検索キーワード： 著者 "Devdutt Pattanaik" すべてのカテゴリー

In the jungle, the big eat the small; no one helps anyone. In dharma, the big help the small. But this can only happen when you feel secure. Most rich, powerful, and knowledgeable people are not secure. This is why they continue to consume, combat, and compete, oblivious of other people's hunger...

Having appreciated the anthropology of Dharmic Leadership, we will now venture into the world of history. No idea is static. No idea emerges in perfection. Every idea responds to various geographical realities and historical forces. In this chapter we have to take a historical journey to...

Having appreciated the anthropology and history of Dharmic Leadership, we will now venture into the world of mythology. Myth is subjective truth of a culture, transmitted over generations through stories, symbols and rituals, that acts as a glue binding people together, while differentiating...

Having understood the exchange and what is exchanged, let us understand who participates in the exchange. This is the unique feature of Dharmic Leadership and separates the yagna from other forms of exchange such as barter and contract. In barter, only goods and services are exchanged. Personal...

Having understood the exchange, let us understand what is exchanged... In nature, plants and animals seek food in order to survive. Plants and animals also need power, to get food, and not become food. An animal without power will not eat and be soon eaten by others. Animals increase their...

Jaya: A Retelling Of The Mahabharata has the whole epic, which was originally known as Jaya, condensed into a tiny capsule in this book. Other than retelling the interesting parts of the Mahabharata, what makes this book a favourite among the readers is Pattanaik rendering of the various local...

What does the Biblical story of Nathan and David say about effective communication skills? How do you identify the Raja Bhoj, the Gangu Teli and the Shekchilli in your office? What is the corporate equivalent of an Ashwamedha yajna? Drawing from sources as diverse as the Mahabharata and the...

Hindu mythology abounds with fascinating gods, goddesses and characters whose visual representations—through calendar art—are equally colourful. Hindu calendar art may seem fantastic and kitsch, but it is in fact the most democratic expression of a mythic imagery that was once restricted to temple walls and palm leaf manuscripts. These portraits of the Hindu pantheon of gods and the stories that surround them can be found on the walls and puja rooms of almost every Hindu household in India. Rich in symbols, each image is a piece of an ancient metaphysical jigsaw puzzle.

Why are Hindus so ritualistic? Why do they worship idols? Are Hindus supposed to be vegetarian? Why is a Hindu prayer different from a Muslim or Christian prayer? Did the arrival of Muslim invaders a thousand years ago destroy Hindu culture? Answering key questions on Hindu philosophy and...

Explore the stories from Hindu, Buddhist, and Jain mythology that nurtured the idea of yoga and shaped the development of its most iconic asanas. Learn how svana-asana (dog pose) is connected to Shiva, bhujanga-asana (cobra pose) was inspired by shape-shifting beings who live below the earth, and much more.

Chi fa yoga spesso conosce i nomi delle asana più praticate, come Virbhadra-asana, la posizione del guerriero, o Hanuman-asana, la posizione della scimmia, ma non sa che si tratta di nomi che derivano dalla mitologia indiana: Virbhadra, per esempio, era un valoroso guerriero nato da un capello di Shiva, mentre Hanuman-asana rappresenta il grande balzo che portò il dio Hanuman, dalle sembianze di scimmia, dalle coste dell'India meridionale allo Sri Lanka.

Artha-shastra is about generating food, i.e. wealth, by creating goods and services; Kama-shastra is about indulging our hungers with this food. Dharma-shastra insists we consider the hunger of others, while Moksha-shastra is about outgrowing our hungers, in order to be detached and generous...

Artha-shastra is about generating food, i.e. wealth, by creating goods and services; Kama-shastra is about indulging our hungers with this food. Dharma-shastra insists we consider the hunger of others, while Moksha-shastra is about outgrowing our hungers, in order to be detached and generous...

Why are Hindus so ritualistic? Why do they worship idols? Were Hindus always casteist? Are Hindus supposed to be vegetarian? Why is a Hindu prayer different from a Muslim or Christian prayer? Did the arrival of Muslim invaders a thousand years ago destroy Hindu culture?Answering key questions on...

This book brings together 99 meditations to better understand the stories, symbols and rituals of that adorable elephant-headed Hindu god who removes hurdles and brings prosperity and peace. Known variously as Ganapati, Gajanana, Vinayaka or Pillayar, he can help all of us score a century in the game called life.

This book brings together 99 meditations to better understand the stories, symbols and rituals of that adorable elephant-headed Hindu god who removes hurdles and brings prosperity and peace. Known variously as Ganapati, Gajanana, Vinayaka or Pillayar, he can help all of us score a century in the game called life.

It is a popular belief that the Ramayana is idealistic while the Mahabharata is realistic. Yet these two epics have identical building blocks, identical themes and identical history. In this groundbreaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analysis’. Whether it is the family structure, forest exile or war, the comparison between the two epics proves a startling point - the Mahabharata is in fact a reaction to the events in the Ramayana.

It is a popular belief that the Ramayana is idealistic while the Mahabharata is realistic. Yet these two epics have identical building blocks, identical themes, and identical history. In this groundbreaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analaysis’. Whether it is the family structure, forest exile, or war, the comparison between the two epics prove a startling point - the Mahabharata is in fact a reaction to the events in the Ramayana.

Hindu mythology is full of tales in which animals play important roles. Some animals are looked upon with fear and dread while some are worshiped along with the gods. Some shape the fate of the world, others form everlasting bonds with humans. Where did the animals come from? From Vishnu’s avatars or Shiva’s asanas? How was a deer responsible for the events of the Ramayana? Why is Garuda the sworn enemy of the nagas? How did a mongoose teach Yudhishtira the true meaning of sacrifice?

One of the three Gods of Trinity in Hinduism is Lord Vishnu, also called the Lord of the world. In mythological texts, Vishnu is considered as the 10 incarnations of Dashavtar. Shri Ram and Shri Krishna are his most important incarnations. Vishnu's residence is in two different places: in the world, in Baikunth, and second, in the Kshir-Sagar, where he is seated on the eternal balance. In Bhagavad Gita, Vishnu has been considered as Vishwaroop or Virat Purusha. This book attempts to unlock the seven secrets of Vishnu that are relevant even in modern times.