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This is a story from the Moses and Other Stories from the Old Testament collection.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Monteverdi’s Orfeo, first performed in 1607, generates a special excitement because it is the first unquestioned masterpiece of opera. Notable for its precise orchestration and powerful drama it was a groundbreaking work. It concerns the legend of Orpheus, the demigod whose music had the power to conquer the forces of Hell and to bring his wife back, briefly, to life. The extracts used in this introduction are from Naxos’ full recording; it uses authentic period instruments, which serve to evoke the early Baroque period of the opera’s composition.

The story of the physical relationship between the aristocratic protagonist Constance Chatterley and gamekeeper Oliver Mellors - which occurs right under the nose of her wheelchair-bound husband, Clifford. In exploring the class system of the early 20th century, the novel also touches upon the declining coal-mining industry, its effect on the workers, and the politics which surrounded it. Yet possibly the most important theme is the individual’s need for physical as well as intellectual satisfaction.

An inspiring and relatable heroine, Esther is a pious young servant girl who endures the terrible fate of becoming pregnant and leaving her workplace to face a desperate future... but she is tenacious and fiery, and dedicated to keeping her son and building her life against unfathomably poor odds. Society’s ills are laid bare, especially the addictive buzz, desperate drive and inevitable destruction of gambling on horses.

Young Julien Sorel, the son of a country timber merchant, carries a portrait of his hero Napoleon Bonaparte and dreams of military glory. A brilliant career in the Church leads him into Parisian high society, where, 'mounted upon the finest horse in Alsace', he gains high military office and wins the heart of the aristocratic Mlle Mathilde de la Mole. Julien's cunning and ambition lead him into all sorts of scrapes.

In these last two books, the ageing king faces the greatest challenge of his reign, when his own son threatens to overthrow him and destroy everything he has worked for. In The Book of Merlyn, Arthur's tutor Merlyn reappears, and the ancient magician teaches him that, even in the face of apparent ruin, there is still hope.

The Pickwick Papers, Dickens's first novel, is a delightful romp through the pre-Reform Bill England of 1827. Samuel Pickwick and the rest of the Pickwickians are some of the most memorable of all Dickens's creations, and it is a joy to hear of their adventures in search of "interesting scenes and characters", and the repeated efforts of the quick-witted Sam Weller to rescue them all from disaster.

John Keats was largely unappreciated during his lifetime and died in Rome at the age of 26. Most of his 150 poems were written in just nine extraordinary months in 1819. This selection contains some of his finest works, including the principal "Odes", "La Belle Dame Sans Merci", "Old Meg", and "Much Have I Travelled".

Nightmare Alley is American author William Lindsay Gresham’s first and best-known work. The novel - most admired by noir fiction fans - was published in 1946, adapted into a film in 1947 starring Tyrone Power and subsequently printed as a graphic novel by Spain Rodriquez. During the 1940s Gresham worked as an editor for a genuine crime pulp magazine in New York, during which period he wrote this book; characters range from hustlers to Machiavellian femme fatales in a dark world of show business.

A House for Mr. Biswas, by Nobel and Booker Prize-winning author V. S. Naipaul, is a powerful novel about one man's struggle for identity and belonging. Born into poverty, then trapped in the shackles of charity and gratitude, Mr. Biswas longs for a house he can call his own. He loathes his wife and her wealthy family, upon whom he is dependent. Finding himself a mere accessory on their estate, his constant rebellion is motivated by the one thing that can symbolize his independence.

Naples '44 is an unflinching autobiographical account of a year in Naples after the armistice and Allied landings in Sorrento in 1943. Working as a British counterintelligence officer under the Allied occupation, Lewis documents the rich pageant of life in the city and its surrounding areas. There is suffering and squalor: Criminal gangs are on the rise, along with typhus and black market commerce, and the female population is forced into part-time prostitution. But there is farce and humor, too, witnessed in the Roman uncle paid handsomely simply to appear at funerals.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

Laurence Sterne’s most famous novel is a biting satire of literary conventions and contemporary 18th-century values. Renowned for its parody of established narrative techniques, Tristram Shandyis commonly regarded as the forerunner of avant-garde fiction. Tristram’s characteristic digressions on a whole range of unlikely subjects (including battle strategy and noses!) are endlessly surprising and make this one of Britain’s greatest comic achievements.

Prince Lef Nikolayevitch Muishkin is one of the great characters in Russian literature. Is he a saint or just naive, an idealist or, as many in General Yepanchin's society feel, an 'idiot'?

With all the narrative power and intellectual authority that have distinguished his earlier books, V.S. Naipaul explores the life, the culture, the ferment inside the nations of Islam–in a book that combines the fascinations of great travel literature with the insights of a uniquely sharp, original and idiosyncratic political mind.

Ancient Egypt and the war with Ethiopia is the setting for Verdi’s grandest opera. It is the story of the love between Rhadames, the Egyptian general, and Aida, an Ethiopian slave, and the jealousy of Amneris, daughter of the King of Egypt. It was written in 1871 to a commission from the Khedive of Egypt to inaugurate the new opera house in Cairo. Aida generally is considered one of the most spectacular of Verdi’s operas.

Don Giovanni has long been regarded as Mozart’s supreme theatrical achievement. The subject seems unpromising - the last day in the life of the notorious womanizer Don Juan - but the skill of the librettist allied to the genius of Mozart at the very peak of his powers has created a work which is not only highly entertaining but reflects an incredible understanding of the human condition.

Die Fledermaus is one of the few operatic works to which the phrase "never a dull moment" can be truthfully applied. From the explosive opening of the famous overture - reminiscent of a volley of champagne corks - through the surging energy of the "Fledermaus Waltz" and the many comic numbers, of which the accelerando trio is the finest, up to such huge concerted numbers as the "Duidu" finale to Act II, this is an operetta which almost incarnates nostalgia. Thomson Smillie and David Timson infuse their exploration of Die Fledermaus with as much life as the operetta itself.

Così Fan Tutte contains some of Mozart’s most sublime music. On one level, the opera is purely a social anecdote about young people falling in and out of love; but Mozart was a supreme sensualist and a great humanist, and invested the tale with all his understanding of humanity and young love. In this title, David Timson refutes the charge that Mozart squandered his genius on a work full of trivial nonsense and proves this "miraculous yet problematic" opera to be a great work of theatre. To listen to this thought-provoking examination of the characters and the music is both thoroughly enriching and great fun.