検索キーワード： ナレーター "Bryan Godwin" すべてのカテゴリー

The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine to, sadly, critical disdain.

15. The Veneration of the Virgin: After a discussion with the Abbot and his Vicar, Watson begins to understand the importance of the veneration of Virgin Mary within the Catholic church. While Holmes's interests wander towards the Abbey's rich collection of relics.

10. The Artist's Secret: In the Bible of the first victim Holmes finds a mysterious clue. After all it is the drawings in the library that lead the investigation on a whole new trail...

24. Damnation and Redemption: Holmes and Watson are able to solve the case, but have to answer to the catholic Archbishop. And then, in the end, there is one last problem that requires their attention.

14. Departure 12:50 am from Teddington: After the weather finally settled down, Watson is able to take the train back to Twickenham. Reunited, Watson and Holmes share their recent and crucial findings.

11. Inside the Blizzard: Watson is taking on the dangerous hike to Teddington. Accompanied by a mule, he pits himself against the forces of nature.

13. An Abandoned House: With the help of the priest, Watson investigates Brother Emanuel's abandoned house, where he makes a vital discovery. The Blizzard, however, still keeps him from going back to the Abbey.

9. The Questioning: Inspector Lestrade is asking each and every Friar to take part in an interrogation, led by Inspector Lestrade. Holmes and Watson are only asked to assist. However the questioning does not turn out the way the Inspector expected.

7. The Librarian: The Confession brings no further clues. After Brother Nicholas promises key information, Holmes and Watson are visiting the impressive and ancient Library.

17. In the Laboratory: Holmes and Watson discover a secret laboratory. Soon they realize that not only chemical, but also questionable medical experiments have been conducted on the premises.

23. Hellfire and Judgment: Holmes and Watson are at the perpetrator's will, while the accomplice is setting the Abbey alight. They are in a desperate and futile situation. But Holmes has an ace up his sleeve.

22. The Covenant of Evil: Holmes and Watson are close to solving the case. As they try to confront the alleged perpetrator with their evidence, but things take a turn.

12. The Priest of Saint Mary: After a challenging tour, Watson reaches the Anglican church of Saint Mary. The local priest takes him in and also seems to know a lot about Brother Emanuel's past.

16. The Secret Door: While studying the Chronicles of the Convent Holmes finds out about secret rooms, hidden within the walls of the Abbey. And in fact, Watson and Holmes find a secret corridor.

18. The Blood of the Messiah: After Holmes and Watson were able to free themselves, they inform the convents Abbot and Vicar. Both of them are not pleased with losing their sacred blood relic.

20. Suspicions: Holmes does not buy into the Vicar's suicide. Alongside Watson he continues the investigation and uncovers a secret that sheds new light on the case.

19. Confession of a Dead Man: The Anglican Priest from Teddington visits, as promised, the Abbey. Their meeting, however, is overshadowed by another death.

21. The Bearer of God: Holmes, Watson and Lestrade reach a closed off room via the secret corridor. In it somebody is kept against their will. Their identity and reason for imprisonment lead to disturbing findings.

8. Genetics: When the Librarian is murdered too, Holmes is at a loss at first. But then he finds a book at the crime scene, with contents that could profoundly question Christian faith.

Dating to the ninth century B.C., Homer's timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace.