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The 1930s was a magical age in Hollywood, with Shirley Temple and Mickey Rooney, Bette Davis, and Clark Gable lighting up the silver screen. But Deanna Durbin’s fame surpassed them all. Born in Canada, Deanna was “discovered” by star-maker Eddie Cantor, producer Joe Pasternak, and director Henry Koster, and she quickly became the world’s most celebrated star. She saved Universal Studios from ruin, she was a favorite of Winston Churchill and Anne Frank, and she became the highest-paid woman in America.

The study of classic and contemporary films can provide a powerful avenue to understand the experience of mental illness. In Madness at the Movies, James Charney, MD, a practicing psychiatrist and long-time cinephile, examines films that delve deeply into characters’ inner worlds, and he analyzes moments that help define their particular mental illness.

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, and Jerry Goldsmith learned and/or honed their craft in television before going on to major success in feature films.

“A fascinating peek behind the making of a megahit, and a delightful bit of nostalgia for those of us who remember life before streaming TV.” —Town & Country Welcome to the O.C., b*tch: it’s the definitive oral history of beloved TV show The O.C., from the show’s creators, featuring...

It's the 1970s, and you're invited behind the scenes of Doctor Who. You'll go on location to witness the recording of two classic TV adventures (The Sea Devils and Robot) and spend time inside a vintage BBC television studio. You'll also learn how to write a script or make a monster, 1970s-style! Authors Terrance Dicks and Malcolm Hulke will guide you through the first ten years of Doctor Who history, detailing how it was created, the people who brought it into being, and the actors who portrayed the Doctor, his friends and their monstrous enemies.

From Donald Bogle, the award-winning author of Hollywood Black and leading authority on Black cinema history, this is a first-of-its-kind comprehensive and lavish biography of Hollywood’s first African American movie goddess. Lena Horne’s life and career are truly remarkable in American film...

The inside story of how A League of Their Own—one of the most beloved baseball movies of all time—developed from an unheralded piece of American history into a perennial cinematic favorite. Featuring exclusive interviews and behind the scenes memories from the original cast and creators.No...

The “shocking” (The Wall Street Journal), must-read story of Charlie Chaplin’s years of exile from the United States during the postwar Red Scare, and how it ruined his film career, from bestselling biographer Scott Eyman. Bestselling Hollywood biographer and film historian Scott Eyman...

A fascinating look at Hollywood’s most turbulent decade and the demise of the studio system—set against the boom of the post–World War II years, the Cold War, and the atomic age—and the movies that reflected the seismic shifts “The definitive book on 1950s Hollywood.” —Booklist...

The author of the New York Times bestseller Her Again: Becoming Meryl Streep returns with a lively history of the Academy Awards, focusing on the brutal battles, the starry rivalries, and the colorful behind-the-scenes drama. America does not have royalty. It has the Academy Awards. For nine...

This program is read by the authors (David Zucker, Jim Abrahams, and Jerry Zucker), Laura Orrico and Joe Praino, with special appearances by an all-star cast of comedy giants, including the film's stars, Julie Hagerty and Robert Hays, as well as Beau Bridges, Barry Diller, Michael Eisner, Peter...

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

Once upon a time, if you wanted to know if a movie was worth seeing, you didn’t check out Rotten Tomatoes or IMDB. You asked whether Siskel & Ebert had given it “two thumbs up.” On a cold Saturday afternoon in 1975, two men (who had known each other for eight years before they’d ever...

Probablemente, Quentin Tarantino sea uno de los mayores cineastas de la historia, pero de lo que no hay atisbo de duda es de que estamos hablando del espectador que mejor puede contagiar su pasión entusiasta por las películas que ha visto. Ahora, por fin llega el libro con el que tantos años soñaron él y sus seguidores.

A deliciously irreverent and humorous insider’s account of 25 years working at the very top of British political television ‘What Rob Burley doesn't know about political interviewing isn't worth knowing’ – Andrew Neil ‘A delicious read’ – Emily Maitlis 'He writes beautifully' –...

There is no failure like televised failure. It is the most public failure. The most humbling failure. So it was odd when the two men who had assembled the biggest bomb in TV history began high-fiving on the sidelines of the XFL’s final game.

Cinema has had a hugely influential role on global culture in the twentieth century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial—often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In this Very Short Introduction, Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the twentieth century.

Este libro analiza la metamorfosis del mito desde la leyenda del castillo de Transilvania hasta su reinterpretación animada en el cine. Los niños del pasado temían a los vampiros; los de hoy en día quieren ser uno. Y los adultos encuentran en su promesa de felicidad un refugio ante los empleos precarios, las relaciones tóxicas y las megacorporaciones que nos chupan la sangre a diario.

El pueblo de Chinchero -a 28 kilómetros del Cusco- estaba, en 1970, en un territorio hermoso, todavía intocado por la maquinaria aplastante del turismo masivo. Hasta ahí llegó el joven y conflictivo Dennis Hopper para rodar la que vislumbraba como una obra maestra de la contracultura hippie: The Last Movie.

For over a century, cinephiles and film scholars have had to grapple with an ugly artifact that sits at the beginnings of film history. D. W. Griffith's profoundly racist epic, The Birth of a Nation, inspired controversy and protest at its 1915 release and was defended as both a true history of Reconstruction (although it was based on fiction) and a new achievement in cinematic art. Paul McEwan examines the long and shifting history of its reception, revealing how the film became not just a cinematic landmark but also an influential force in American aesthetics and intellectual life.