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Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

In an evolving networked era, social-issue documentaries like Blackfish are art for civic imagination and social critique. In Story Movements, producer and scholar Caty Borum Chattoo explores how documentaries disrupt dominant cultural narratives through complex, creative, often investigative storytelling.

When Brian De Palma agreed to allow Julie Salamon unlimited access to the film production of Tom Wolfe's best-selling book The Bonfire of the Vanities, both director and journalist must have felt like they were on to something big. How could it lose? But instead Salamon got a front-row seat at the Hollywood disaster of the decade.

Billy Wilder’s Sunset Boulevard, a classic film noir and also a damning dissection of the Hollywood dream factory, evokes the glamour and ruin of the stars who subsist on that dream. It’s also one long in-joke about the movie industry and those who made it great - and who were, in turn, destroyed by it. One of the most critically admired films of the 20th century, Sunset Boulevard is also famous as silent-star Gloria Swanson’s comeback picture.

Author Edward White explores the Hitchcock phenomenon - what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. Illuminating different aspects of Hitchcock's life and work, the book's 12 chapters reveal something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived, but also the various versions of himself that he projected and those projected on his behalf.

When producer Ira Rosen walked into the 60 Minutes offices in June 1980, he knew he was about to enter television history. His career catapulted him to the heights of TV journalism, breaking some of the most important stories in TV news. But behind the scenes was a war room of clashing producers, anchors, and the most formidable 60 Minutes figure: legendary correspondent Mike Wallace.

Despite increasing corporate mergers and bottom-line thinking, the entertainment business will never function like a bank or an insurance company because it is an industry rooted in imagination. Rules are meant to be broken. The best work is often produced in an environment where plans change by the minute and nothing seems to make sense. To wit, those who choose this profession must alter preconceived notions of work itself, sometimes discovering that fantasy and horror describe both movie genres and life on the job.

Directors operate behind the scenes managing actors, establishing a cohesive creative vision, at times literally guiding our eyes with the eye of the camera. But we are often so dazzled by the visions onscreen that it is easy to forget the individual who is off-screen orchestrating the entire production - to say nothing of their having marshaled a script, a studio, and other people's money. David Thomson, in his usual brilliantly insightful way, shines a light on the visionary directors who have shaped modern cinema and, through their work, studies the very nature of film direction.

Who made the phone call that got HBO to launch The Sopranos? What’s the significance of all those eggs? And, what the hell ever happened to the Russian? Michael Imperioli, Steve Schirripa, and the entire cast and crew of The Sopranos have all the answers - and they’re revealing where all the bodies are buried.

10 Tips for Creating Promotional Video for Your Screening describes the different types of promotional materials to create. It discusses creating flyers, announcements, press releases, and social media posts. It describes the different places to promote your screening, including the newsletters of local organizations, trade fairs, and announcements at referral and networking groups.

10 Tips for Increasing Your Chances of Getting Attention and Awards at Film Festivals describes how to get more attention and awards by using various strategies to increase attendance and press coverage. It suggests ways to make more connections when you are there or using a surrogate to represent you. It recommends different techniques you can use online and in creating flyers, posters, and other materials to promote your festival screening.

10 Tips for Promoting a Local Screening of Your Film describes some ways to promote a local screening. It suggests different promotional strategies for putting on your own event or helping an organization promote your screening. Then, the audiobook focuses on how to use Eventbrite and Meetup to sign-up attendees and receive advance payments. The audiobook is formatted like a journal, so listeners can write down their ideas for what to do after reading each tip.

The audiobook 10 Tips for Entering Your Film in Film Festivals describes how to choose which festivals to enter among the thousands of film festivals each year. It explains the advantages of entering and attending local festivals, discusses online festivals, and suggests ways to increase your chances of your film being selected in a festival competition. It also lists many of the most popular and coolest festivals to enter.

10 Tips for Making a Final to Do List for Distributing Your Film summarizes the key tasks to do to successfully distribute your film. It features key marketing and promotion tasks, such as creating a poster, trailer, and press materials, setting up a website or page on your website for the film, making arrangements with a website, and more. The book is part of a series of short books, in which each book features tips and techniques for becoming more successful in the film industry.

10 Tips for Making Your Own Distribution Arrangements for Your Film describes how you can distribute your film through various online video platforms including aggregators and your own website. It discusses the different types of video platforms, including third-party aggregators and video on demand (VOD) sales platforms.

Finally, a book that confronts the challenges filmmakers of all types of films face when bringing their vision to the screen. Emmy-nominated director and multi-hyphenate filmmaker Christopher Folkens (www.mysticfilms.com) provides an in-depth look at the personal journey necessary for any filmmaker to take on their debut film (or really any creative project for that matter).

10 Tips for Making the Arrangements for a Local Screening describes in detail how to set up a local screening. It explains how to choose a location, venue, and date, as well as determine costs and what to charge....

Alexandra Boylan has gone from a homeless struggling actor to an award winning film producer. Producing, writing, and staring in numerous films that have landed distribution deals with Netflix, Universal Home Studios Entertainment, Pure Flix Entertainment, Image Entertainment, and on the shelves of Walmart and Red Box. This compilation of true tales from the Hollywood trenches chronicles her journey. The tips and tricks contained in these accounts will guide you through the ever-changing landscape of the entertainment industry while maintaining your sanity and self-respect.

10 Tips for Creating a Promotional Video from Your Screening describes how to work with a videographer and video editor to create a promotional video from your screening to further promote your film. It explains what you can expect to pay and what to film. It also suggests how to provide input for editing the video and how to use the video for promotion.

10 Tips for Setting Up Local Screenings of Your Film describes how to set up a series of local screenings in your community and nearby cities if you are doing your own distribution. It describes how to determine your audience, select the best location for your screening, find a venue, and attract an audience. It also describes how to collect payments, run the program, and build on these showings to gain an even bigger audience at future showings.