検索キーワード： 制作 "Dreamscape Media" 人種差別・差別

Lamb's family strives to better their lives in Jackson, Mississippi, in the late 1930s. Lamb’s mother is a hard-working, creative seamstress who cannot reveal she's a lesbian. Lamb’s brother has a brilliant mind and has even earned a college scholarship for a black college up north—if only he could curb his impulsiveness and rebellious nature.

Alex is a baseball player. A great one. His papi is pushing him to go pro, but Alex maybe wants to be a poet. Not that Papi would understand or allow that. Isa is a dancer. She'd love to go pro, if only her Havana-born mom weren't dead set against it...just like she's dead set against her daughter falling for a Latino. And Isa's privileged private-school life - with her dad losing his job and her older brother struggling with mental illness - is falling apart. Not that she'd ever tell that to Alex. Fate - and the New York City subway - bring Alex and Isa together.

Savannah is lucky. The daughter of upper-class African-American parents in Washington DC in 1919, she lives luxuriously, with an elite education and her pick of the young men in her set. But lately the structure of her society - the croquet games, the Sunday teas, the pretentiousness - has felt suffocating. When she meets a young man from the working class named Lloyd, Savannah has a chance to see how the “other half” lives. Saddened by their situation, she is motivated to make a true difference.

Corey has just been released from jail, and all he wants is a new beginning. But when his former gang comes knocking, Corey agrees to vandalize the home of Kent Hopper, the prosecutor who put him away. To erase the guilt she carries from getting away with a crime, Tessa spends most of her nights riding her motorcycle. When she catches Corey destroying her father’s car, she doesn’t see a criminal: She sees a way to finally right her own wrongs. So instead of turning Corey over to the police, she convinces her father to give Corey a second chance.

Weeks ago, Andre Cobb received a much-needed liver transplant. He's ready for his life to finally begin, until one night, when he passes out and wakes up somewhere totally unexpected - in 1969, where he connects with a magnetic boy named Michael. And then, just as suddenly as he arrived, he slips back to present-day Boston, where the family of his donor is waiting to explain that his new liver came with a side effect - the ability to time travel. And they've tasked their youngest son, Blake, with teaching Andre how to use his unexpected new gift.

Marva Sheridan was born ready for this day. She's always been driven to make a difference in the world, and what better way than to vote in her first election? Duke Crenshaw is so done with this election. He just wants to get voting over with so he can prepare for his band's first paying gig tonight. Only problem? Duke can't vote. When Marva sees Duke turned away from their polling place, she takes it upon herself to make sure his vote is counted. She hasn't spent months doorbelling and registering voters just to see someone denied their right.

Rory is an antihero for the ages. Like Shakespeare’s Richard III, she confides in her audience, telling us exactly the lengths she’ll go to to secure the leading role in Bosworth Academy’s senior musical, confessing without shame that she is charming and conniving and brutally ambitious, that we will watch and root for her even as she manipulates and endangers those around her. And we do. Perhaps it’s because we don’t want to believe that she’s as relentless as she claims. Rory is an underdog, after all, a scholarship kid teased for her weight. Surely there will be redemption?