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Because Internet is for anyone who's ever puzzled over how to punctuate a text message or wondered where memes come from. It's the perfect book for understanding how the internet is changing the English language, why that's a good thing, and what our online interactions reveal about who we are. Language is humanity's most spectacular open-source project, and the internet is making our language change faster and in more interesting ways than ever before.

In Don't Believe a Word trained linguist David Shariatmadari takes us on a mind-boggling journey through the science of language, urging us to abandon our dearly held beliefs in a bid to uncover the (far more interesting) truth about what we do with words. Exploding nine widely held myths about language while introducing us to some of the fundamental insights of modern linguistics, with David Shariatmadari as our energetic guide we can marvel at the beauty and quirkiness of humanity's greatest achievement.

For anyone who wants to make fewer (not less) grammar mistakes, a lively, effective, and witty guide to all the ins and outs of the English language, reminiscent of the New York Times best-seller Eats, Shoots & Leaves.

A pause-resisting, existential romp through the life and times of the world’s most polarizing punctuation mark. Through her rollicking biography of the semicolon, Watson writes a guide to grammar that explains why we don’t need guides at all and refocuses our attention on the deepest, most primary value of language: true communication.

We all write, all the time: books, blogs, tweets, emails, emails, emails - and we all want to write better. Benjamin Dreyer is here to help. As Random House’s copy chief, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike - not to mention his followers on social media - for playfully, brilliantly deconstructing the English language.

Learn English in a Month will help you learn more about English grammar and also about everyday life in the United Kingdom. Subjects covered include: the weather, family, shopping, filling in forms, going on holiday, television, schools, writing emails, and using the phone.

Nicht jeder ist mit dem Talent der Sprechkunst gesegnet. Doch so häufig braucht man es im täglichen Leben, beispielsweise für die anstehende Präsentation in der Firma oder die Rede für Omas 80. Geburtstag. Doch wie funktioniert die Kunst der Rede im digitalen Zeitalter überhaupt? Kann man aus der Rhetorik-Geschichte lernen? Immerhin hatten schon die alten Römer ihren Nutzen aus der Kunst des Sprechens gezogen. Das Hörbuch der Rhetorik ist hier Ihr Ansprechpartner für die Rhetorik-Grundlagen. Rhetorik lernen – das will dieses Hörbuch vermitteln.

As Random House’s copy chief, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike - not to mention his followers on social media - for deconstructing the English language with playful erudition. Now, he distills everything he has learned from the myriad books he has copyedited and overseen into a useful guide not just for writers but for everyone who wants to put their best prose foot forward.

Penguin presents the audiobook edition of Have You Eaten Grandma? written and read by Gyles Brandreth. It can be much harder than it seems; commas, colons, semicolons and even apostrophes can drive us all mad at times, but it riles no one more than the longest-serving resident of Countdown's Dictionary Corner, grammar guru Gyles Brandreth. In this brilliantly funny tirade and guide, Gyles anatomises the linguistic horrors of our times, tells us where we've been going wrong (and why) and shows us how, in future, we can get it right every time.

The sentence is the common ground where every writer walks. A poet writes in sentences, but so does the unsung author who came up with Items trapped in doors cause delays. A good sentence can be written (and read) by anyone if we simply give it the gift of our time, and it is as close as most of us will get to making something truly beautiful. Enter acclaimed author Professor Joe Moran. Using minimal technical terms, First You Write a Sentence is his unpedantic but authoritative explanation of how the most ordinary words can be turned into verbal constellations of extraordinary grace.

Apostrophes are everywhere - often where they don't belong and frequently missing where needed. This concise guide is designed to give any writer firm guidelines for the use of apostrophes, in any situation.

This audiobook contains grammar points with examples for learners. With many chapters on various grammatical theories, A Grammar of the English Tongue is the complete guide to the correct usage of English. A Grammar of the English Tongue can help you get the basic skills you need for a career and for further educational pursuits.

As language evolves faster than ever before, what is the future of 'correct' style? With wry cleverness and an uncanny intuition for the possibilities of Internet-age expressiveness, Favilla argues that rather than try to preserve the sanctity of the written language as laid out by Strunk and White, we should be concerned with the larger issues of clarity, flexibility, playfulness and political awareness. Her approach to the new rules - as practical as they are fun - will fascinate and delight believers and naysayers alike.

This book really makes you want to write! Whether you are starting your first novel or blogging up a storm, this book will make you a better communicator in the 21st century, the Age of Brevity and the Internet. If you can keep your writing brief and concise, you can save countless hours of frustration - for yourself and your readers. It's hard at first, but by mastering a few simple "tricks of the trade," you will not only keep it short, you will also discover new ideas, find new angles, and write with more zip. This short guide shows the way.

In Making Sense, David Crystal confronts the foe of many: grammar. Once taught relentlessly to all students in the English-speaking world, grammar disappeared from most school curricula, so that terms such as preposition and conjunction now often confound children and adults alike.

A wise and entertaining guide to writing English the proper way by one of the greatest newspaper editors of our time. Harry Evans has edited everything from the urgent files of battlefield reporters to the complex thought processes of Henry Kissinger. He's even been knighted for his services to journalism. In Do I Make Myself Clear?, he brings his indispensable insight to us all in his definite guide to writing well. Evans provides practical examples of how editing and rewriting can make for better communication, even in the digital age.

This book covers the basics of word usage, including nouns, pronouns, verbs, propositions and adjectives. It shows how they work together to form sentences and ideas, and how misuse of grammar can lead to serious misunderstandings.

In almost any career, you must know how to write - even if it's not part of your job description. But if you are a reluctant writer, producing even the simplest memo may be a struggle. Write Better Right Now is the springboard to get you ahead in any job, passion project, or situation that requires writing skills. No matter what you are called upon to do - blog posts, speeches, web content, press releases, or more - this step-by-step manual gives you the solid techniques you need to get the task done.

This book presents the most important elements of English grammar in a clear and simple manner. The book addresses all those who want to learn English, regardless of age, offering, through clear explanations and algorithms, a better and faster understanding of English grammar. Each lesson is accompanied by examples and exercises. The book contains 900 exercises.

Words on the Move opens our eyes to the surprising backstories to the words and expressions we use every day. Did you know that silly once meant "blessed"? Or that ought was the original past tense of owe? Or that the suffix -ly in adverbs is actually a remnant of the word like? And have you ever wondered why some people from New Orleans sound as if they come from Brooklyn?