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Nineteenth-century New Orleans is a blazing hotbed of scorching politics and personal vendettas. And it’s into this fire that Benjamin January falls when he is hired to follow Oliver Weems, a bank official who has absconded with $100,000 in gold and securities. But it’s more than just a job for January. The missing money is vital to the survival of the school for freed slaves that he and his wife, Rose, have founded. 

Mexico City in the autumn of 1835 is a lawless place, teeming with bandits and beggars. But an urgent letter from a desperate friend draws Benjamin January and his new bride, Rose, from New Orleans to this newly free province. Here they pray they’ll find Hannibal Sefton alive - and not hanging from the end of a rope. 

It’s 1835, and the relentless glare of the late July sun has slowed New Orleans to a standstill. When Hesione LeGros - once a corsair’s jeweled mistress, now a raddled hag - is found slashed to death in a shanty on the fringe of New Orleans’ most lawless quarter, there are few to care. But one of them is Benjamin January, musician and teacher. He well recalls her blazing ebony beauty when she appeared, exquisitely gowned and handy with a stiletto, at a demimonde banquet years ago. 

In February 1835, the cold New Orleans streets are alight with masked Mardi Gras revelers as the American Theater’s impresario, Lorenzo Belaggio, brings a magnificent yet controversial operatic version of Othello to town. But it’s pitch-black in the alley where free man of color Benjamin January hears a slurred whisper, spies the flash of a knife, and is himself wounded as he rescues Belaggio from a vicious attack. Could competition for audiences - or for Belagio’s affections - provoke such violent skulduggery?  

When slave owner Simon Fourchet asks Benjamin January to investigate sabotage, arson, and murder on his plantation, January is reluctant to do any favors for the savage man who owned him until he was seven. But he knows too well that plantation justice means that if the true culprit is not found, every slave on Mon Triomphe will suffer. Abandoning his Parisian French for the African patois of a field hand, cutting cane until his bones ache and his musician’s hands bleed, Benjamin must use all his intelligence and cunning to find the killer - or find himself sold down the river.

It is St. John’s Eve in the summer of 1834 when Benjamin January - Creole physician and music teacher - is shattered by the news that his sister has been arrested for murder. The Guards have only a shadow of a case against her. But Olympe - mystical and rebellious - is a woman of color, whose chance for justice is slim. As Benjamin probes the allegation, he is targeted by a new threat: graveyard dust sprinkled at his door, whispering of a voodoo death curse. Now, to save Olympe’s life - and his own - Benjamin knows he must glean information wherever he can find it.

The summer of 1833 has been one of brazen heat and brutal pestilence, as the city is stalked by Bronze John - the popular name for the deadly yellow fever epidemic that tests the healing skills of doctor and voodoo alike. Even as Benjamin January tends the dying at Charity Hospital during the steaming nights, he continues his work as a music teacher during the day. When he is asked to pass a message from a runaway slave to the servant of one of his students, January finds himself swept into a tempest of lies, greed, and murder that rivals the storms battering New Orleans.

This lush and haunting novel tells of a city steeped in decadent pleasures and of a man, proud and defiant, caught in a web of murder and betrayal. It is 1833. In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orleans when the evening's festivities are interrupted - by murder. The ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death. 

No one can talk to the dead...can they? Free man of color Benjamin January gets caught up in a strange, spiritual world that might lead to his own demise, as he hunts for a missing teenager in this gripping, atmospheric historical mystery. New Orleans, 1840. Freshly home from a dangerous journey, the last thing Benjamin January wants to do is leave his wife and young sons again. But when old friends Henri and Chloë Viellard ask for his help tracking down a missing girl in distant New York, he can’t say no.

Named after the first man at the creation of the world in Malagasy mythology, Ietsy Razak was raised to perpetuate the glory of his namesake and expected to be as illuminated as his Great Ancestor. But in the chaos of modernity, his young life is marked only by restlessness, maddening insomnia, and an adolescent apathy.

Alone Together: Love, Grief, and Comfort During the Time of COVID-19 is a collection of essays, poems, and interviews to serve as a lifeline for negotiating how to connect and thrive during this stressful time of isolation as well as a historical perspective that will remain relevant for years to come. 

In space, mutiny means death - that’s why Inspector General Park Yerim is taking her investigation so seriously. The alleged mutineer is Captain Nicolau Aames, whose command of the massive Earth-Mars vessel Aldrin has come under fire. The vast System Initiative says he disobeyed orders, but his crew swears he’s in the right. En route to Mars, Park gathers testimony from the Aldrin’s diverse crew, painting a complex picture of Aames’s character: his heroism, his failures, even his personal passions.

In his third book about deception during war, Paul B. Janeczko focuses his lens on World War II and the operations carried out by the Twenty-Third Headquarters Special Troops, aka the Ghost Army. This remarkable unit included actors, camouflage experts, sound engineers, painters, and set designers who used their skills to secretly and systematically replace fighting units - fooling the Nazi army into believing what their eyes and ears told them, even though the sights and sounds of tanks and war machines and troops were entirely fabricated.

The biblical account of Gideon. The ancient story of the Trojan horse. Deceptive techniques have been used in war through the ages. But while the principles have changed very little, the technology behind fooling the enemy has evolved dramatically. Paul B. Janeczko’s fascinating chronology focuses on the American Civil War, World Wars I and II, and the Korean War, the Vietnam War, and the Gulf Wars to reveal evolving attitudes toward the use and effectiveness of deceptive operations.

Ever since George Washington used them to help topple the British, spies and their networks have helped and hurt America at key moments in history. In this fascinating collection, Paul B. Janeczko probes such stories as that of Elizabeth Van Lew, an aristocrat whose hatred of slavery drove her to be one of the most successful spies in the Civil War; the "Choctaw code talkers," Native Americans who were instrumental in sending secret messages during World War I; and more.

An encompassing, visionary, many-threaded work, Now It’s Time to Say Goodbye is an American novel of great scope and nearly mythological intensity. This is the third volume of Gospel Harmonies, a series of seven stand-alone books that follow the character of John in various guises as he attempts to navigate the uneasy relationship between the self and the postmodern world.

Defiant, eloquent, and thoroughly modern, Claude McKay’s early collection of celebrated poems is widely recognized as having helped to spark the Harlem Renaissance. In Harlem Shadows, McKay gives precise and poignant expression to the injustices of white oppression in many forms. He also paints a vivid picture of Harlem at the dawn of its rebirth and shows the tremendous vitality of the neighborhood as well as the many threats it faced. 

In his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at an international scale.

Albert Poland, legendary Broadway and Off-Broadway producer and general manager, presents Stages: A Theater Memoir.

Over the last 20 years, New York City has been convulsed by enormous challenges: terrorist attack, blackout, hurricane, recession, pandemic. New Yorkers is a grand portrait of the irrepressible city and a hymn to the vitality and resilience of its people. Craig Taylor spent years meeting New Yorkers - rich and poor, old and young, native and immigrant - and getting them to share indelible true tales.