she was long away he could not sleep, was worried, and at the same time he despised his wife, and her bed, and her looking-glass, and her boxes of sweets, and the hyacinths, and the lilies of the valley which were sent her every day by someone or other, and which diffused the sickly fragrance of a florist's shop all over the house.

In the cheapest room of a big block of furnished apartments Stepan Klotchkov, a medical student in his third year, was walking to and fro, zealously conning his anatomy. In the window, covered by patterns of frost, sat Anyuta, a thin little brunette of five-and-twenty, very pale with mild grey eyes. Sitting with bent back she was busy embroidering with red thread the collar of a man's shirt. She was working against time....

Yegor could not imagine his future works, but he could see distinctly how the papers would talk of him, how the shops would sell his photographs, with what envy his friends would look after him.

I understood that when you love you must either, in your reasonings about that love, start from what is highest, from what is more important than happiness or unhappiness, sin or virtue in their accepted meaning, or you must not reason at all.

Surely that needs no explanation.... If the teacher rides a bicycle, what can you expect the pupils to do? You will have them walking on their heads next! Read in English, unabridged.

Smirnov is scared of being robbed. To compensate and deter the cabman from attacking him, he blusters on in a comical way about his fighting abilities, the three revolvers he doesn't have, and how a party of armed friends will join him soon.

Natalya Bronin is lying in her bedroom, her whole being abandoned to repose. She lies, deliciously drowsy, thinking of her little daughter, who lives somewhere far away with her grandmother or aunt. The child is more precious to her than the public, bouquets, notices in the papers, and adorers, and she would be glad to think about her till morning. She is happy, at peace, and all she longs for is not to be prevented from lying undisturbed, dozing and dreaming of her little girl. Read in English, unabridged.

Nellie, a young and pretty girl, dreaming day and night of being married, gazes into a looking glass. In the mirror her future husband emerges, and they live together through days and months in fast-forward, yet she sees her future distinctly in all its details.

Tickets, please.... A phrase familiar to every train passenger. And every now and then, there's one without a ticket, with a good excuse ready. When Podtyagin, a seasoned ticket collector on a train, decides to give up drinking and work honestly at his job, it sounds like a good resolution. And this very day he comes across an 'unreasonable' passenger who finds the very word 'tickets' cruel and absurd. Read in English, unabridged.

A native Frenchman no longer tutors the wealthy landlord's children, as they've grown up and left the house. The Frenchman is now paid simply to be around, to be properly dressed, to smell of scent, and to listen to Kamyshev's babble, to eat and drink and sleep. It may sound like a dream job, but there's always a catch. Read in English, unabridged.

Young, impressionable Masha sees a tragic actor, Fenogenov, during his benefit night and falls madly in love with him. Masha decides to run away with the actor and marry him despite her father's clear disapproval. Her father disowns her, describing her husband as idle, stupid and of no fixed home or occupation. Masha later finds herself in desperate need of money and has to seek help from her farther. Read in English, unabridged.

Yakov Ivanov is an elderly coffin-maker in a small village with a population that doesn’t generate enough deaths for him to make any real money. He is also a fiddler who sometimes sits in with a Jewish klezmer orchestra in spite of his dislike of Jews and of the flutist, Rothchild, in particular. Marfa, his long-suffering and unloved wife, becomes mortally ill with a contagious illness. He struggles to recall their shared past as he builds her coffin and soon he, too, succumbs to mortal illness, provoking a self-searching meditation and a change of heart.

The Duel is a novella by Anton Chekhov and was published in 1891. It tells the story of the debates between a scientist, a government worker, his mistress, a deacon, and a physician about wits and ethics. This verbal battle leads to a violent contest: the duel. The story begins with Ivan Andreitch Laevsky - a government worker - who has run off with a married woman, Nadyezyhda Fyodorovna to a small town in the Caucasus. While there, he forms several acquaintanceships with a colorful array of characters.

Selections include: "The Duel" and "The Umbrella" by Guy de Maupasssant; "The Schartz-Metterklume Method", "The Open Window", and "The Story Teller" by Saki; "The Scandal Monger" and "Verochka" by Anton Chekhov; and "The Wardrobe" by Thomas Mann.

Madame Lyobov Renevsky must sell the dear family estate to a merchant who plans to cut down the beautiful orchard and turn the property into housing lots. But is the loss of her past worth the price?

This sampling from Anton Chekhov's "Stories of Russian Life" includes: "Children", "At Home", "The Troublesome Guest", "Lean and Fat", "Hush", "The Trousseau", "Agatha", "Not Wanted" and "Little Jack". All of these stories present us with the author's deep insight into the fragile human condition.

The world-class writers featured in this collection are adept at conjuring the depth of passion that surrounds all stories of love and loss. The short story form is perfect for capturing the uplift and dizzying heights that accompany a new object of affection, as well as the queasy unease and bottomless longing of lost loves.