検索キーワード： 制作 "HighBridge, a division of Recorded Books" アフリカ系アメリカ人

Linguists have been studying Black English as a speech variety for years, arguing to the public that it is different from Standard English, not a degradation of it. Yet false assumptions and controversies still swirl around what it means to speak and sound "Black." In his first book devoted solely to the form, structure, and development of Black English, John McWhorter clearly explains its fundamentals and rich history while carefully examining the cultural, educational, and political issues that have undermined recognition of this transformative, empowering dialect.

In January 1959, Berry Gordy borrowed $800 from his family and founded the Detroit-based record company that in less than a decade was to become the largest Black-owned business in the United States. It also became one of the most productive and influential producers of popular music anywhere in the world. The Story of Motown is the story of Berry Gordy's triumph over powerful, established financial interests, entrenched popular taste, bigotry, and racism.

Saidiya Hartman has been praised as "one of our most brilliant contemporary thinkers" (Claudia Rankine, New York Times Book Review). In Scenes of Subjection—Hartman's first book, now revised and expanded—her singular talents and analytical framework turn away from the "terrible spectacle" and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement.

In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo's key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo's beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood.

Black women continue to have a complex and convoluted relationship with their hair. From grammar and high schools to corporate boardrooms and military squadrons, Black and Afro Latina natural hair continues to confound, transfix, and enrage members of White American society. Why, in 2022, is this still the case? Why have we not moved beyond that perennial racist emblem? And why are women so disproportionately affected?

Francis is found. Beyond Francis, a family is found—in archival material that barely deigned to notice their existence. This is the story of Francis Sistrunk and her children, from enslavement into forced migration across South Carolina, Georgia, Alabama, and Mississippi. It spans decades before the Civil War and continues into post-emancipation America. A family story full of twists and turns, Finding Francis reclaims and honors those women who played an essential role in the historical survival and triumph of Black people during and after American slavery.

Through over ten years of research, interviewing activists along with unprecedented access to their personal archives, Tracy and Sonnie tell a crucial, untold story of the New Left. Their deeply sourced narrative history shows how poor and working-class individuals from diverse ethnic, rural and urban backgrounds cooperated and drew strength from one another. The groups they founded redefined community organizing, and transformed the lives and communities they touched.

One New Haven summer evening in 2006, a retired grandfather was shot point-blank by a young stranger. A hasty police investigation culminated in innocent sixteen-year-old Bobby being sentenced to prison for thirty-eight years. New Haven native Nicholas Dawidoff returned home and spent eight years reporting the deeper story of this injustice, and what it reveals about the enduring legacies of social and economic disparity. In The Other Side of Prospect, he has produced an immersive portrait of a seminal community in an old American city now beset by division and gun violence.

This groundbreaking and highly acclaimed work examines the two most influential African American leaders of the twentieth century. While Martin Luther King, Jr., saw America as "essentially a dream . . . as yet unfulfilled," Malcolm X viewed America as a realized nightmare. James Cone cuts through superficial assessments of King and Malcolm as polar opposites to reveal two men whose visions are complementary and moving toward convergence.

The little-known and under-studied 1807 Insurrection Act was passed to give the president the ability to deploy federal military forces to fend off lawlessness and rebellion, but it soon became much more than the sum of its parts. Its power is integrally linked to the perceived threat of Black American equity in what lawyer and critic Hawa Allan demonstrates is a dangerous paradox. While the act was initially used to repress rebellion against slavery, during Reconstruction it was invoked by President Grant to quell white-supremacist uprisings in the South.

On July 2, 1822, Denmark Vesey, a formerly enslaved man, was hanged in Charleston, South Carolina. He was convicted of plotting what might have been the largest insurrection against slaveholders in US history. Witnesses claimed that Vesey appealed to numerous biblical texts to promote and justify the revolt.

Racial Justice and the Catholic Church examines the presence of racism in America from its early history through the Civil Rights Movement and the election of Barack Obama. It also explores how Catholic social teaching has been used - and not used - to promote reconciliation and justice.

I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America.

Even as our world has suffered through successive upheavals, Jesse McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of Black art making". Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones.

Presumed Guilty reveals how the Supreme Court allows the perpetuation of racist policing by presuming that suspects, especially people of color, are guilty.

James Page spent the majority of his life enslaved - during which time he experienced the death of his free father, witnessed his mother and brother being sold on the auction block, and was forcibly moved 700 miles south from Richmond, Virginia, to Tallahassee, Florida, by his enslaver, John Parkhill. Page would go on to become Parkhill's chief aide on his plantation and, unusually, a religious leader who was widely respected by enslaved men and women as well as by white clergy, educators, and politicians.

Highlighting forgotten Black and White civil rights pioneers and weaving in the story of the author's own great-grandfather's crimes as a member of the Ku Klux Klan, Freedom on Trial tells a gripping story of a moment pregnant with promise when race relations in the United States might have taken a dramatically different turn.

The recent Hollywood film Hidden Figures presents a portrait of how African American women shaped the US effort in aerospace during the height of Jim Crow. In Storming the Heavens, Gerald Horne presents the necessary back story to this account and goes further to detail the earlier struggle of African Americans to gain the right to fly.

The most RJ Young knew about guns was that they could get him killed. Until, recently married to a white woman and in desperate need of a way to relate to his gun-loving father-in-law, Young does the unimaginable: He accepts Charles's gift of a Glock. Let It Bang is the compelling story of the author's unexpected obsession - he eventually becomes an NRA-certified pistol instructor - and of his deep dive into the heart of America's gun culture: what he sees as the domino effect of White fear, White violence, Black fear, rinse, repeat.

Paul Jennings was born into slavery on the plantation of James and Dolley Madison in Virginia, later becoming part of the Madison household staff at the White House. Once finally emancipated by Senator Daniel Webster later in life, he would give an aged and impoverished Dolley Madison, his former owner, money from his own pocket, write the first White House memoir, and see his sons fight with the Union Army in the Civil War.