検索キーワード： ナレーター "Romy Nordlinger" すべてのカテゴリー

In 1943, with Lvov's 150,000 Jews having been exiled, killed, or forced into ghettos and facing extermination, a group of Polish Jews daringly sought refuge in the city's sewer system. The last surviving member this group, Krystyna Chiger, shares one of the most intimate, harrowing, and ultimately triumphant tales of survival to emerge from the Holocaust. The Girl in the Green Sweater is Chiger's harrowing first-person account of the 14 months she spent with her family in the fetid, underground sewers of Lvov.

The mediums of Beach Drive don't take rumors of a witches' coven seriously - not until it threatens one of their own. Meanwhile, Officer Brian Henderson can no longer ignore the secrets of Marlow House. Can he handle the truth?

Past and present collide when a secret from the 1920s wreaks havoc on Marlow House. Walt struggles to remember what he may have forgotten before it's too late.

Hollywood descends on Marlow House in preproduction for the movie adaptation of Walt's best-selling novel, Moon Runners. Hoping for inspiration, they found death instead. There's a murderer loose, and as the body count increases, secrets are revealed - and it starts to get a little crowded with all these new ghosts hanging around.

It's once again Christmastime at Marlow House and the mediums of Beach Drive have all decided to stay in Frederickport for the holiday. Surprises await for them when the true Spirit of Christmas comes for a visit. Do you believe in Santa Claus?

Newly appointed US Ambassador Elizabeth Turner is still getting used to her post in Mauritania, Africa. She has lots of plans for her time in office, but those plans are forgotten when a crowd of angry protesters start to gather outside the embassy - bringing both sporadic gunfire and concern for the ambassador's safety.

The earth, the moon, and the magical path to enlightenment. Written by a practicing witch who conducts classes and seminars on witchcraft - the oldest Western religion, a means of power and enlightenment, and a healing art.

The (black) magical season is here - and whether it's a solstice seance gone demonically wrong with the incomparable Kim Harrison, a grossly misshapen Christmas with the remarkable Lynsay Sands, a blood-chilling-and-spilling New Year's with the wonderful Marjorie M. Liu, or a super-powered Thanksgiving with the phenomenal Vicki Pettersson, one thing is for certain: in the able hands of these exceptional dark side explorers, the holidays are going to be deliciously hellish!

In an evolving networked era, social-issue documentaries like Blackfish are art for civic imagination and social critique. In Story Movements, producer and scholar Caty Borum Chattoo explores how documentaries disrupt dominant cultural narratives through complex, creative, often investigative storytelling.

A medieval slave-turned-sultan, an alien who declines to visit Earth, a prophet who dares to ask "is God funny?" and a ghost who fears the living - these are among the terrifying, tragic, passionate, and comic characters who animate Michael Oren's stories. Crisscrossing genres, they explore the outer bounds of imagination and artistic freedom, exposing the listener to a kaleidoscope of human emotions and experience. In The Night Archer, the acclaimed historian, political commentator, and statesman Michael Oren is revealed as a writer of bold versatility.

The idea of American musical theater often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theaters, after-school programs, summer camps, and dinner theaters. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theater in US culture and examines it as a social practice - a live, visceral experience of creating, watching, and listening.

Marion Davies was, in so many ways, created by and for William Randolph Hearst - their symbiotic relationship spanned from 1915 when W. R. first ogled her chorus-girl charms until his death in 1951. But she was much more quickly superannuated, cinema-historically speaking, by the Orson Welles-Herman Mankiewicz dumb-blonde caricature in Citizen Kane, paradoxically the most important film in her life.

Blanche Tucker longs to escape her drop-dead dull life in tiny Boynton, Oklahoma. Then dashing Graham Peyton roars into town. Posing as a film producer, Graham convinces the ambitious but naive teenager to run away with him to a glamorous new life. Instead, Graham uses her as cruelly as a silent-picture villain. Taking charge of her life, she makes it to Hollywood. Six years later, Blanche has transformed into the celebrated Bianca LaBelle, the reclusive star of a series of adventure films, and Peyton's remains are discovered on a Santa Monica beach. Is there a connection?

The interwoven tales of three women unfold in the voices of Sarah, Miriam, and Beth, whose unshakable friendship takes root in a Buffalo college dorm in the late 1960s. Fueled by the optimism and bravado of that era, they charge into adulthood with high expectations and lofty ideas. They were, as Beth would later observe, the first generation of women to feel entitled to interesting lives. At times, they find themselves living long distances from each other as each of them seeks new directions and new locales. Nonetheless, they remain deeply connected in the decades after college.

Eccentric 70-something Vivian Borne and company, amateur-sleuths-turned-pro, have a challenging case to solve as a series of creepy crimes plague an ill-fated Edgar Allan Poe festival, where a fiend is misguidedly dispensing Poe-etic justice. Small-town Antiqua, known for its quaint main street of antique shops, has set out to celebrate the gothic poet with food, fun, and rare memorabilia, only to have the Master of the Macabre's twisted tales come to deadly life.

When a desperate criminal pulls a gun on her in the ER, nurse Janie Kirkpatrick’s in deep trouble - until undercover cop Brad Benton saves her life. Now Janie’s a witness with a lethal enemy and on the run with a stranger. She has no choice but to trust Brad. But can he take down the criminals before a murderer parts them forever?

Although Bianca LaBelle, star of the wildly popular silent movie serial The Adventures of Bianca Dangereuse, and Rudolph Valentino, the greatest screen idol of all time, have been friends for years, in the summer of 1926, they are making their first picture together, a steamy romance called Grand Obsession. One evening after dinner at Bianca's fabulous Beverly Hills estate, a troubled Rudy confesses that he has received anonymous death threats. In a matter of days, filming comes to an abrupt halt when Rudy falls deathly ill. Could it be poison?

Fitzgerald's debut novel, This Side of Paradise, tells of a handsome young man, Amory Blaine, whose romantic relationships with women are touched with a reflection of his own narcissism. First published in 1920, it covers Amory's life at Princeton and later as a soldier during World War I. The central character is loosely based on Fitzgerald himself, and the female characters are mostly based on actual women in his life as well. The book was a solid success and helped Fitzgerald persuade Jazz Age icon Zelda Sayres, fictionalized in the novel, to marry him.

This remarkable novel is the basis for the world's greatest science-fiction movie. It is an unforgettable vision of the 21st century and the awe-inspiring city of the future. Metropolis has been compared to such classics as George Orwell's 1984, H. G. Wells' The Time Machine, Samuel Butler's Erewhon, and Karel Capek's R.U.R. Science fiction writer and editor Forrest J Ackerman called it "a work of genius".

The desperate summons could not be ignored. Stephen Briar's note was more than the grief-stricken missive of a newly widowed brother-in-law. Since Ann's untimely death, evil had settled over Briarcliff, and Stephen was fighting for his survival. Jessica Rice sought to uncover the truth about the accident that had claimed her sister's life, but the mystery only deepened. Intrigue wove around intrigue, casting all the occupants of Briarcliff under the gloom of suspicion. No one could be trusted - including Stephen. Jessica had never felt so alone, or so gravely in danger.