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In the wake of his controversial national best-seller, Nigger: The Strange Career of a Troublesome Word, Randall Kennedy grapples brilliantly and judiciously with another stigma of our racial discourse: "selling out", or racial betrayal, which is a subject of much anxiety and acrimony in Black America. He atomizes the vicissitudes of the term and shows how its usage bedevils Blacks and Whites, while elucidating the effects it has on individuals and on our society as a whole. 

Nigger: it is arguably the most consequential social insult in American history, though, at the same time, a word that reminds us of “the ironies and dilemmas, tragedies and glories of the American experience.” In this tour de force, distinguished Harvard Law School professor Randall Kennedy - author of the highly acclaimed Race, Crime, and the Law - “put[s] a tracer on nigger”, to identify how it has been used and by whom, while analyzing the controversies to which it has given rise.

What precisely is affirmative action, and why is it fiercely championed by some and just as fiercely denounced by others? Does it signify a boon or a stigma? Or is it simply reverse discrimination? What are its benefits and costs to American society? What are the exact indicia determining who should or should not be accorded affirmative action? When should affirmative action end, if it must? Randall Kennedy gives us a concise and deeply personal overview of the policy, refusing to shy away from the myriad complexities of an issue that continues to bedevil American race relations.

A collection of provocative essays exploring the key social justice issues of our time - from George Floyd to antiracism to inequality and the Supreme Court. Kennedy is "among the most incisive American commentators on race" (The New York Times).

From the New York Times best-selling author of Stony the Road and one of our most important voices on the African-American experience, a powerful new history of the Black church in America as the Black community's abiding rock and its fortress. 

An new historical anthology from transatlantic slavery to the Reconstruction curated by the Schomburg Center, that makes the case for focusing on the histories of Black people as agents and architects of their own lives and ultimate liberation, with a foreword by Kevin Young.

An intimate and revealing portrait of civil rights icon and longtime US congressman John Lewis, linking his life to the painful quest for justice in America from the 1950s to the present - from the Pulitzer Prize-winning author of The Soul of America.

Over the course of less than 24 hours in the spring of 1921, Tulsa’s infamous “Black Wall Street” was wiped off the map - and erased from the history books. Official records were disappeared, researchers were threatened, and the worst single incident of racial violence in American history was kept hidden for more than 50 years. But there were some secrets that would not die. A riveting and essential new book, The Ground Breaking not only tells the long-suppressed story of the notorious Tulsa race massacre. 

A chorus of extraordinary voices comes together to tell one of history’s great epics: the 400-year journey of African Americans from 1619 to the present - edited by Ibram X. Kendi, author of How to Be an Antiracist, and Keisha N. Blain, author of Set the World on Fire.

This is a no-holds-barred response to the liberal and conservative retreat from an assertive, activist, and socially transformative civil rights agenda of recent years - using a Black feminist lens and the issue of the impact of recent legislation, social policy, and welfare "reform" on Black women's - especially poor Black women's - control over their bodies' autonomy and their freedom to bear and raise children with respect and dignity in a society whose white mainstream is determined to demonize, even criminalize their lives.

As a conductor for the Underground Railroad - the covert resistance network created to aid and protect slaves seeking freedom - William Still helped as many as 800 people escape enslavement. He also meticulously collected the letters, biographical sketches, arrival memos, and ransom notes of the escapees. The Underground Railroad Records is an archive of primary documents that trace the narrative arc of the greatest, most successful campaign of civil disobedience in American history.

In 2013, Alicia Garza wrote what she called “a love letter to Black people” on Facebook, in the aftermath of the acquittal of the man who murdered seventeen-year-old Trayvon Martin. Garza wrote: Black people. I love you. I love us. Our lives matter. With the speed and networking capacities of social media, #BlackLivesMatter became the hashtag heard ’round the world. But Garza knew even then that hashtags don’t start movements - people do.

Over the course of six decades, an unprecedented wave of black Americans left the South and spread across the nation in search of a better life - a migration that sparked stunning demographic and cultural changes in 20th-century America. Through gripping and accessible historical narrative, author and activist Blair Imani examines the largely overlooked impact of the Great Migration and how it affected - and continues to affect - black identity and America as a whole.

In the early 20th century, most African Americans still lived in the South, disenfranchised, impoverished, terrorized by white violence, and denied the basic rights of citizenship. As the Democrats swept into the White House on a wave of Black defectors from the Party of Lincoln, a group of African-American intellectuals - legal minds, social scientists, media folk - sought to get the community's needs on the table.

“I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and best-selling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space 

Kimberly Drew and Jenna Wortham have brought together this collection of work - essays, memes, dialogues, recipes, tweets, poetry, and more - to tell the story of the radical, imaginative, provocative, and gorgeous world that Black creators are bringing forth today. The audiobook presents a succession of startling and beautiful pieces that generate an entrancing rhythm: Listeners will go from conversations with activists and academics to memes and Instagram posts, from powerful essays to insightful infographics. 

The astonishing journey of a bright, utterly displaced boy, from the short-lived African nation of Biafra, to Jamaica, to the harshest streets of Los Angeles - a searing memoir that adds fascinating depth to the coming-to-America story.

Many young African Americans are disinterested in Christianity and others are leaving the church in search of what these false religious ideas appear to offer, a spirituality more indigenous to their history and ethnicity. Edited by Dr. Eric Mason and featuring a top-notch lineup of contributors, Urban Apologetics is the first book focused entirely on cults, religious groups, and ethnocentric ideologies prevalent in the black community.

In August of 1963, Martin Luther King, Jr., delivered his famous "I Have a Dream" speech, calling on all Americans to view others not by the color of their skin but by the content of their character. Yet King included another powerful word, one that is often overlooked. Warning against the "tranquilizing drug of gradualism", King emphasized the fierce urgency of now, the need to resist the status quo and take immediate action.

At the March on Washington, Josephine Baker reflected on her life and her legacy. She had spent decades as one of the most successful entertainers in the world, but, she told the crowd, 'I was a devil in other countries, and I was a little devil in America, too'. Inspired by these words, Hanif Abdurraqib has written a stirring meditation on Black performance in the modern age, in which culture, history and his own lived experience collide.