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A rare, intimate portrait of Christopher Nolan with the full cooperation of Nolan himself who opened up more fully than ever before in his talks with Tom Shone. In chapters structured by themes and motifs ("Time"; "Chaos"), Shone writes of Nolan's thoughts on movies, on plots; on time, identity, perception, chaos, daydreams. Here is Nolan on the evolution of his pictures, and the writers, artists, directors, and thinkers who have inspired and informed his films.

With the television hits The Odd Couple, Happy Days, Laverne & Shirley, and Mork & Mindy, and movies like The Flamingo Kid, Beaches, Pretty Woman, and The Princess Diaries under his belt, Garry Marshall was among the most successful writers, directors, and producers in America for more than five decades. His work on the small and big screen delighted audiences for decades and has withstood the test of time.

Robert Altman - visionary director, hard-partying hedonist, eccentric family man, Hollywood legend - comes roaring to life in this rollicking cinematic biography, told in a chorus of voices that can only be called Altmanesque.

Here are the very personal diaries of Richard E. Grant's debut behind the camera, as writer and director of his autobiographical movie of the same name.

It is both a fascinating insight into the intrigues and agonies he encounters along the way, and also a deeply moving portrait of his childhood and his love affair with Swaziland, where he was born and brought up during the last throes of the British Empire.

The definitive biography of movie executive and philanthropist Sherry Lansing traces her groundbreaking journey to become the first female head of a major motion picture studio, shares behind-the-scenes tales from movie sets and Hollywood boardrooms, and explains what inspired her to walk away from it all to start the Sherry Lansing Foundation.

Mani Ratnam’s Nayakan is among Time’s "100 Best Movies Ever", and his Roja launched A.R. Rahman. For the first time ever, Mani Ratnam opens up here, to Baradwaj Rangan, in a series of freewheeling conversations - candid, witty, pensive, and sometimes combative - and looks back at these and 19 other masterly films. With Rangan’s personal and impassioned introduction setting the Tamil and national context of the films, Conversations is a treat for serious lovers of cinema as well as the casual moviegoer looking for a peek behind the process.

Dazed and Confused not only heralded the arrival of filmmaker Richard Linklater, it introduced a cast of unknowns who would become the next generation of movie stars. Embraced as a cultural touchstone, the 1993 film would also make Matthew McConaughey’s famous phrase - alright, alright, alright - ubiquitous. But it started with a simple idea: Linklater thought people might like to watch a movie about high school kids just hanging out and listening to music on the last day of school in 1976.

When F. W. Murnau brought Nosferatu to the screen in 1922, he ushered in the bloody reign of cinema’s most venerable villain - the vampire. Nocturnal, fanged and insatiable for human blood, the vampire has infected the public consciousness like no other movie monster. In this illustrated pocket guide, Charles Bramesco goes vampire hunting across a century of cinema, stalking around lonely Transylvanian castles, dusty New York apartments and rain-soaked Washington woods to discover why the vampire has become cinema’s most enduring villain.

The Towering Inferno (1974) was the crowning achievement of über-producer Irwin Allen, the self-proclaimed “Master of disaster.” Crafted from two best-selling books and with a budget-busting cast headed by two mega-stars, it took two studios to bring it to the screen. In celebration of the 50th anniversary of The Towering Inferno, biographer-historian Nat Segaloff (who was a member of the film’s special publicity unit) writes about the production, its innovative marketing campaign, and the goings-on before, during, and after its box office success.

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

How to Score in Hollywood reveals the secrets to a movie’s success and profitability. Entertainment research expert Kevin Goetz, founder and CEO of Screen Engine, draws on almost four decades of experience to show how strategic decisions—from development to release—help minimize risks and maximize returns. Armed with audience insights and data-driven strategies, Goetz demonstrates how every film should make money when made and marketed for the right price.

When Italian journalist Father Antonio Spadaro and Martin Scorsese first sat down together in Scorsese’s home, neither could have predicted the depth of the conversation, intellectual exchange, or friendship that would result. While discussing the acclaimed director’s film Silence, about the persecution of Jesuits in Japan, they began a dialogue about faith that continues to this day.

Cinematography is both an art and science—capturing motion requires a combination of skill, ingenuity, and artistic genius. Lighting, camera movement, and framing are just a few of the important components in the process of turning words on a page into unforgettable moving images. It’s not hyperbole to say that Roger Deakins is the greatest artist & scientist that the craft of cinematography has ever known. In Reflections: On Cinematography, Sir Roger Deakins offers his fans a one-of-a-kind look into his life and improbable road to Hollywood immortality.

Imagine turning your music into a lucrative income stream within months, even if you've been mystified by the complex world of music licensing for years. Do you feel overwhelmed by the idea of navigating the music licensing landscape? Are you unsure of where to begin on your journey to licensing your music for movies, TV shows, and video games? Perhaps you're feeling trapped in a cycle of uncertainty, not knowing how to protect your rights, negotiate a winning deal, or create fruitful opportunities.

A self-made man who rose to dizzying heights, Subhash Ghai proved the adage that destinies are created—and destroyed—every day in the Mumbai film industry. Today he runs Whistling Woods, the country's foremost film institute: his legacy to future generations of filmmakers. Karma's Child, his memoir, written with Suveen Sinha, tells the story of a man who believed he was destined to direct his own future, no less dramatically than a Subhash Ghai film—and did so.

هل أنت من محبي الأفلام؟! هل تقضي وقتك بالساعات أمامها تُشاهد كلَّ جديدٍ وحديث والأدهى من ذلك أنّك تبدأ بقراءة مراجعاتٍ عنها وتحليلات إخراجية وفنية إذا كنت ممن...

Here, for the first time, is the complete history of Saturday Night Fever. From the New York magazine article that inspired the film—"Tribal Rites of the New Saturday Night" by Nik Cohn—to the on-and-off-set dramas of Travolta, director John Badham, and producer Robert Stigwood, this deep dive into the making of a movie classic also includes special interviews with actors Donna Pescow and Joseph Cali, among others. It explores the huge impact of the film on the industry—including a "Death to Disco" backlash—as well as on American culture itself.

Sex on sets: India's first intimacy coordinator, Aastha Khanna, wants to create a safe space for performers

John Singleton became a living legend at just 24 years old when he earned Academy Award nominations for Best Director and Best Original Screenplay for Boyz N the Hood, the sleeper hit of the summer of 1991 and one of the decade’s most important films. Though he wasn’t victorious on Oscar night, it didn’t detract from his achievements.

For over half a century, Werner Herzog has challenged, enriched, and expanded our understanding of the truth. His films and books have mixed fiction and nonfiction, documentary and drama, reality and imagination. Invariably, Herzog goes beyond the appearance of what is true in search of a higher truth, or what he has often referred to as the “ecstatic truth.” In The Future of Truth, a great artist essays an answer to one of humanity’s deepest, most eternal questions.