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Dombey and Son is vintage Dickens and explores the classic themes of betrayal, cruelty and deceit. Dombey's dysfunctional relationships are painted against a backdrop of social unrest in industrialized London, which is populated by a host of fascinating and memorable secondary characters. The complete and unabridged novel is brought spectacularly to life by veteran reader David Timson.

Winner of the Académie Française award 2010. "In a house on a suburban street in Nagasaki, meteorologist Shimura Kobo lives quietly on his own. Or so he believes. Food begins to go missing. Perturbed by this threat to his orderly life, Shimura sets up a webcam to monitor his home. But though eager to identify his intruder, is Shimura really prepared for what the camera will reveal? This prize-winning novel is a heart-rending tale of alienation in the modern world.

Welcome to James Keane – card sharp and ladies’ man – and one of the finest soldiers of Wellington’s army. Keane – hot-tempered, a maverick, never quite accepted by his fellow officers – is in trouble for killing his man in a duel: An activity forbidden by Wellington. To avoid court martial, he takes on an unwelcome assignment: to form an ill-assorted bunch of reprobates into an elite unit capable of operating behind the lines. A nineteenth-century Dirty Dozen.

Charles Dickens was a major contributor to the romantic revival of Christmas traditions that occurred in the Victorian era. With their heart, humor and good morals, Dickens' Christmas stories have made the author's name synonymous with the season. Here we present four charming novellas to complete his series that began with "A Christmas Carol", with echoes of sleigh bells throughout. The stories include "The Chimes", "The Cricket on the Hearth", "The Battle of Life", and "The Haunted Man" - the perfect companion for the yearly celebrations.

Upon inheriting the Moonstone, a huge and priceless diamond, Rachel Verinder's delight turns to dismay when the gem suddenly disappears. But this is no ordinary theft. Sergeant Cuff of Scotland Yard is called in and immediately suspects an intricate plot. However, not even his powers of detection can penetrate fully the mysteries surrounding the diamond.

The Decline and Fall of the Roman Empire has always maintained its initial appeal to both the general public and scholars alike. Its sheer scale is daunting, covering not merely the Western Empire from the days of the early emperors to its extinction in AD 476, but also the Eastern Empire, which lasted for another thousand years until the Turks vanquished it in 1453. But Gibbon’s style, part historical fact and part literature, is enticing, and the sheer honesty of the man endears him to the listener.

Some 250 years after its first publication, Gibbon's Decline and Fall is still regarded as one of the greatest histories in Western literature. He reports on more than 1,000 years of an empire which extended from the most northern and western parts of Europe to deep into Asia and Africa and covers not only events but also the cultural and religious developments that effected change during that time.

Charles Dickens was a prolific writer of letters throughout his life. There are extant more than 13,000 letters that he wrote to friends, family, fellow authors, and actors as well as many letters written to people involved in good causes he espoused. In the hands of actor and writer Simon Callow, one of the most prominent Dickens interpreters of our time, this informative and entertaining selection shows Dickens in his many guises. We know Charles Dickens the author, but these letters offer a fascinating glimpse into Charles Dickens the man.

With the possible exception of Mozart, Verdi is the most popular opera composer who ever lived. Quite early in his career his tunes were being cranked out by barrel organs throughout Europe and were well known to many who may never even have heard his name. But the complex man behind them remains elusive and puzzling. In this portrait-in-sound, Jeremy Siepmann and a group of distinguished actors take an in-depth look behind the popular image of a man who was, and perhaps remains, the most enduring national hero in Italian history and a colossus in the history of music itself.

No great composer’s story is more predominantly happy than Haydn’s, though even his has its share of clouds. A classic rags-to-riches tale, it sees him move from humble beginnings through decades as a liveried servant to his emergence as the most popular and successful composer of his time. One of the healthiest and least neurotic artists in musical history, he did more than any other single figure to pioneer the symphony, the piano sonata and the string quartet - and he was the first truly great practitioner of each.

Although now beloved and revered by millions as the greatest composer who ever lived, Johann Sebastian Bach (1685–1750) was best known in his lifetime as an organist, and was eclipsed in fame as a composer by two of his twenty children. For the last twenty-seven years of his life he was a schoolteacher and choir director whose duties extended to meal supervision and dormitory inspection. Yet throughout his career he composed a vast body of music which is amongst the most joyful, dancing and enrapturing ever written.

For many people, Beethoven is the greatest composer who ever lived. In this portrait-in-sound, actors’ readings combine with his music to reveal a titanic personality, both vulnerable and belligerent, comic and tragic, and above all heroic, as he comes to grips with perhaps the greatest disability a musician can suffer. No man’s music is more universal; few men’s lives are more inspiring. In every sense but one - his modest height - he was a giant. The great bonus of this audio-biography is that the development of Beethoven’s music can be heard in the context of his life.

The life of Franz Liszt was as daring and spectacular as his music. Famed throughout Europe as the greatest pianist of the nineteenth century, he was one of the most original and prophetic composers who ever lived. Beautiful in youth, glowering in age, his high-profile love affairs were the talk of the town wherever he went and his generosity to young musicians was legendary. In this account of his epic life, actors’ readings combine with plentiful musical excerpts to paint a living portrait of a highly complex man.

La sonnambula was written by Bellini as a vehicle for two of the supreme singers of his age and accordingly is a fine example of the school we call bel canto, where beauty of voice and the virtuosity of the singers is integral to conveying the emotions in the soul of the composer. The fact that Bellini was one of the great melodists, writing long, beautiful vocal lines, that he was a master orchestrator and that he could write stirringly for the chorus all conspire to make La sonnambula extremely enjoyable.

Monteverdi’s Orfeo, first performed in 1607, generates a special excitement because it is the first unquestioned masterpiece of opera. Notable for its precise orchestration and powerful drama it was a groundbreaking work. It concerns the legend of Orpheus, the demigod whose music had the power to conquer the forces of Hell and to bring his wife back, briefly, to life. The extracts used in this introduction are from Naxos’ full recording; it uses authentic period instruments, which serve to evoke the early Baroque period of the opera’s composition.

Massenet’s Werther combines a deeply tender story with music of beauty and eloquence. One act alone contains two of the greatest arias in the repertoire: the mezzo-soprano aria "Va! Laisse couler mes larmes" and the tenor’s "Pourquoi me rèveiller". In their sentimental power and melodic richness these arias encapsulate the qualities that account for the universal popularity of this great work.

Dating from the last decade of the 19th century, Pelléas et Mélisande points the way into the 20th century. The score is hauntingly beautiful, but there is more to the work than shifting panels of elusive, impressionistic sound. Debussy retains the text of Maeterlinck’s play, and the linguistic subtleties of the French text are matched perfectly by the musical detail. Taking a little time to explore the romantic, elusive world of this opera is particularly rewarding.

This audio-biography sets out to explain the timeless popularity of the operettas of Gilbert and Sullivan: a colorful partnership of the most successful writers in the history of light music. It highlights Gilbert’s mastery of language - his wit, his turn of phrase, his brilliant lyrics (alternately very funny and deeply moving) - and the special melodic gift which enabled Arthur Sullivan to write music of such beauty and style. While each was a master of his craft, it was the combination that created magic sparks.

Verdi’s Falstaff repays careful study with real pleasure. It is opera’s happiest irony that the great Italian master should cap a career - distinguished for its blood-and-thunder tragic masterpieces - with the greatest comic opera in the Italian repertory. The genius of Shakespeare is harnessed (in a miracle of compression) by master-librettist Boito to give the 80-year-old Verdi a superb libretto, on which he lavished more wonderful tunes than most composers manage in a lifetime.

Puccini’s swansong has a claim to being the last great popular opera. Its melodies have enchanted audiences since its posthumous premiere in 1926, two years after Puccini’s death. It involves a chilling story of love and cruelty, an intriguing cast of characters against the exotic backdrop of Imperial China, magnificent choruses and ensembles, and dazzling orchestration in an exotic score that comprises a string of remarkable arias - among which the great tenor aria "Nessun dorma" is the jewel. It is more than Puccini’s last opera: It is the last word, in every sense, on Italian opera.