検索キーワード： 著者 "Iain Banks" すべてのカテゴリー

The man known as Cheradenine Zakalwe was one of Special Circumstances' foremost agents, changing the destiny of planets to suit the Culture through intrigue, dirty tricks or military action. The woman known as Diziet Sma had plucked him from obscurity and pushed him towards his present eminence, but despite all their dealings she did not know him as well as she thought. The drone known as Skaffen-Amtiskaw knew both of these people.

Count Sessine is about to die for the very last time . . . Chief Scientist Gad­fium is about to receive the mysterious message she has been awaiting from the Plain of Sliding Stones . . . Bascule the Teller, in search of an ant, is about to enter the chaos of the crypt . . . This is the time of the encroachment and everything is about to change. Although the dimming sun still shines on the vast, towering walls of Serehfa Fastness, the end is close at hand.

The Culture - a human/machine symbiotic society - has thrown up many great Game Players, and one of the greatest is Gurgeh. Jernau Morat Gurgeh. The Player of Games. Master of every board, computer and strategy. Bored with success, Gurgeh travels to the Empire of Azad, cruel and incredibly wealthy, to try their fabulous game...a game so complex, so like life itself, that the winner becomes emperor. Mocked, blackmailed, almost murdered, Gurgeh accepts the game, and with it the challenge of his life - and very possibly his death.

It was one of the less glorious incidents of a long-ago war. It led to the destruction of two suns and the billions of lives they supported. Now, 800 years later, the light from the first of those ancient mistakes has reached the Culture Orbital, Masaq. The light from the second may not.

Two and a half millennia ago, the artifact appeared in a remote corner of space, beside a trillion-year-old dying sun from a different universe. It was a perfect black-body sphere, and it did nothing. Then it disappeared.

Iain Banks, aka Iain M Banks, came to fame in 1984 with his transfixing debut The Wasp Factory, described as both ‘a work of unparalleled depravity’ and 'a masterpiece'. In 1993 he was acknowledged as one of the Best of Young British Writers, and his numerous bestselling books include The Crow Road, Complicity and the ‘Culture’ sci-fi series. Collected here are three of his best works, as heard on BBC Radio.

Two and a half millennia ago in a remote corner of space, beside a trillion-year-old dying sun from a different universe, the artifact appeared. It was a perfect black-body sphere, and it did nothing. Then it disappeared. Now it is back. Diplomat Genar-Hofoen of Special Circumstances is sent to investigate but, sidetracked by an old flame and the spoiled-brat operative Ulver Seich, and faced with the systematic depravities of a race who call themselves the A­ffront, it's anyone's guess whether he'll succeed.

Consider Phlebas: Booktrack Edition adds an immersive musical soundtrack to your audiobook listening experience! The first audiobook in Iain M. Banks's seminal science fiction series, The Culture. Consider Phlebas introduces listeners to a utopian conglomeration of human and alien races that explores the nature of war, morality, and the limitless bounds of mankind's imagination.

Her eyes were black, wide as though with some sustained surprise, the skin from their outer corners to her small ears taut. Her lips were pale, and nearly too full for her small mouth, like something bled but bruised. He had never seen anyone or anything quite so beautiful in his life. Graham Park is in love. But Sara Fitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him.

It is 4034 AD. Humanity has made it to the stars. Fassin Taak, a Slow Seer at the Court of the Nasqueron Dwellers, will be fortunate if he makes it to the end of the year. The Nasqueron Dwellers inhabit a gas giant on the outskirts of the galaxy, in a system awaiting its wormhole connection to the rest of civilisation.

A man lies in a coma after a near-fatal accident. His body broken, his memory vanished, he finds himself in the surreal world of the bridge - a world free of the usual constraints of time and space, a world where dream and fantasy, past and future, fuse. Who is this man? Where is he? Is he more dead than alive? Or has he never been so alive before?

A loft apartment in London's East End; cool but doomed - demolition and redevelopment slated from the following week. Ken Nott, devoutly contrarian leftish shock-jock attending a mid-week wedding lunch, starts dropping stuff off the rood towards the deserted car park 100 feet below. Other guests join in and soon half the contents of the flat are following the fruit towards the pitted tarmac... just as mobiles start to ring, and the apartment's remaining TV is turned on, because apparently a plane has crashed into the World Trade Center.

A few spliffs, a spot of mild S&M, phone through the copy of tomorrow's front page, catch up with the latest from your mystery source - could be big, could be very big - in fact, just a regular day at the office for free-wheeling, substance-abusing Cameron Colley, a fully paid-up Gonzo hack on an Edinburgh newspaper. The source is pretty thin, but Cameron senses a scoop and checks out a series of bizarre deaths from a few years ago - only to find that the police are checking out a series of bizarre deaths that are happening right now. Cameron just might know more about it than he'd care to admit.

The first ever collection of Iain Banks's short fiction, this volume includes the acclaimed novella, The State of the Art. This is a striking addition to the growing body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The other stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks's staggering talent.

The Wopuld family built their fortune on a board game called Empire, now a wildly successful computer game. So successful, in fact, that the American Spraint Corp wants to buy the Wopulds out. Alban, who has been evading the family tentacles for the last few years, thinks Spraint should be treated with suspicion, but he also has other things on his mind. What, for example, drove his mother to take her own life?

Kate Telman is a senior executive officer in The Business, a powerful and massively discreet transglobal organisation whose origins predate the Christian Church. Financially transparent, internally democratic it wants to buy its own state in order to acquire a seat at the United Nations. Kate's job is to keep abreast of current technological developments and her global reach encompasses Silicon Valley to the remote Himalayas.

Stewart Gilmour is back in Stonemouth. After five years in exile, his presence is required at the funeral of patriarch Joe Murston, and even though the last time Stu saw the Murstons he was running for his life, staying away might be even more dangerous than turning up. An estuary town north of Aberdeen, Stonemouth, with its five mile beach, can be beautiful on a sunny day. On a bleak one it can seem to offer little more than sea fog, gangsters, cheap drugs and a suspension bridge irresistible to suicides.

A world that hangs suspended between triumph and catastrophe, between the dismantling of the Wall and the fall of the Twin Towers, frozen in the shadow of suicide terrorism and global financial collapse, such a world requires a firm hand and a guiding light. But does it need the Concern: an all-powerful organisation with a malevolent presiding genius, pervasive influence and numberless invisible operatives in possession of extraordinary powers?

In a world renowned, even within a galaxy full of wonders, a crime occurs within a war. For one man it means a desperate flight and a search for the one, maybe two, people who could clear his name. For his brother it means a life lived under constant threat of treachery and murder. And for their sister, even without knowing the full truth, it means returning to a place she'd thought abandoned forever. Only the sister is not what she once was.

It was the day my grandmother exploded. I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmony to Bach's Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach. Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God, and illegal substances.…