検索キーワード： ナレーター "Christopher Ragland" すべてのカテゴリー

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 40. These authors are not run-of-the-mill or ten a penny; many are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

William Austin was born on 2nd March 1778 in Lunenburg, Massachusetts. Although he was a frequent contributor to local periodicals on various subjects from Unitarian theology to chemistry to legal history, nothing quite approached the popularity of ‘Peter Rugg: The Missing Man’. This story and its sequels, constructed as long letters, were originally published in the New England Galaxy periodical between 1824 and 1827. So credible was his writing premise that they were accepted as a factual recounting of local legends rather than Austin’s fiction.

Nathaniel Hawthorne was born on 4th July 1804 in Salem, Massachusetts, a town synonymous with the earlier Salem Witch Trials. It was instrumental in Hawthorne’s later use of American Gothic and dark romanticism in his writing. Hawthorne’s short stories were first published in magazines but in 1837 were collected and published as ‘Twice-Told Tales’. A steady literary career still did not come his way and so he worked in a good position at Salem’s port and married the love of his life, Sophia Peabody. They moved to live in ‘The Old Manse’ at Concord, Massachusetts.

In this the first comprehensive treatment of Pearl Harbor since the early 1990s, respected Pacific War naval historian Mark Stille traces the road to war and the Japanese attack itself. He examines the role of the man behind the operation, Japanese Admiral Yamamoto, as well as the strengths and weaknesses of the plan. The American preparations for an attack are also carefully reviewed. The heart of the book is a comprehensive narrative of Pearl Harbor along with an appreciation of its results placed in proper perspective.

In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of the American male author whose time has now come again.

In this series we explore the many facets of love through literary talents that span both time and country. Love is good. It’s positive, a source of joy, nourishment and all over goodness. But sometimes other more malevolent forces come to play. They infect that love, they see their form as better. Instinctively we would shy away but sometimes its pull is too powerful, almost attractive. We are drawn closer into the shadows.

The American West. A landscape hewn in vastness as its rips from Plains, to deserts, to mountain, to ocean overlaid by waves of emigration of peoples either dispossessed or searching for a new life and the American dream. These are their stories. Short stories have always been a sort of instant access into an author’s brain, their soul and heart. A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.

Nathaniel Hawthorne was born on 4th July 1804 in Salem, Massachusetts, a town synonymous with the earlier Salem Witch Trials. It was instrumental in Hawthorne’s later use of American Gothic and dark romanticism in his writing. He was a mere four years old when his father died and his mother took him and his two sisters to live with her family and then on to their own home in Raymond, Maine. The young Hawthorne had a passion for fiction and poetry and voraciously read the works of Ann Radcliffe, Henry Fielding and Lord Byron.

With the defeat of the Germans and Italians on Sicily in mid-July 1943, the focus of the war in the air shifted toward the battle for the Italian mainland itself. This campaign took place in the context of the coming invasion of northwest Europe, with many of the best units from the North African and Sicilian campaigns withdrawn to prepare for the new front, while those units that remained had a lower priority for replacements of men and material.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A new century dawns, one in which America would become pre-eminent as its industrial might and military power rose above all others. In literature too its authors tackled new forms and new ideas, they shied away from little, immersing themselves and their readers in the promise of a new Century.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Jack London is widely regarded as one of America’s pre-eminent writers of the great outdoors. His stories are raw and, at times, harrowing, but always dependable fare. His work also includes stories on pandemics and bizarre scientific experiments. An author so much more than the usual wrapper proclaims.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. For America, as the century closes, she is becoming less isolated. Her industrial might, her rising military power are pulling her ever closer into the entangled globe of nations. Her authors flex ideas and lexicons with riveting tales of this astonishing society.

Dually armed with military and strategic prowess, the Wagner Group created a new market in a vast geopolitical landscape increasingly receptive to the promises of private actors. In this trailblazing account of the Group’s origins and operations, John Lechner—the only journalist to report across its many warzones—brings us on the ground to witness Wagner partner with fragile nation states, score access to natural resources, oust peacekeeping missions, and cash in on conflicts reframed as Kremlin interests.

Henry Fleming, a young soldier in the American Civil War, grapples with fear, courage, and the realities of battle. He joins the Union army with grandiose ideas of heroism, but when he faces the brutal truth of war, he is overcome by fear and runs from the battlefield in his first encounter with the enemy. After fleeing, Henry is consumed with shame and guilt. He struggles internally, questioning his own courage and trying to come to terms with his actions.

'A “he said/she said” courtroom drama with a very contemporary twist; I was gripped!’ Jackie Kabler, bestselling author of The Vanishing of Class 3B The perfect up-all-night thriller to keep you gripped this summer! For fans of Gillian McAllister, Freida McFadden and Harriet Tyce! What...

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, Literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.